tag:blogger.com,1999:blog-68003492901657818262024-03-13T22:50:19.475-07:00Bibliomania - ByblyomaniaBlog destinado a pessoas que gostam de livros. A intenção é a troca de informações sobre: edições de livros; curiosidades literárias; especialmente livros sobre a Amazônia e endereços e dicas sobre livrarias e sebos no Brasil e no mundo.
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Stanislaws Booker e colaboradoresStanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.comBlogger168125tag:blogger.com,1999:blog-6800349290165781826.post-81047994132356399472022-02-25T14:51:00.022-08:002022-04-20T14:54:13.800-07:00Macunaíma: o herói sem nenhum caráter - A opus matter de Mario de Andrade - Coleção das capas das edições<h4 style="text-align: left;"><span style="font-weight: normal;"><span style="color: white; font-family: trebuchet; font-size: medium;"><span>Macunaíma</span><span> é um livro de autoria de Mario de Andrade, escrito em seis dias em 1926 e lançado em 1928. Desde então teve varias edições. </span>Esta postagem coleciona e disponibiliza as diferentes edições deste livro.</span></span></h4><h4 style="text-align: left;"><span style="font-weight: normal;"><span style="color: white; font-family: trebuchet; font-size: medium;"><span>O personagem-título, um herói sem nenhum caráter (anti-herói), é um índio que representa o povo brasileiro, mostrando a atração pela cidade grande de São Paulo. <br /></span><span>A frase característica da personagem é "Ai, que preguiça!". Como na língua indígena o som "aique" significa "preguiça", Macunaíma seria duplamente preguiçoso. A parte inicial da obra assim o caracteriza: "No fundo do mato-virgem nasceu Macunaíma, herói de nossa gente. Era preto retinto e filho do medo da noite."</span></span></span></h4><p># 26 de fevereiro de 2022 (em edição)</p><p></p><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjjxPUpiGzkqG6Ignn95Fw1jxOp7EBw67bp3lIs-JGPGpZusTure1PTJvxJLG8gOp-wDzsP4RvWYHJX9kEw1GZAqOaugqR4O7F72Wwqw1rTlucl-WClptSPOh30npz7PGq4WKDq_S5dumheUIGUbmuuTLwD0Q9YiPAEj7D_Oo6V8fTCtqyAuntVeWhF" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="605" data-original-width="415" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEjjxPUpiGzkqG6Ignn95Fw1jxOp7EBw67bp3lIs-JGPGpZusTure1PTJvxJLG8gOp-wDzsP4RvWYHJX9kEw1GZAqOaugqR4O7F72Wwqw1rTlucl-WClptSPOh30npz7PGq4WKDq_S5dumheUIGUbmuuTLwD0Q9YiPAEj7D_Oo6V8fTCtqyAuntVeWhF=w440-h640" width="440" /></a></div><br /><br /><p></p><p>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. 1. ed. <span face="archivo, sans-serif" style="background-color: white; color: #6c6c6c; font-size: 13px; font-weight: 700; letter-spacing: 0.3px;">Editora: Estabelecimento Graphico Eugenio Cupolo</span>: São Paulo, 1928. 278 p. </p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjWt6Jop0REBqv70OfYIKjLLbV0z6BLERuev60L5VYIT-5LdJXO6rVBZ0I9JySbt-tJolJuOA-72UxH8FyS2F5XDv7mnKYAbWwLySwujFzUycyTHqqhKlzCctSq1axpAxXe6DezUvIf62uGxIv7tIZqt9BaUYQTm6yltYKQPUstXThU4LWC6azWtPuW" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="600" data-original-width="397" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEjWt6Jop0REBqv70OfYIKjLLbV0z6BLERuev60L5VYIT-5LdJXO6rVBZ0I9JySbt-tJolJuOA-72UxH8FyS2F5XDv7mnKYAbWwLySwujFzUycyTHqqhKlzCctSq1axpAxXe6DezUvIf62uGxIv7tIZqt9BaUYQTm6yltYKQPUstXThU4LWC6azWtPuW" width="159" /></a></div><br /><br /><p></p><p>O valor atingido num leilão em Fev. 2022 - R$ 4.2000</p><p data-adtags-visited="true" style="color: #333333; font-family: "Lucida Grande", Verdana, Arial, sans-serif; font-size: 1.05em; overflow-wrap: break-word; text-align: justify;">A primeira edição da obra, com tiragem de apenas 800 exemplares, impressos em papel e tinta de baixa qualidade, é considerada, atualmente, um tesouro da Literatura Brasileira. <span style="font-size: 1.05em;">A escolha dos materiais utilizados provavelmente foi decisão do autor de imprimir uma tiragem maior do que conseguiria, se optasse por qualidade superior – consta que esta publicação foi financiada pelo próprio Mário de Andrade.</span></p><p>----------------------</p><div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjB7JeRXmGYrnHt13vH5ZqpKj1C3NPbHJNT6sbUocj7LixRq23mFOloAt_JavfU2_laJdTnrlZcscldXbCNDD6E02VDxZ88-_pL3ZqE0XHkGWsrB361p2LBcQKDPS0y5C5fHCpSrnrzi6QksmzqhjQ3plG3hTqUoEdjhKdAgfGDUlZlSb-WxY8r-QIa" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="590" data-original-width="378" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEjB7JeRXmGYrnHt13vH5ZqpKj1C3NPbHJNT6sbUocj7LixRq23mFOloAt_JavfU2_laJdTnrlZcscldXbCNDD6E02VDxZ88-_pL3ZqE0XHkGWsrB361p2LBcQKDPS0y5C5fHCpSrnrzi6QksmzqhjQ3plG3hTqUoEdjhKdAgfGDUlZlSb-WxY8r-QIa=w411-h640" width="411" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiYnNPfHVRSKr2S-Qo6MIMPR-gv_Ys8gtlznmqxrJ5qWdF8yxKYnH51R6Rqa8fAEWZZqiq2INdVGo0zKrznPdLrZfB8uaF1gRiKaDbygBwh86UMR2MnQ67t6aEfizXWSsuxSuRrYw2kMp0rUghS7hf4RpWHz5QFJglALcRcL_lKCj863NxdJGgoKJT-" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="591" data-original-width="382" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEiYnNPfHVRSKr2S-Qo6MIMPR-gv_Ys8gtlznmqxrJ5qWdF8yxKYnH51R6Rqa8fAEWZZqiq2INdVGo0zKrznPdLrZfB8uaF1gRiKaDbygBwh86UMR2MnQ67t6aEfizXWSsuxSuRrYw2kMp0rUghS7hf4RpWHz5QFJglALcRcL_lKCj863NxdJGgoKJT-=w258-h400" width="258" /></a></div><br /><br /><br /><br /><br />ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. 2. ed. Jose Olympio: Rio de Janeiro, 1937. 278 p. Esta edição foi de 1000 exemplares.</div><div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjPdfR4pMqt8f5hX9HlnRfoe3iNU9dY4d8F8mNn7NHrRycRoXpAwz7NzAULpnprjKBqvA0FkejgQp6EkxWFOuCGJ2dEs6NlcU8igyXX1Ov7gwV_ogHJy0ts4iJAzwbeMa9PaSQ8KaBnVqPtuhUQBQLxjU3GxS-TVmNnpl333phlLFMipWZecMb8KOIM" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="360" data-original-width="242" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEjPdfR4pMqt8f5hX9HlnRfoe3iNU9dY4d8F8mNn7NHrRycRoXpAwz7NzAULpnprjKBqvA0FkejgQp6EkxWFOuCGJ2dEs6NlcU8igyXX1Ov7gwV_ogHJy0ts4iJAzwbeMa9PaSQ8KaBnVqPtuhUQBQLxjU3GxS-TVmNnpl333phlLFMipWZecMb8KOIM=w215-h320" width="215" /></a></div><br /><p></p><p>Esta é uma reprodução da segunda edição em comemoraçao aos seus cem anosda Jose Olympio (Record) </p><p>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. 2. ed. Record: Rio de Janeiro, 2022. xx p. ISBN: </p><h2 style="text-align: left;"><span style="font-weight: normal;"><span style="background-color: white; color: #555555; font-size: 14px;">Macunaíma – o herói sem nenhum caráter é um marco na história da literatura brasileira. Reproduzindo a segunda publicação da obra pela José Olympio, esta edição atualizada mantém a característica escrita de Mário de Andrade e adapta o clássico projeto gráfico de 1937. Foram muitas as perspectivas utilizadas por Mário de Andrade na construção dessa linguagem singular, pois ele se valeu de sua ampla visão da cultura popular para criar o personagem-título – Macunaíma foi forjado a partir de lendas indígenas e populares, colagens de histórias, mitos e modos de vida que, nele somados, deram existência a um tipo brasileiro ideal. Um ser mágico, debochado e zombeteiro, que viaja pelo país – de Roraima a São Paulo, descendo o rio Araguaia, do Paran á aos pampas, até chegar ao Rio de Janeiro –, acompanhado de seus irmãos, Jiguê e Maanape, numa aventura para recuperar seu amuleto perdido: a muiraquitã.Publicado pela primeira vez em 1928 e custeado pelo autor, Macunaíma teve sua segunda edição lan çada pela Livraria José Olympio Editora, em 1937. É esse texto que o leitor e a leitora têm agora em mãos, com atualização ortográfica, preservação do estilo da prosa e projeto editorial que reproduz a arte gráfica de Thomaz Santa Rosa, icônico artis ta visual responsável pelos livros da editora nas decadas de 1930 e 1940. A importância de Macunaíma para a cultura brasileira é imensurável. Em 1969, o filme homônimo dirigido por Joaquim Pedro de Andrade trouxe dois protagonistas: Grande Otelo, o Macunaím a negro e Paulo José, o Macunaíma branco. <br /></span><span face=""Source Sans Pro", arial, sans-serif" style="background-color: white; color: #555555; font-size: 14px;">No Carnaval de 1975, a Portela levou à avenida o samba-enredo Macunaíma – herói de nossa gente, puxado por Silvinho da Portela, Clara Nunes e Candeia. </span></span></h2><p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/jbqwRtvSk48" width="320" youtube-src-id="jbqwRtvSk48"></iframe></div><p></p><p><span face=""Source Sans Pro", arial, sans-serif" style="background-color: white; color: #555555; font-size: 14px;"><br /></span></p><p><span face=""Source Sans Pro", arial, sans-serif" style="background-color: white; color: #555555; font-size: 14px;"><span face="Roboto, Arial, sans-serif" style="background-color: #f9f9f9; color: #030303; white-space: pre-wrap;">Macunaima, composição de David Corrêa e Norival Reis, interpretada por Jamelão.
Portela apresenta
Do folclore tradições
Milagres do sertão à mata virgem
Assombrada com mil tentações
Cy, a rainha mãe do mato, oi
Macunaíma fascinou
Ao luar se fez poema
Mas ao filho encarnado
Toda maldição legou
Macunaíma índio branco catimbeiro
Negro sonso feiticeiro
Mata a cobra e dá um nó
Cy, em forma de estrela
À Macunaíma dá
Um talismã que ele perde e sai a vagar
Canta o uirapuru e encanta
Liberta a mágoa do seu triste coração
Negrinho do pastoreio foi a sua salvação
E derrotando o gigante
Era uma vez Piaiman
Macunaíma volta com o muiraquitã
Marupiara na luta e no amor
Quando para a pedra para sempre o monstro levou
O nosso herói assim cantou
Vou-me embora, vou-me embora
Eu aqui volto mais não
Vou morar no infinito
E virar constelação</span></span></p><p><span face=""Source Sans Pro", arial, sans-serif" style="background-color: white; color: #555555; font-size: 14px;"><br /></span></p><p><span face=""Source Sans Pro", arial, sans-serif" style="background-color: white; color: #555555; font-size: 14px;"><br /></span></p><p><span face=""Source Sans Pro", arial, sans-serif" style="background-color: white; color: #555555; font-size: 14px;"><br /></span></p><p><span face=""Source Sans Pro", arial, sans-serif" style="background-color: white; color: #555555; font-size: 14px;">Em 2019, Macunaíma – uma rapsódia musical foi uma das pe ças mais elogiadas da temporada de teatro. A adaptação foi dirigida por Bia Lessa, com roteiro da escritora e crítica de arte Veronica Stigger, que assina o prefácio desta edição da record “O Macunaíma é a maior obra nacional. Você precisa ler.” </span></p><p><span face=""Source Sans Pro", arial, sans-serif" style="background-color: white; color: #555555; font-size: 14px;">Oswald de Andrade: “Juntamente com o companheiro José, de Carlos Drummond, o anti-herói de Mário passou a ser figura de citação obrigatória, adquirindo um prestígio popular que antes só personagens de José de Alencar ou Machado de Assis tinham conseguido.” </span></p><p><span face=""Source Sans Pro", arial, sans-serif" style="background-color: white; color: #555555; font-size: 14px;">"Silviano Santiago“ - Selvagem e civilizadíssimo. Só Mário.” - </span></p><p><span face=""Source Sans Pro", arial, sans-serif" style="background-color: white; color: #555555; font-size: 14px;">"Darcy Ribeiro “Obras e autores que captam verdades ficam tornam-se polos de comparação, mesmo nas reflexões miúdas do cotidiano. Macunaíma obra e Macunaíma um herói possível são assim.” - Telê Pontes</span></p><p><br /></p><div>----------------------------------</div></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjpq5GfkZUnGpyXEaMx2MjWJPiRL4zzy-MZT1mttORmOIzqFHTIzZL6W1X37qWxeatexkZ0jpmkBD-v8Ldv5Kn4z2dfyZWUEw-gsN08VBDOJQVkEKYuTsXDRef_krZHO_ggmRYZG5aEFiRrl1EwAPs3oMictOnvdr84fYbe6WhsdPIJtbQJ4cPj26D8" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="596" data-original-width="368" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEjpq5GfkZUnGpyXEaMx2MjWJPiRL4zzy-MZT1mttORmOIzqFHTIzZL6W1X37qWxeatexkZ0jpmkBD-v8Ldv5Kn4z2dfyZWUEw-gsN08VBDOJQVkEKYuTsXDRef_krZHO_ggmRYZG5aEFiRrl1EwAPs3oMictOnvdr84fYbe6WhsdPIJtbQJ4cPj26D8=w395-h640" width="395" /></a></div><br /><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiSe6QBIrQRD2kr2-h4wi6fTdNv1cGm2N69IwycAeSJZKOStrRME_InSX1UtTMZ73b3a2eo5r9lrXKtYX3NN3PU3RVNediIDEYb4T1fnfdow5MNe3Z9Nz9qpCYxpQgJzZGA6jyF8sxuDXGp8tqtUMkjD0jqVLssHjS8NrRXmnAOLenDHqANy_qhuSCi" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="338" data-original-width="623" height="174" src="https://blogger.googleusercontent.com/img/a/AVvXsEiSe6QBIrQRD2kr2-h4wi6fTdNv1cGm2N69IwycAeSJZKOStrRME_InSX1UtTMZ73b3a2eo5r9lrXKtYX3NN3PU3RVNediIDEYb4T1fnfdow5MNe3Z9Nz9qpCYxpQgJzZGA6jyF8sxuDXGp8tqtUMkjD0jqVLssHjS8NrRXmnAOLenDHqANy_qhuSCi" width="320" /></a></div><br /><br /></div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. 3 ed. Martins Fontes: São Paulo, 1944. 240 p. Obras Completas de Mário de Andrade. </div><div><br /></div><div>_____________________________________________________</div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiwCEPG5fMzUj6h5YDvEduQpzd3pCyl8v2Any_0H_1-0_sPhr7lhartTxhowf2D4dLgUUF7j6mnQn1fr_jrHijpe1dBGsSjy6TRkTDjua4kM_ZABbnfa4EUHJIRzc0I8u5Tyzi-8ROFRPncrioI-st_yLpgaB4XtsWaKNVUpjX6VLSPgJCDCE2XHSOI" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="602" data-original-width="390" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEiwCEPG5fMzUj6h5YDvEduQpzd3pCyl8v2Any_0H_1-0_sPhr7lhartTxhowf2D4dLgUUF7j6mnQn1fr_jrHijpe1dBGsSjy6TRkTDjua4kM_ZABbnfa4EUHJIRzc0I8u5Tyzi-8ROFRPncrioI-st_yLpgaB4XtsWaKNVUpjX6VLSPgJCDCE2XHSOI=w413-h640" width="413" /></a></div><br /><br /></div><div><br /></div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. 5 ou 6 ed. Martins Fontes: São Paulo, 1962. 240 p. Obras Completas de Mário de Andrade. </div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgkhrxMGANYljgK_2UXWmfEVkbI4_UIunbHL-jJ9bTRVkVQ-yEcnr8pa6uOZ0b4mtCcc7-_XoDKqJLwF66HlkhECyvylLhS9uf6G-h4tjPbalGLbbN82TpLGRoMh63ONHpUIdHVoZXeUWP0LR9k1OCbxZTujicfLm4prsT_fwvhbEYvhqSkgwZ-yis8" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEgkhrxMGANYljgK_2UXWmfEVkbI4_UIunbHL-jJ9bTRVkVQ-yEcnr8pa6uOZ0b4mtCcc7-_XoDKqJLwF66HlkhECyvylLhS9uf6G-h4tjPbalGLbbN82TpLGRoMh63ONHpUIdHVoZXeUWP0LR9k1OCbxZTujicfLm4prsT_fwvhbEYvhqSkgwZ-yis8=w231-h320" width="231" /></a></div><br /><br /></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgVQS5gEt_rHV0248uvhFcfxIwRucNbU17o4pqlR1jrY5ejTttti-1-ywaWLrwev8HVs0HpGSoQXmhhFKKfz0aL0J3nfHzkeJgzP6gEJCuDQQlD8gQqHeUXA7LkVpbzgU2rlqPkULrBLVmqE74Ijgn351CGFKHaxtnhhxLzm37M8jPe0Z0SosVmrMv2" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEgVQS5gEt_rHV0248uvhFcfxIwRucNbU17o4pqlR1jrY5ejTttti-1-ywaWLrwev8HVs0HpGSoQXmhhFKKfz0aL0J3nfHzkeJgzP6gEJCuDQQlD8gQqHeUXA7LkVpbzgU2rlqPkULrBLVmqE74Ijgn351CGFKHaxtnhhxLzm37M8jPe0Z0SosVmrMv2" width="173" /></a></div><br /><br /></div><div>----------------------------</div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhPdpORpiXOZSnC-IY_aPTdY1vZyUg2Q3x748ETXvs0Yy9uDmRpjX53Cw89dSitmecpMw9tAEsKRBbuqzuPP3naj24snS-aC4dwUGDmKS3pQtNLhTMYsSWP0qxHzlPvPqB8N6uLBuuHK4xb7qTvLMZxUcIBjsmPYcArYKlbXpP1GWvnnZ-HpjmiRJ1h" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="621" data-original-width="447" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEhPdpORpiXOZSnC-IY_aPTdY1vZyUg2Q3x748ETXvs0Yy9uDmRpjX53Cw89dSitmecpMw9tAEsKRBbuqzuPP3naj24snS-aC4dwUGDmKS3pQtNLhTMYsSWP0qxHzlPvPqB8N6uLBuuHK4xb7qTvLMZxUcIBjsmPYcArYKlbXpP1GWvnnZ-HpjmiRJ1h=w461-h640" width="461" /></a></div><br />ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. 4 ed. Martins Fontes: São Paulo, 1965. 240 p. Obras Completas de Mário de Andrade. <p></p><p></p><div class="separator" style="clear: both; text-align: center;"><br /></div>-----------------------------------------------------------------------<br /><div><br /></div><div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEh1vzg4rIo-cnEgG7qeWiE5LhJF2mL5rcOfGGNVmswMTdiXujPRkdNvQMvU59ipLZDoM_THpMoT-CDzZ5Vuwk78PZ8b-9VPdGvszcTAEL1cEgq1l6J_a7Da5JLKocVizcacP4wSombRA8FIvqUCFJlnn9tRoKyljXWZPicHnnJf7Hu4jZp-KRKM84Af" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEh1vzg4rIo-cnEgG7qeWiE5LhJF2mL5rcOfGGNVmswMTdiXujPRkdNvQMvU59ipLZDoM_THpMoT-CDzZ5Vuwk78PZ8b-9VPdGvszcTAEL1cEgq1l6J_a7Da5JLKocVizcacP4wSombRA8FIvqUCFJlnn9tRoKyljXWZPicHnnJf7Hu4jZp-KRKM84Af=w461-h640" width="461" /></a></div><div><br /></div><div><br /></div><div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. 5 ed. Livraria Martins: São Paulo, 1969. 222 p. </div><div>===============================================</div></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjkl4ddC9FrLqUFkcdnrFbuvoVLnA0HW0V1VOFSPsSvYR-I-sWPsjbvJRpK2vkfHmpN-AOdrsYMVqaiSPw0O4gjYClI_2-g6g0FrtROK08_GB-f822b1YqPmwcnDKGnCrmk09gksfD1vdEYDWbF99L_5GK0FCVPuBFxN3qfcE72tSj-NIdo6JVcqdMB" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEjkl4ddC9FrLqUFkcdnrFbuvoVLnA0HW0V1VOFSPsSvYR-I-sWPsjbvJRpK2vkfHmpN-AOdrsYMVqaiSPw0O4gjYClI_2-g6g0FrtROK08_GB-f822b1YqPmwcnDKGnCrmk09gksfD1vdEYDWbF99L_5GK0FCVPuBFxN3qfcE72tSj-NIdo6JVcqdMB=w461-h640" width="461" /></a></div><br /><br /></div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. 6 ed. Livraria Martins: São Paulo, 1970. 222 p. </div><div><br /></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgtMC5QIq6Ki2wclo8I0unZ50I2_nMuodvX4Kouggw2czx6J_ptHK_FUoREZivH1VS2sBwVRQry62eC_NCCiHz4KnpfKxMJdKKLq17AqlvLQbCdehuJHWkR6SFLSjCqa-ObRkwzREAUybvvgSU65DleMau8v2VkbV8tR7FNnYd-FNi8uioFoX1514Mc" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgtMC5QIq6Ki2wclo8I0unZ50I2_nMuodvX4Kouggw2czx6J_ptHK_FUoREZivH1VS2sBwVRQry62eC_NCCiHz4KnpfKxMJdKKLq17AqlvLQbCdehuJHWkR6SFLSjCqa-ObRkwzREAUybvvgSU65DleMau8v2VkbV8tR7FNnYd-FNi8uioFoX1514Mc=w461-h640" width="461" /></a></div><br /><br /></div><div><br /></div><div>1972 - 7 ed. </div><div><br /></div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. 8 ed. Livraria Martins: São Paulo, 1973. 222 p. Capa de <span face=""Source Sans Pro", arial, sans-serif" style="background-color: white; color: #555555; font-size: 14px;">Capa de Tide Hellmeister.</span></div></div><div>--------------------------------------------------------------------------------</div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEilw6XKy803XH030NH0mc0TncEUhuv7JDBClq83Hcn3-rf511EJ2lzmkFESlYZaeUYQen8IOkyc3_kR_KobovvstYbfBnSlV0W5tT2FqExwsc8k-pEjae-Bfd6EM7NjAjfmPtsTvxX28PIEuShjGmh0nBaqw2OsPuUV-dKufJgg65awcM15cFKyAxcV" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEilw6XKy803XH030NH0mc0TncEUhuv7JDBClq83Hcn3-rf511EJ2lzmkFESlYZaeUYQen8IOkyc3_kR_KobovvstYbfBnSlV0W5tT2FqExwsc8k-pEjae-Bfd6EM7NjAjfmPtsTvxX28PIEuShjGmh0nBaqw2OsPuUV-dKufJgg65awcM15cFKyAxcV=w461-h640" width="461" /></a></div><br /><br /></div><div><br /></div><div><br /></div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x ed. Livraria Martins: São Paulo, 1975. 228 p. (Coleção Obras Completas de Mário de Andrade).</div><div><br /></div><div>Mesma capa de 1976 até 1979. Neste ano tem também a capa com olhos e boca vermelha. </div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhej2Xk4WkBcRVCpe3DdTYvzX4DfRmgSvFL4ezZJHYz0uv-eF3HAcKyFXWiqf9rV8cLgUOIA22PcYLJ9MAg9H5NZ8wMBc_e5SgeTEj9rpB4I2hqwjoHzfT9EeEMdCmQo6FQMKAQFyaMiGz9FyXQKV4JP65O8HebxOTg9IAOy0tb0QP4Lxu-V1ydbFx0" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="490" data-original-width="332" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEhej2Xk4WkBcRVCpe3DdTYvzX4DfRmgSvFL4ezZJHYz0uv-eF3HAcKyFXWiqf9rV8cLgUOIA22PcYLJ9MAg9H5NZ8wMBc_e5SgeTEj9rpB4I2hqwjoHzfT9EeEMdCmQo6FQMKAQFyaMiGz9FyXQKV4JP65O8HebxOTg9IAOy0tb0QP4Lxu-V1ydbFx0=w435-h640" width="435" /></a></div><br /><br /></div><div><br /></div><div><br /></div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. 18 ed. Livraria Martins: São Paulo, 1975. 228 p. (Coleção Obras Completas de Mário de Andrade).</div><div>___________________________</div><div><br /></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgmnL_Q_ntsj3dYrIWq-X2eZKFqegkAA0Em2Ihsa2FjXLgqibei-j3bh9UKT7bDQyp9qtuA7GvvR7-HRC7577UoXr0fW8jI9B1N4mqYkLTe8FpIPHz6gFNX6EKVAMROWd1RY3XgIGLwudxhM2HOspd1qx0xrfZ1mXeNfpAh6zx3lGEfs6MzYlC1xgZk" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgmnL_Q_ntsj3dYrIWq-X2eZKFqegkAA0Em2Ihsa2FjXLgqibei-j3bh9UKT7bDQyp9qtuA7GvvR7-HRC7577UoXr0fW8jI9B1N4mqYkLTe8FpIPHz6gFNX6EKVAMROWd1RY3XgIGLwudxhM2HOspd1qx0xrfZ1mXeNfpAh6zx3lGEfs6MzYlC1xgZk=w461-h640" width="461" /></a></div><div><br /></div><div><br /></div><div><br /></div><div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. 19 ed. Livraria Martins: São Paulo, 1980. 228 p. (Coleção Obras Completas de Mário de Andrade).</div></div><div><br /></div><div>Esta capa e a mesma da 20 edição de 1981. </div><div><br /></div><div><br /></div><div><br /></div><div>_______________________</div><div><br /></div><div><br /></div><div><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiG2IpAy9FPC9hWD8T-4Baj15WjwK_EHXV-UHLJTKOvPr3OOp-Fe9MmtGHAgNBvy9Ys8bS86-Y2t9v24fK78jBys0Rc8IgwB0Nhspt-uWt1_i0M_UfEoWx2V2wi4fTPeJSBgSqcZRaH5fUMws3wtmJdyJTYh_XT5vM2TjuhOOcgYtO1xDaN4_pOCReS" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEiG2IpAy9FPC9hWD8T-4Baj15WjwK_EHXV-UHLJTKOvPr3OOp-Fe9MmtGHAgNBvy9Ys8bS86-Y2t9v24fK78jBys0Rc8IgwB0Nhspt-uWt1_i0M_UfEoWx2V2wi4fTPeJSBgSqcZRaH5fUMws3wtmJdyJTYh_XT5vM2TjuhOOcgYtO1xDaN4_pOCReS=w461-h640" width="461" /></a></div><div><br /></div><div><br /></div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x ed. Círculo do Livro - São Paulo. 1982 - 1983 - 1984. 203 p. </div><div><br /></div><div>__________________________</div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgx8LDCwNxoOE_FcIVcQe2MDOMBbfO870wP9pC6o-eH7PWLrpgAMvwTbbHt7K-YcwCVYJbJbt6dv_IDkGQqWtW25nkPhD_4bXhA8rI6F3FfsWnMM3qS09fYO7w-AUHoRhJVEp5lwGmD-RKpJVtniHo8GKoLFIKz1kmZxEChydRV90y0MuQV1CNXLRL0" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgx8LDCwNxoOE_FcIVcQe2MDOMBbfO870wP9pC6o-eH7PWLrpgAMvwTbbHt7K-YcwCVYJbJbt6dv_IDkGQqWtW25nkPhD_4bXhA8rI6F3FfsWnMM3qS09fYO7w-AUHoRhJVEp5lwGmD-RKpJVtniHo8GKoLFIKz1kmZxEChydRV90y0MuQV1CNXLRL0=w461-h640" width="461" /></a></div><div><br /></div><div><br /></div><div><br /></div><div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. 22 ed. Círculo do Livro - São Paulo. 1987 - 1992. 203 p. Coleção Grandes da Literatura Brasileira, v. 5. </div><div>--------------------------------</div></div><div><br /></div></div></div></div><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><div><div><div><div style="text-align: left;">'</div></div></div></div></blockquote><p> </p><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><div><div><div><div style="text-align: left;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhG3gTOWZk4E3pLxPaYvNOgGFeOxJQzDdSh1WzlN9bcRhuSqTVGgpgECH966g_FPC69ZFr8p-GHK0DhMa39br7BbBgaTlYd5406P1cvKY6tCWQ5jVolZP2cgPANvEIQvDrL8YTtRbwugBEc0PiyUZ3ijGVKLfFVgMj-C1BHPvlSWo5RB4FCJF9dmOfX" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEhG3gTOWZk4E3pLxPaYvNOgGFeOxJQzDdSh1WzlN9bcRhuSqTVGgpgECH966g_FPC69ZFr8p-GHK0DhMa39br7BbBgaTlYd5406P1cvKY6tCWQ5jVolZP2cgPANvEIQvDrL8YTtRbwugBEc0PiyUZ3ijGVKLfFVgMj-C1BHPvlSWo5RB4FCJF9dmOfX=w461-h640" width="461" /></a></div></div></div></div></blockquote><div><div><div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x ed. LTC, 1978. 436 p. Edição crítica de Telê Porto Ancona Lopez. </div><div><br /></div>------------------------------</div><div><br /></div><div><br /></div></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEh_pkqHnFsEoz7XC-E8w_3WkqPfMeOYeoCW1w_ePBJ-UpCvbLt6_Mh7LN-6qMS1Jvsc0X-Tlf50kHclDs8y1OO7wkxzu2jQldhv0pxZIElNTeFUTEkUcFUUfSa4KBG2hS2UlWMBilcVXhgBeuZ5bZx3NLUMYkayH0qp51qOjqrMqIA9hMPC2nQ8t98j" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEh_pkqHnFsEoz7XC-E8w_3WkqPfMeOYeoCW1w_ePBJ-UpCvbLt6_Mh7LN-6qMS1Jvsc0X-Tlf50kHclDs8y1OO7wkxzu2jQldhv0pxZIElNTeFUTEkUcFUUfSa4KBG2hS2UlWMBilcVXhgBeuZ5bZx3NLUMYkayH0qp51qOjqrMqIA9hMPC2nQ8t98j=w461-h640" width="461" /></a></div><br /><br /></div><div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x ed. UNESCO - UFSC - Florianópolis, 1988. 480 p. Edição crítica de Telê Porto Ancona Lopez. Coleção Arquivos, v. 6</div><div>Textos Darcy Ribeiro, Alfredo Bosi, Raul Antelo. Maria Augusta Fonseca.</div><div><br /></div></div><div><div class="separator" style="clear: both; text-align: center;"><br /></div></div><div>---------------------------------------------</div><div><br /></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgD40e8Qzl_Ms68l4meocuiOcgZWSJAt0sqLrbz2UE70vKgphfoRBwzBNAaclYupwhtv6mumOirsU5wxyD19de-T739Ci1XuQMMJ3FogqVHf4sSRLAs6t57SvvA3Stqb477PQaxs4shQLrN98Kru_aVu30ozHxKevN-7LmAFmSdm4llsPEHsl4bYNVN" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgD40e8Qzl_Ms68l4meocuiOcgZWSJAt0sqLrbz2UE70vKgphfoRBwzBNAaclYupwhtv6mumOirsU5wxyD19de-T739Ci1XuQMMJ3FogqVHf4sSRLAs6t57SvvA3Stqb477PQaxs4shQLrN98Kru_aVu30ozHxKevN-7LmAFmSdm4llsPEHsl4bYNVN=w461-h640" width="461" /></a></div><br /><br /></div><div><br /></div><div><br /></div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. 20. ed. Editora Itatiaia: Belo Horizonte, 1985. 135 p.</div><div><br /></div><div><br /></div><div>_____________________________________________________________________</div><div><br /></div><div><br /></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhThZjbqJ2hQiK2fsO2zlbFfTMpwBEtw8rUJxkzlahSbwCsJhGgoYJDRLVqOMG4Zy_JK5fcUcrDbIRfMs0pr8LgwCuiwezq31tCwW4flwFb1t5BLlHt-31wl70h_QrP3FP27zBH1Y3oICeRQDN1G3wHy-Q_niYx_IlyTosMaSDVrGj4d0qeocBGB-OU" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEhThZjbqJ2hQiK2fsO2zlbFfTMpwBEtw8rUJxkzlahSbwCsJhGgoYJDRLVqOMG4Zy_JK5fcUcrDbIRfMs0pr8LgwCuiwezq31tCwW4flwFb1t5BLlHt-31wl70h_QrP3FP27zBH1Y3oICeRQDN1G3wHy-Q_niYx_IlyTosMaSDVrGj4d0qeocBGB-OU=w461-h640" width="461" /></a></div><br /><br /></div><div><div class="separator" style="clear: both; text-align: center;"><br /></div></div><div><br /></div><div>1990 - 26 ed.</div><div>1991 - 27 ed.</div><div><br /></div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. 28 - 30. ed. Editora Villa Rica: Belo Horizonte, 1992 - 1997. ISBN <span face="archivo, sans-serif" style="background-color: white; color: #6c6c6c; font-size: 13px; font-weight: 700; letter-spacing: 0.3px;">8573440643</span></div><div>___________________________________</div><div><br /></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj0wTx-aeOqmeXivO80ySAfAVkerVb0sIbyUx8j1dW03LStLtAeEvnDHy9Cvaweh1Ejjc2YWRIpidD-wxFOFUTciWtLoP8Rje1IxDQognQt6GXrvtV9v-wkMdum9ePmNLrm_HK1PqUwtTZTkLEfCp9qV803BR9Z_jwtRZdG8fy2-OLGwrfVP1_tFu6y" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEj0wTx-aeOqmeXivO80ySAfAVkerVb0sIbyUx8j1dW03LStLtAeEvnDHy9Cvaweh1Ejjc2YWRIpidD-wxFOFUTciWtLoP8Rje1IxDQognQt6GXrvtV9v-wkMdum9ePmNLrm_HK1PqUwtTZTkLEfCp9qV803BR9Z_jwtRZdG8fy2-OLGwrfVP1_tFu6y=w461-h640" width="461" /></a></div><div></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><br />esta edição da Garnier parece ter duas capas a "Sinhazinha e a Jangada" foram lançadas em 2000, 2001 e 2004 (31,32 e 33 ed.)<br /><p></p><p> ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. 31. ed. Livraria Garnier: São Paulo, 1965. 228 p. </p><p><br /></p><p><br /></p><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiqJquAOmhpSMwRHo4gyQGhHP1uU9mpDIX8kwUdXrYEI452_ZFVbP-bhmJCxGe1YOM5Zp4zDcVTJp-6VHu-efqY5NUYXGyVj8giEnv6tiPPIyFqnB4bMHG1J8PIsxkwYfSFpw8snaKnEBWwWRVQntq8TnyXbjzFaEbeVjlEgJqvotlE2runcCd4t8MY" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEiqJquAOmhpSMwRHo4gyQGhHP1uU9mpDIX8kwUdXrYEI452_ZFVbP-bhmJCxGe1YOM5Zp4zDcVTJp-6VHu-efqY5NUYXGyVj8giEnv6tiPPIyFqnB4bMHG1J8PIsxkwYfSFpw8snaKnEBWwWRVQntq8TnyXbjzFaEbeVjlEgJqvotlE2runcCd4t8MY=w461-h640" width="461" /></a></div><br /><br /></div><div><br /></div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. 32. ed. Garnier. São Paulo 2002. (Coleção Clássicos da Literatura, v. 1). ISBN:<span face="archivo, sans-serif" style="background-color: white; color: #6c6c6c; font-size: 13px; letter-spacing: 0.3px;"> </span><span face="archivo, sans-serif" style="background-color: white; box-sizing: inherit; color: #6c6c6c; font-size: 13px; font-weight: bold; letter-spacing: 0.3px;"><span id="ctl00_cphMain_lblISBN" style="box-sizing: inherit;">9788571750579</span></span></div><div><br /></div><p><br /></p><div>============================================</div></div><div><br /></div><div><br /></div><div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x. ed. Agir: São Paulo. 2008. 237 p.</div></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEh3f0BFPijov2Xda8Z_uhgDqHr3q-xvOoQXO18DMBP6cYvt2h_zUOM2vXJOzW3IabGDtVonrnpW7wh-dEaeuJGJEliwQOchf0xHaCjXAr7QOafDsoRX1tyKSf_IRmqIWnVpVJk1IJYyhZOino2Z-d_zD6d7BJzqFREG6AeP7tvgyqKPzsw7CNQfmTUV" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEh3f0BFPijov2Xda8Z_uhgDqHr3q-xvOoQXO18DMBP6cYvt2h_zUOM2vXJOzW3IabGDtVonrnpW7wh-dEaeuJGJEliwQOchf0xHaCjXAr7QOafDsoRX1tyKSf_IRmqIWnVpVJk1IJYyhZOino2Z-d_zD6d7BJzqFREG6AeP7tvgyqKPzsw7CNQfmTUV=w461-h640" width="461" /></a></div><br /><br /></div><div><br /></div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x. ed. Folha de São Paulo: São Paulo. 2008. 203 p. Coleção Folha Grandes Escritores, v. 17. ISBN<span face="archivo, sans-serif" style="background-color: white; color: #6c6c6c; font-size: 13px; letter-spacing: 0.3px;"> </span><span face="archivo, sans-serif" style="background-color: white; box-sizing: inherit; color: #6c6c6c; font-size: 13px; font-weight: bold; letter-spacing: 0.3px;"><span id="ctl00_cphMain_lblISBN" style="box-sizing: inherit;">9788599896426</span></span></div><div><br /></div><div>----------------------------------------------------------------------------</div><div><br /></div><div><br /></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgQsFv4jdiUeioR4LdVV5_3WrDu0yw5XZ-ORZOxRfH3yLZGOeq6-B_mi7jEhm24rYJ5tqyKJ9nexjKBM3OWUxRxcvOUA2iYxUHGu8AvnQH8d3ptxevfu3n1-CpANaYF--u3qCilFWp7IFwtdImfysm7DJKSSm8Arc6MeBYkkPDinLnqQjwNHRf5Mjhf" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgQsFv4jdiUeioR4LdVV5_3WrDu0yw5XZ-ORZOxRfH3yLZGOeq6-B_mi7jEhm24rYJ5tqyKJ9nexjKBM3OWUxRxcvOUA2iYxUHGu8AvnQH8d3ptxevfu3n1-CpANaYF--u3qCilFWp7IFwtdImfysm7DJKSSm8Arc6MeBYkkPDinLnqQjwNHRf5Mjhf=w461-h640" width="461" /></a></div><div><br /></div><div><br /></div><div><div><br /></div><div><br /></div><div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x. ed. Folha de São Paulo: São Paulo. 2008. 203 p. Coleção Folha Grandes Escritores, v. 17. ISBN<span face="archivo, sans-serif" style="background-color: white; color: #6c6c6c; font-size: 13px; letter-spacing: 0.3px;"> </span><span face="archivo, sans-serif" style="background-color: white; box-sizing: inherit; color: #6c6c6c; font-size: 13px; font-weight: bold; letter-spacing: 0.3px;"><span id="ctl00_cphMain_lblISBN" style="box-sizing: inherit;">9788599896426</span></span></div><div><br /></div></div></div></div><div>========================================================</div><div><br /></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhpkCqHoMilDJC-LHkP9sYz8fu5Ru-WS2FmYMyyhAVVvYlXs1rM7qXOsrTS46v90rE_uTypRfgXN6sNR9Chnro80h5E5uf1IvwlZ10NJAEKUgBvOg-fWZbjVPWSL-g86PgKZrDYl9VhBIjmRO7zPs6EBesr8-UluYPHj7B7AFtkh7kOd6iz147uoquA" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEhpkCqHoMilDJC-LHkP9sYz8fu5Ru-WS2FmYMyyhAVVvYlXs1rM7qXOsrTS46v90rE_uTypRfgXN6sNR9Chnro80h5E5uf1IvwlZ10NJAEKUgBvOg-fWZbjVPWSL-g86PgKZrDYl9VhBIjmRO7zPs6EBesr8-UluYPHj7B7AFtkh7kOd6iz147uoquA=w461-h640" width="461" /></a></div><br /><br /></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;">ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x. ed. Nova Fronteira: São Paulo, 2016. 173 p. Coleção Clássico para Todos. ISBN </span><span face="archivo, sans-serif" style="background-color: white; color: #6c6c6c; font-size: 13px; letter-spacing: 0.3px; text-align: left;"> </span><span face="archivo, sans-serif" style="background-color: white; box-sizing: inherit; color: #6c6c6c; font-size: 13px; font-weight: bold; letter-spacing: 0.3px; text-align: left;"><span id="ctl00_cphMain_lblISBN" style="box-sizing: inherit;">9788520927625</span></span></div><div><br /></div><div><br /></div>--------------------------------------------------------------------------------------<br /><br /></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgnEOmn4tMPuXY3VaOuDhJWDUiLuNnni3ZokUp_ZEmtN0_pGDKeDn1Wd5wLHmGl2kb_scdyqcRJXPsakREW4EJP8DeUUV3Cr-a1YrMl_3H0esnAOg4V3rvxPS3zS5AS99ENn44dOjtXHqNcuxJU8gAV7Uoz5uk817e_sjREYlHoREkJTK1KYCrRDqln" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgnEOmn4tMPuXY3VaOuDhJWDUiLuNnni3ZokUp_ZEmtN0_pGDKeDn1Wd5wLHmGl2kb_scdyqcRJXPsakREW4EJP8DeUUV3Cr-a1YrMl_3H0esnAOg4V3rvxPS3zS5AS99ENn44dOjtXHqNcuxJU8gAV7Uoz5uk817e_sjREYlHoREkJTK1KYCrRDqln=w461-h640" width="461" /></a></div><br /><br /></div><div><br /></div><div><br /></div><div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x. ed. Editora Ótima: São Paulo, 2015. 65 p. Coleção Mestres da Liteatura. Excerto ? </div><div><br /></div><div>-----------------------------------------------</div><div><br /></div><div><br /></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiTEriln0J7vbduLMaZ0z1gV2OIm0eK9TtZ6Bsau0sIl9qCrHWGPlnjSnz2ednlI6w6Y0NjN9bq_k1n-BHrFGftxnqYJYmXP42H06ndVCUVTMhjo2H8xfCur1VMJ89OPhCNKpWZvRSMFYsFkiDCb40AGcdvXU83bMJduw-jrJeTOBhHlJZPjKvDpOFr" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2560" data-original-width="1879" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEiTEriln0J7vbduLMaZ0z1gV2OIm0eK9TtZ6Bsau0sIl9qCrHWGPlnjSnz2ednlI6w6Y0NjN9bq_k1n-BHrFGftxnqYJYmXP42H06ndVCUVTMhjo2H8xfCur1VMJ89OPhCNKpWZvRSMFYsFkiDCb40AGcdvXU83bMJduw-jrJeTOBhHlJZPjKvDpOFr=w469-h640" width="469" /></a></div><br /><br /></div><div><br /></div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x. ed. Editora Nova Fronteira: São Paulo, 2015. 240 p. Ediçãi Especial FLIP 2015. ISBN: <span class="a-text-bold" face=""Amazon Ember", Arial, sans-serif" style="background-color: white; box-sizing: border-box; color: #0f1111; font-size: 14px; font-weight: 700;"> </span><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"></span><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; box-sizing: border-box; color: #0f1111; font-size: 14px;">978-8520923771</span> </div><div><br /></div><div>--------------------------------------</div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEguPiAeY9SRMvNqsjEW-X7ivIGpTaHwKUyQlsQojLPh7qm2ZDrTwgU8iwcRqt3EAJl6BhbaD_NdYisjChp5oNnytzB0zxlBrF8Fxo2sbxpUXq5Ljw4AfCWHvPfaz7g9VtQVQe1WfiLkhgSx5M87u0r4QyL1QoLylK1D0NP8rnk8j9m1TZaCqj6V3oc3" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="885" data-original-width="600" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEguPiAeY9SRMvNqsjEW-X7ivIGpTaHwKUyQlsQojLPh7qm2ZDrTwgU8iwcRqt3EAJl6BhbaD_NdYisjChp5oNnytzB0zxlBrF8Fxo2sbxpUXq5Ljw4AfCWHvPfaz7g9VtQVQe1WfiLkhgSx5M87u0r4QyL1QoLylK1D0NP8rnk8j9m1TZaCqj6V3oc3=w435-h640" width="435" /></a></div><br /><br /></div><div><br /></div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x. ed. Editora UNESP: São Paulo, 2020. 188 p. ISBN: <span class="a-text-bold" face=""Amazon Ember", Arial, sans-serif" style="background-color: white; box-sizing: border-box; color: #0f1111; font-size: 14px; font-weight: 700;"> </span><span face="proxima-nova, sans-serif" style="background-color: white; font-size: 13.824px;">9788539308347</span></div><div><br /></div><div><span face="freight-sans-pro, sans-serif" style="background-color: white; color: #1b3b4b; font-size: 17.28px;">Em Macunaíma, o herói sem nenhum caráter, Mário de Andrade radicaliza o uso literário da linguagem oral e popular que já havia utilizado em seus livros anteriores e mistura folclore, lendas, mitos e manifestações religiosas de vários recantos do Brasil, como se fizessem parte de uma unidade nacional. Macunaíma, que ora é índio negro ora é branco, até hoje é considerado símbolo do brasileiro em vários sentidos: o do malandro esperto, amoral, que sempre consegue o que quer, e o do povo perdido diante de suas múltiplas identidades. Nas palavras do próprio autor, “Macunaíma vive por si, porém possui um caráter que é justamente o de não ter caráter”.</span></div><div><br /></div><div>==================================</div></div><div><div class="separator" style="clear: both; text-align: center;"><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhR8k1cVFAInjp2sVcmow1ova9QcH_MtBuLA92_FVwO1Nz8ldLfHN_vpxIIyKg057PdTqm_drw7BylzwOd5ao87FMFmJNoQrDzNlJGe-ELuFA8S17RvZPbR_6CK_u8SdtQ_4NtdZOD3_J3U5KyURk_QGV0hGYkcr5oiYtEKiZwvE8L2a-LvhoYTwdid" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1358" data-original-width="945" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEhR8k1cVFAInjp2sVcmow1ova9QcH_MtBuLA92_FVwO1Nz8ldLfHN_vpxIIyKg057PdTqm_drw7BylzwOd5ao87FMFmJNoQrDzNlJGe-ELuFA8S17RvZPbR_6CK_u8SdtQ_4NtdZOD3_J3U5KyURk_QGV0hGYkcr5oiYtEKiZwvE8L2a-LvhoYTwdid=w445-h640" width="445" /></a></div><br /><br /></div><div><br /></div><div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x. ed. Editora Melhoramentos: São Paulo, 2018. 232 p. ISBN <span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;">978-8506083284 </span></div></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><br /></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><br /></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;">----------------------------------------------------------------------------</span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><br /></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><br /></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj6hbgwz62zAJPbJnRQms3xxFUWFzUWK2ng_Y-kQM_eVOhYfXCOeEnCPUghmHmMVTMR83RTTR2CzEjBeWvaUWDOlenp0tRrLvXblunlfsxxj3SGU8ddD-RKUpQuS9CZRYr5WgQWSMHknX-YiJROQBKTKpg1gF_qcQPcIjaq3pENrfJokRgvyyvTjZf3" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="532" data-original-width="322" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEj6hbgwz62zAJPbJnRQms3xxFUWFzUWK2ng_Y-kQM_eVOhYfXCOeEnCPUghmHmMVTMR83RTTR2CzEjBeWvaUWDOlenp0tRrLvXblunlfsxxj3SGU8ddD-RKUpQuS9CZRYr5WgQWSMHknX-YiJROQBKTKpg1gF_qcQPcIjaq3pENrfJokRgvyyvTjZf3=w387-h640" width="387" /></a></div><br /><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><br /></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><br /></span></div><br /><br /></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white;">ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x. ed. Editora Vozes: Petrópolis, 2016. 280 p. ISBN <span face=""Amazon Ember", Arial, sans-serif" style="color: #0f1111; font-size: 14px;">978-85 326 52275 (Coleção Vozes de Bolso). </span></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white;"><span face=""Amazon Ember", Arial, sans-serif" style="color: #0f1111; font-size: 14px;"><br /></span></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white;"><span face=""Amazon Ember", Arial, sans-serif" style="color: #0f1111; font-size: 14px;"><br /></span></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white;"><span face=""Amazon Ember", Arial, sans-serif" style="color: #0f1111; font-size: 14px;"><span face="Arial, sans-serif">Macunaíma é um dos romances mais importantes do modernismo brasileiro e defende uma valorização da cultura nacional. Mário de Andrade utiliza, nesta obra, provérbios do povo brasileiro e faz uma crítica à língua culta tão valorizada no Brasil ao aproximar a língua escrita do modo de falar. A Coleção Vozes de Bolso - Literatura Brasileira se propõe a trazer ao público um novo tipo de trabalho em torno de grandes clássicos da literatura de língua portuguesa. São todos textos já canonizados pela nossa tradição, porém com alguns "aditivos" que agregam valor e força aos mesmos.</span></span></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><br /></span></div><div>--------------------------------------------------------------------------</div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><br /></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgHwo5SrMrX_pBk4CSta2EO6dug7gheY7jQ6kHJBiYwqkkJ2V4SYnDl5mvZrR9E6srgRkzGFqnxscGK2p3nVx8THrW9iuyskj01pb79rwxUAiCwC0knU2_aWXf_oL2JOqWtqOMCPurK2VFzhmBj9eCcxtrOAl8V-knlsqa0szvd-S3qs4q3RqLMAoRh" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="813" data-original-width="527" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgHwo5SrMrX_pBk4CSta2EO6dug7gheY7jQ6kHJBiYwqkkJ2V4SYnDl5mvZrR9E6srgRkzGFqnxscGK2p3nVx8THrW9iuyskj01pb79rwxUAiCwC0knU2_aWXf_oL2JOqWtqOMCPurK2VFzhmBj9eCcxtrOAl8V-knlsqa0szvd-S3qs4q3RqLMAoRh=w416-h640" width="416" /></a></div><br /><br /></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><span style="color: black; font-size: medium;">ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x. ed. Editora Melhoramentos: São Paulo, 2018. 232 p. ISBN </span><span face=""Amazon Ember", Arial, sans-serif" style="color: #0f1111;">978-8506083284 </span></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><br /></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;">--------------------------------------------------------------------------------</span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><br /></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><br /></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><br /></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgXNEpMtuWUSjmAe1lLd-9_SMEiO2UfJTwUbZeA1UqEYsXQubFkdoHtwf9u4cxWCVZFiQvTis9903YVxzDbJ1o94E6YFt2TRR7J9Wghu0usECtBcOhC3EgVsjwhpgs6rcGi0mQDU3AjWQtIDzm8V_H4wdNCjOjoL31i0e0wKxkRukynApIsl3eFug1b" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="580" data-original-width="381" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgXNEpMtuWUSjmAe1lLd-9_SMEiO2UfJTwUbZeA1UqEYsXQubFkdoHtwf9u4cxWCVZFiQvTis9903YVxzDbJ1o94E6YFt2TRR7J9Wghu0usECtBcOhC3EgVsjwhpgs6rcGi0mQDU3AjWQtIDzm8V_H4wdNCjOjoL31i0e0wKxkRukynApIsl3eFug1b=w421-h640" width="421" /></a></div><br /><br /></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><br /></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><span style="color: black; font-size: medium;">ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x. ed. Penguim Companhia: São Paulo, 2021. 240 p. Clássicos. ISBN </span><span face=""Amazon Ember", Arial, sans-serif" style="color: #0f1111;"><span color="rgba(0, 0, 0, 0.9)" face=""Proxima Nova", -apple-system, "Helvetica Neue", Helvetica, Roboto, Arial, sans-serif" style="font-size: 16px;">9788582850411</span> </span></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><span face=""Amazon Ember", Arial, sans-serif" style="color: #0f1111;"><br /></span></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><span face=""Amazon Ember", Arial, sans-serif" style="color: #0f1111;"><span face=""Proxima Nova", -apple-system, "Helvetica Neue", Helvetica, Roboto, Arial, sans-serif" style="color: #666666; font-size: 20px;">Mário de Andrade publicou Macunaíma em 1928. O livro foi um acontecimento. Debochado e intensamente brasileiro - ainda que muito pouco ou nada nacionalista -, este romance é ainda hoje um dos textos fundamentais do nosso Modernismo. E continua a influenciar as mais diversas manifestações artísticas. Nascido nas profundezas da Amazônia, o herói de Mário de Andrade é cheio de contradições - assim como o país que lhe serve de berço. É adoravelmente mentiroso, safado, preguiçoso e boca-suja. Suas peripécias vêm embaladas numa linguagem rapsódica e inventiva, um marco das pesquisas de seu autor em torno de uma identidade linguística brasileira.</span></span></span></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;"><br /></span></div><div>----------------------------------------------------------------------</div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj03uNpOntKc_uDiNycwlNhbRqZcE7oTY5LNzaEsAcPnNTxURO-d5abefYUHjkPXcRRF9jIvsnbVBzinWreTbR08rfDFYkWHRuN8gWT6qquaEm5qjs2AqUwiHYvGwU6JAja-_QCkeVaYW5pB3kTXMo8ij9l7Gz6uje3rYBbC0vfBeVkHuyt2zwodIxE" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="740" data-original-width="498" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEj03uNpOntKc_uDiNycwlNhbRqZcE7oTY5LNzaEsAcPnNTxURO-d5abefYUHjkPXcRRF9jIvsnbVBzinWreTbR08rfDFYkWHRuN8gWT6qquaEm5qjs2AqUwiHYvGwU6JAja-_QCkeVaYW5pB3kTXMo8ij9l7Gz6uje3rYBbC0vfBeVkHuyt2zwodIxE=w432-h640" width="432" /></a></div><br /><br /></div><div><br /></div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x ed. Autofagica Editora: São Paulo. 2022. 352 p. ISBN: <span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px; font-weight: 700;">978-6586490473</span></div></div><div><div><br /></div></div><div><br /></div><div>--------------------------------------------</div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgXKBxePzkRAdFesLZEpFmbj7MAa8mducU7SYeLc3jFueYP72GmAl_FUb1OQQlLeMDicxJFcb5NJVMyCqzcH0VtfWl3pr7plq0lQiTeEDxH0GF9SxvGHJzhkHZVzT3-wA4A6pLD-EZ2w341nhBjfRPqGvu1yzjVmMfTehg-L9mwdeQxZsGwBjaC8b4o" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgXKBxePzkRAdFesLZEpFmbj7MAa8mducU7SYeLc3jFueYP72GmAl_FUb1OQQlLeMDicxJFcb5NJVMyCqzcH0VtfWl3pr7plq0lQiTeEDxH0GF9SxvGHJzhkHZVzT3-wA4A6pLD-EZ2w341nhBjfRPqGvu1yzjVmMfTehg-L9mwdeQxZsGwBjaC8b4o=w461-h640" width="461" /></a></div><br /><br /></div><div><br /></div><div><br /></div><div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. 32. ed. Garnier. São Paulo 2001. (Coleção Classicos da Literatura, v. 1). </div><div></div></div><div><br /></div><div>-------------------------------------------------------</div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhEyoXWzygUXiXjGtF2U86McBVwSpx9HQmz92RqEkwrTLtMquIIIBw0_1cSuTq7x8CLzRArN4PH_P74DW8mqPGdXF0GndyjvHMg6kuZakLXdDKZ-qGUGU_6Pd6iRsy5kyBdEYxTueJz6jCSyHp8BC_wk2FnNuHcDIqMcjSqIS77smv9Uo9bVMfQXesW" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="557" data-original-width="398" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEhEyoXWzygUXiXjGtF2U86McBVwSpx9HQmz92RqEkwrTLtMquIIIBw0_1cSuTq7x8CLzRArN4PH_P74DW8mqPGdXF0GndyjvHMg6kuZakLXdDKZ-qGUGU_6Pd6iRsy5kyBdEYxTueJz6jCSyHp8BC_wk2FnNuHcDIqMcjSqIS77smv9Uo9bVMfQXesW=w456-h640" width="456" /></a></div><br />ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x. ed. Ubu: São Paulo 2017. 272 p. ISBN: <span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;">978-8592886516. </span> Ilustrações: Luiz Zerbini</div><div><br /></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgpNxxxQtQG9uWcClgmeeQ4OVwBekMFJHBQmaSV82WccUKHFCIQcKukeaXfgQ5yjihk0U1OyQXdO-Te9iA_FdpGTu6fmyUHFQ2e3AKS-al6Bdv-soS9d6FD_92Iw-pyc4nVSCq9qpQITcSrgTR3WQmuCmOkDQDBWOtCj57360O1C0Jv7E-2XHvWkAUo" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="357" data-original-width="480" height="238" src="https://blogger.googleusercontent.com/img/a/AVvXsEgpNxxxQtQG9uWcClgmeeQ4OVwBekMFJHBQmaSV82WccUKHFCIQcKukeaXfgQ5yjihk0U1OyQXdO-Te9iA_FdpGTu6fmyUHFQ2e3AKS-al6Bdv-soS9d6FD_92Iw-pyc4nVSCq9qpQITcSrgTR3WQmuCmOkDQDBWOtCj57360O1C0Jv7E-2XHvWkAUo=w320-h238" width="320" /></a></div><br /><br /></div><div><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;">Publicado em 1928, Macunaíma representou por muito tempo o símbolo do “povo brasileiro” ou ainda do que chamamos de “nação”. Esta edição, que conta com o estabelecimento do texto de Telê Ancona Lopez e Tatiana Longo Figueiredo, oferece uma nova chave de leitura ao romance, com foco especial para as fontes indígenas usadas por Mário na produção do romance. Como disse o próprio autor: “copiei, copiei às vezes textualmente[...], não só os etnógrafos e os textos ameríndios, mais ainda, na “Carta pras Icamiabas”, pus frases inteiras de Rui Barbosa, de Mário Barreto, dos cronistas portugueses coloniais”. No texto de Lúcia Sá, se explicita a cópia de trechos inteiros do mito de Makunaíma, tal qual recolhido pelo viajante alemão Theodor Koch Grünberg. Como sugere a apresentação de Eduardo Sterzi, mais do que alegoria da formação nacional, Macunaíma seria uma grade realização literária da antropofagia, “capaz de colocar tudo o que existe sob o signo da devoração [...], em que comer o inimigo é não mera destruição e assimilação de outro corpo, mas, antes de tudo, um modo de experimentar o ponto de vista do inimigo sobre todas as coisas, especialmente sobre si”, citando Eduardo Viveiros de Castro. As ilustrações do artista carioca Luiz Zerbini são feitas com um procedimento similar ao do texto de Mário com as fontes indígenas. As monotipias não são “representações” da vegetação tropical. São as próprias plantas e objetos com tinta que são colocados na prensa e imprimem e dão relevo ao papel com sua textura. Pra completar a edição, recuperamos o glossário de Diléa Zanotto Manfio, feito para a edição crítica de 1980, há muito fora de circulação. O leitor tem acesso ao significado de todas as palavras de origem indígena e regionais utilizadas por Mário no romance.</span></div><div> </div><div><br /></div><div>--------------------------------------------------------</div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi1z6ncwKSUcta5taHsdGtKjn_J4ueoWuz4Egbo94opHecVknAOtyWntHZ6aJc9RSx3ZkySc-Vo2ROhyLLl3s3J8hV6peDK_7L7Xt6gGrR0zdyCNJFtRfyi2-fzRTFq0c774msO9IAih1GbNV6NelY-eI0MVhpHAmtHH5BjHFw4j3iXFsGni1IWjX0W" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="331" data-original-width="200" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEi1z6ncwKSUcta5taHsdGtKjn_J4ueoWuz4Egbo94opHecVknAOtyWntHZ6aJc9RSx3ZkySc-Vo2ROhyLLl3s3J8hV6peDK_7L7Xt6gGrR0zdyCNJFtRfyi2-fzRTFq0c774msO9IAih1GbNV6NelY-eI0MVhpHAmtHH5BjHFw4j3iXFsGni1IWjX0W=w387-h640" width="387" /></a></div><br /><br /></div><div><br /></div><div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x ed. L&PM: Porto Alegre. 2017. 240 p. ISBN:9788525434630 </div></div><div>-------------------------------------------------------------------------------------------------------</div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgKy6QN3mXBcMU2Aaw_XjDIbWbyX_F3UGtdXzQngJXdNyTlmgQfccabjoeXOc3eH7bIQ08EXjng7YGza3h8q-ulXLsDF1QHElAoc2PHxAv5wCtOr4gDG7RKN49h8AV8IXI0QA5ZEeS6vd1G7Vd2NE7KyTWGqaGp9CWbMHU6_gY9pTxY7YVvp5X7Z2tW" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="612" data-original-width="403" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgKy6QN3mXBcMU2Aaw_XjDIbWbyX_F3UGtdXzQngJXdNyTlmgQfccabjoeXOc3eH7bIQ08EXjng7YGza3h8q-ulXLsDF1QHElAoc2PHxAv5wCtOr4gDG7RKN49h8AV8IXI0QA5ZEeS6vd1G7Vd2NE7KyTWGqaGp9CWbMHU6_gY9pTxY7YVvp5X7Z2tW=w421-h640" width="421" /></a></div><br /><br /></div><p></p><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;">ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x ed. Martin Claret: São Paulo. 2016. 183 p. ISBN: 978854400109</span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span face="Roboto, sans-serif" style="background-color: white; color: #666666; font-size: 16px; text-align: start;">Neste romance de 1928, o poeta modernista Mário de Andrade constrói um anti-herói aos moldes do povo brasileiro, Macunaíma é um herói sem caráter que sai de uma tribo amazônica para morar na cidade grande, símbolo de um povo que não encontrou a sua própria identidade. A obra é considerada por muitos críticos como um indianismo moderno, além de ser escrita sob a ótica cômica, ela revela o multiculturalismo brasileiro. Fonte: Martin Claret </span></div>---------------------------------------------------------------------------------------------------------<br /><br /><p></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj5Hct0qIZlinEKD-VrR6Ud4YyiooS_-sk794BGK4hXoqofzRlHGt2Rjbch-M9u3bcMCa-Yme50ntjW3qMKzm-TYc_ERkhsrodo4o0WlCANkkvadulQ_vdzURIANyoViGCZDQ1Mpez_m-vs29H4XOyrVVObUiKVC2pMckfounxPQn3wFkkLKH3Rrjsj" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="557" data-original-width="421" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEj5Hct0qIZlinEKD-VrR6Ud4YyiooS_-sk794BGK4hXoqofzRlHGt2Rjbch-M9u3bcMCa-Yme50ntjW3qMKzm-TYc_ERkhsrodo4o0WlCANkkvadulQ_vdzURIANyoViGCZDQ1Mpez_m-vs29H4XOyrVVObUiKVC2pMckfounxPQn3wFkkLKH3Rrjsj=w483-h640" width="483" /></a></div><br /><br /><p></p><p>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x. ed. Peiróplis: São Paulo. 2016. 80 p. Quadrinhos por Angelo Abu e Dan X. </p><p><br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhLaJXRlRkZUplbG_coLS5ABCpyejyD57vPsQAB8qoV4SZb8oaF8pd7nA-RzJ2l90yweFt2LtNax0UbB8nuVnmEXVc9RGlOpUgRWE6f00dnw_P62HvCda7HYpPMjLwuFN8H70dFPNaVDw7k7XiH0NB8iij3Ak5WTp5vhOkhlv4GiaeIjkzqLVMWrL3D" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="251" data-original-width="268" height="375" src="https://blogger.googleusercontent.com/img/a/AVvXsEhLaJXRlRkZUplbG_coLS5ABCpyejyD57vPsQAB8qoV4SZb8oaF8pd7nA-RzJ2l90yweFt2LtNax0UbB8nuVnmEXVc9RGlOpUgRWE6f00dnw_P62HvCda7HYpPMjLwuFN8H70dFPNaVDw7k7XiH0NB8iij3Ak5WTp5vhOkhlv4GiaeIjkzqLVMWrL3D=w400-h375" width="400" /></a></div><br /><br /><p></p><p><br /></p><p><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px;">Nunca houve um herói como Macunaíma. E nunca houve uma adaptação de sua história como esta.Com uma incrível riqueza de imagens e cores, Angelo Abu e Dan X recriam de maneira vigorosa a saga imaginada por Mário de Andrade sobre um personagem singular, a quem falta caráter, mas sobra carisma – e preguiça. Macunaíma nasce índio, se transforma em um belo e loiro príncipe, encontra seres fantásticos da Floresta Amazônica, enfrenta armadilhas e perigos e viaja à cidade grande com seus irmãos em busca de mais confusões e enrascadas. Uma história que se traduz com perfeição aos quadrinhos, em uma versão que se mostra tão divertida e irreverente quanto a obra original.Este é o 15o álbum da coleção Clássicos em HQ.</span></p><div>_______________________________</div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj8GunijRAkSh7btx96Go9kO8IPNrN-0Z9mFOst9xWXY_TgMnXBe11uE6YIiFv0ONLTe0kf1AEc5tY2KX9o06FqVRAr_dZJWWoA6wKxVF6QgVVlXV9n2USAwS3yfU2frkrKybO1Ogtv03N357wGt2Ss1iaoCvLG1rcNhuHqXgcV230z3RjEutqUNcya" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="575" data-original-width="412" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEj8GunijRAkSh7btx96Go9kO8IPNrN-0Z9mFOst9xWXY_TgMnXBe11uE6YIiFv0ONLTe0kf1AEc5tY2KX9o06FqVRAr_dZJWWoA6wKxVF6QgVVlXV9n2USAwS3yfU2frkrKybO1Ogtv03N357wGt2Ss1iaoCvLG1rcNhuHqXgcV230z3RjEutqUNcya=w459-h640" width="459" /></a></div><br /><br /></div></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgKVIihOdVMV16rXQy16Q6xzO8svwE2NRs3xwScU-n9j4rxTCDvDaJCij8cyolXPL465eTvoCQzSo7pYR7FTeyyF6_VabsYsxxmaRYwGXCqNqsc6VlOlTGbTCOtOIQ8KkJBWfNAzZJzZZaGwzPt-kVmzEt4Ro0p6ApuMzNi63EVFpojT5qvAy7WdXHp" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="617" data-original-width="388" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEgKVIihOdVMV16rXQy16Q6xzO8svwE2NRs3xwScU-n9j4rxTCDvDaJCij8cyolXPL465eTvoCQzSo7pYR7FTeyyF6_VabsYsxxmaRYwGXCqNqsc6VlOlTGbTCOtOIQ8KkJBWfNAzZJzZZaGwzPt-kVmzEt4Ro0p6ApuMzNi63EVFpojT5qvAy7WdXHp=w252-h400" width="252" /></a></div><br /><br /></div><div><br /></div><div><div>ANDRADE, M. D. Macunaíma: o mundo do herói sem nenhum caráter. x. ed. Edusp: São Paulo, 1979. 100 p. (<span face="archivo, sans-serif" style="background-color: white; color: #27344c; font-size: 15.04px; font-weight: 600; letter-spacing: 0.2px;">Edição comemorativa do cinquentenário da publicação de Macunaíma o Herói sem Nenhum Caráter, de Mario de Andrade - 1928-1978). Ilustrada com desenhos de Caryb[e. Comentários de Antonio Bento. </span></div></div><div><span face="archivo, sans-serif" style="background-color: white; color: #27344c; font-size: 15.04px; font-weight: 600; letter-spacing: 0.2px;"><br /></span></div><div><span face="archivo, sans-serif" style="background-color: white; color: #27344c; font-size: 15.04px; font-weight: 600; letter-spacing: 0.2px;">________________________________</span></div><div><span face="archivo, sans-serif" style="background-color: white; color: #27344c; font-size: 15.04px; font-weight: 600; letter-spacing: 0.2px;"><br /></span></div><div><span face="archivo, sans-serif" style="background-color: white; color: #27344c; font-size: 15.04px; font-weight: 600; letter-spacing: 0.2px;"><br /></span></div><div><span face="archivo, sans-serif" style="background-color: white; color: #27344c; font-size: 15.04px; font-weight: 600; letter-spacing: 0.2px;"><br /></span></div><div><span face="archivo, sans-serif" style="background-color: white; color: #27344c; font-size: 15.04px; font-weight: 600; letter-spacing: 0.2px;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhIOT_03iFDfW4ENAJ_pU2raIeH5pOVJyjE4waA5_ek1BunsVceZ94PV8O36y_-L9yZ150DSRLksATcplamp3iJM2s9hxy4XpFL4iqzQjLn7N3mIE57mlul9kL-jRrT1DOydtfOE6tWGIDTbYAaQIorGm6f2y1-m6eAE6hFPXZu3MzkP-072vCt8gdd" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="475" data-original-width="612" height="497" src="https://blogger.googleusercontent.com/img/a/AVvXsEhIOT_03iFDfW4ENAJ_pU2raIeH5pOVJyjE4waA5_ek1BunsVceZ94PV8O36y_-L9yZ150DSRLksATcplamp3iJM2s9hxy4XpFL4iqzQjLn7N3mIE57mlul9kL-jRrT1DOydtfOE6tWGIDTbYAaQIorGm6f2y1-m6eAE6hFPXZu3MzkP-072vCt8gdd=w640-h497" width="640" /></a></div><br /><br /></span></div><div><span face="archivo, sans-serif" style="background-color: white; color: #27344c; font-size: 15.04px; font-weight: 600; letter-spacing: 0.2px;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjqAZ2Kv4fyywxCDp8gvpj4Qs7zwGd7ywi3Ko61WHuHhI4wQoUqBvQqVILUJcIuGsQNabdRFn433CCkN3wVN5RVJ8RijWn276qoydi1FIF5xQ6T2j_465h9olGM7Op-T4L-R5HhZAdtDBOmL0wYx4vkC17_22zVeMwd8BRy6AWQGK0Y0q-YtimnSG9Y" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="607" data-original-width="523" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEjqAZ2Kv4fyywxCDp8gvpj4Qs7zwGd7ywi3Ko61WHuHhI4wQoUqBvQqVILUJcIuGsQNabdRFn433CCkN3wVN5RVJ8RijWn276qoydi1FIF5xQ6T2j_465h9olGM7Op-T4L-R5HhZAdtDBOmL0wYx4vkC17_22zVeMwd8BRy6AWQGK0Y0q-YtimnSG9Y=w552-h640" width="552" /></a></div><br /><br /></span></div><div><span face="archivo, sans-serif" style="background-color: white; color: #27344c; font-size: 15.04px; font-weight: 600; letter-spacing: 0.2px;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEheLdh0RP6MsHQzovLEBWwG0G3hr3R17C8It__Zq7DfuReBzuB9EQRVwCHw5IzFBn1K8YvnVXysxfPXRjOmRt-k_J6Y0YBTocRA4hj8RrUMRSpxTJX5MN59rPMzeIbrIuun5evsJJIlp-qjMF_HzorptIWNYBetNsddTr3b0sfkW2S6RIj0a1tCCBas" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="435" data-original-width="633" height="275" src="https://blogger.googleusercontent.com/img/a/AVvXsEheLdh0RP6MsHQzovLEBWwG0G3hr3R17C8It__Zq7DfuReBzuB9EQRVwCHw5IzFBn1K8YvnVXysxfPXRjOmRt-k_J6Y0YBTocRA4hj8RrUMRSpxTJX5MN59rPMzeIbrIuun5evsJJIlp-qjMF_HzorptIWNYBetNsddTr3b0sfkW2S6RIj0a1tCCBas=w400-h275" width="400" /></a></div><br /><br /></span></div><div><span face="archivo, sans-serif" style="background-color: white; color: #27344c; font-size: 15.04px; font-weight: 600; letter-spacing: 0.2px;"><br /></span></div><div><span face="archivo, sans-serif" style="background-color: white; color: #27344c; font-size: 15.04px; font-weight: 600; letter-spacing: 0.2px;"><br /></span></div><div><span face="archivo, sans-serif" style="background-color: white; color: #27344c; font-size: 15.04px; font-weight: 600; letter-spacing: 0.2px;"><span face=""Open Sans", Arial, sans-serif" style="color: #6b6b6b; font-size: 18px; font-weight: 400; letter-spacing: normal;">ANDRADE, Mário de. MACUNAÍMA: O HERÓI SEM NENHUM CARÁTER. COM ÁGUAS-FORTES ORIGINAIS DE CARYBÉ. Rio de Janeiro: Cem Bibliófilos do Brasil, 1957. Décima primeira publicação da Sociedade dos Cem Bibliófilos. Criada em 1943, a Sociedade tinha como objetivo publicar obras-primas de autores brasileiros, ou livros sobre o Brasil, em tiragens limitadas, impressas em papel de luxo e ilustradas sempre por um grande artista. A obra se compõe de 43 gravuras, sendo 18 de página inteira e 25 em meia página. Tiragem de 120 exemplares. 217 pp. Tamanho da obra: 40x30cm. </span></span></div><div><span face="archivo, sans-serif" style="background-color: white; color: #27344c; font-size: 15.04px; font-weight: 600; letter-spacing: 0.2px;"><span face=""Open Sans", Arial, sans-serif" style="color: #6b6b6b; font-size: 18px; font-weight: 400; letter-spacing: normal;"><br /></span></span></div><div><span face="archivo, sans-serif" style="background-color: white; color: #27344c; font-size: 15.04px; font-weight: 600; letter-spacing: 0.2px;"><span face=""Open Sans", Arial, sans-serif" style="color: #6b6b6b; font-size: 18px; font-weight: 400; letter-spacing: normal;"><br /></span></span></div><div><span face="archivo, sans-serif" style="background-color: white; color: #27344c; font-size: 15.04px; font-weight: 600; letter-spacing: 0.2px;"><br /></span></div><div>--------------------------------</div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjWRC1TgbDaswXqgclyrBFOI5G3Z01n8zfAURKGl_HnIXcF7OU76ikK6zj3SU68h4LkIlFZDbZcWaUi01nSdx-a5XqyWtthhpik7y0_8JZGEr4XNGh5GmbIUWkaagUbMSt3V-pmsbChSiS6crbabkRpF69ZaWNGkXqRXqXro0wmbvzxo7IKAKv1hZU8" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="603" data-original-width="551" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEjWRC1TgbDaswXqgclyrBFOI5G3Z01n8zfAURKGl_HnIXcF7OU76ikK6zj3SU68h4LkIlFZDbZcWaUi01nSdx-a5XqyWtthhpik7y0_8JZGEr4XNGh5GmbIUWkaagUbMSt3V-pmsbChSiS6crbabkRpF69ZaWNGkXqRXqXro0wmbvzxo7IKAKv1hZU8=w584-h640" width="584" /></a></div><br /><br /></div><div><br /></div><div><br /></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjv69ecLCxMS6cDoHaKb_Hf-6MtqLNuKoyr3zew9bNiT6jbrUnZ33ZOmHXSZ9m1EJAFoLRAkj9UnfTcSt5JImhGWiQwGd6jmNC9oMaR47i2rYVz7VTaw0F_4vjQsde7HxaNvI2YU6teu8vd0Lxw-fFL2qCS4uXU_SS1sopOvIF40i2a_La3Q2jKF2nO" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="593" data-original-width="545" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEjv69ecLCxMS6cDoHaKb_Hf-6MtqLNuKoyr3zew9bNiT6jbrUnZ33ZOmHXSZ9m1EJAFoLRAkj9UnfTcSt5JImhGWiQwGd6jmNC9oMaR47i2rYVz7VTaw0F_4vjQsde7HxaNvI2YU6teu8vd0Lxw-fFL2qCS4uXU_SS1sopOvIF40i2a_La3Q2jKF2nO=w589-h640" width="589" /></a></div><br /><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhqPuU9szQwl2UvsfUrXB9jB_LmYzEQlbRHRxmWZ3QjcfxUrv7XHzVCsclENLjlGBhTAV0NrjGs-L6Z4MIppvEkDRPWBei6YemafuMjHxCFuK7H9SBiiP4t2kiWmLSTX2o7jZWaPA49MFeyl9WjW5JVJ5aojjsAQ1K8WWHDKIpVG4s0IGnSVoIVVXcx" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="591" data-original-width="570" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEhqPuU9szQwl2UvsfUrXB9jB_LmYzEQlbRHRxmWZ3QjcfxUrv7XHzVCsclENLjlGBhTAV0NrjGs-L6Z4MIppvEkDRPWBei6YemafuMjHxCFuK7H9SBiiP4t2kiWmLSTX2o7jZWaPA49MFeyl9WjW5JVJ5aojjsAQ1K8WWHDKIpVG4s0IGnSVoIVVXcx=w385-h400" width="385" /></a></div><br /><br /><br /></div><div><br /></div><div><br /></div><div><div>ANDRADE, M. D. Macunaíma: o herói sem nenhum caráter. x. ed. Editora Itatiaia Limitada: Belo Horizonte. 1984. 156 p. Livro em grande formato 34 x 32 cm. <span style="background-color: white; color: #6b6b6b; font-size: 18px;">Ilustrações Rita Loureiro. Edição fora do comércio, 1984. Texto Rapsódia e Resistência - Telê Porto Ancona Lopez. 250 exemplares, todos assinados e numerados pela artista. 44 ilustrações,</span></div><div><br /></div><div><br /></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhFyOOdoD14oh-GVsW_NYFxUkuVZgZELQVG9XRZVTYlrx19Wd3BDEkw5DzPVCPfwzEnElcI5FORqFlmHqmXuuByAI1EXznM54HVr60wLwMLa4HiOPXOerSicIgdfIq5FrJmFKjHYKa6ic5ZXeD0_UtCNrwJh5WYVQ-YmBrPwC1EQO9XCcG1i1lrWVvT" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="560" data-original-width="613" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEhFyOOdoD14oh-GVsW_NYFxUkuVZgZELQVG9XRZVTYlrx19Wd3BDEkw5DzPVCPfwzEnElcI5FORqFlmHqmXuuByAI1EXznM54HVr60wLwMLa4HiOPXOerSicIgdfIq5FrJmFKjHYKa6ic5ZXeD0_UtCNrwJh5WYVQ-YmBrPwC1EQO9XCcG1i1lrWVvT" width="263" /></a><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhFyOOdoD14oh-GVsW_NYFxUkuVZgZELQVG9XRZVTYlrx19Wd3BDEkw5DzPVCPfwzEnElcI5FORqFlmHqmXuuByAI1EXznM54HVr60wLwMLa4HiOPXOerSicIgdfIq5FrJmFKjHYKa6ic5ZXeD0_UtCNrwJh5WYVQ-YmBrPwC1EQO9XCcG1i1lrWVvT" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjaeCqwty1-IOQyG5RbJKP6OYIVkD4-24EaZKP2hH458ARRgYEECZYz25__aA9ptAyuhstiJ096Dmfho8Z8hzdJ6lYbeRbFEr0qYs-uImvNbplszhP6EJ1Zt5XPZMdv9ftgOc7pJ0hApyKW5UG5YCIEaWvQxvNw8JdbH2Orq_-TWhmpX47n13kyPXI9" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="212" data-original-width="606" height="112" src="https://blogger.googleusercontent.com/img/a/AVvXsEjaeCqwty1-IOQyG5RbJKP6OYIVkD4-24EaZKP2hH458ARRgYEECZYz25__aA9ptAyuhstiJ096Dmfho8Z8hzdJ6lYbeRbFEr0qYs-uImvNbplszhP6EJ1Zt5XPZMdv9ftgOc7pJ0hApyKW5UG5YCIEaWvQxvNw8JdbH2Orq_-TWhmpX47n13kyPXI9" width="320" /></a></div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjoGCCAjCXAps-p0NjzqLuvG9qZBKbtS7LePZnVrZRqUzk978xyigCHTP6NLuPL1sJ80Whj-NkJCSflTuz7u-pBLy0oeH-Ha-IyBH2EF34TG_vrm5T-YZFPZL8FH8KFdtfVh66Sf6J61hXzCOGZ95qwmunV1EMNDGoRpGQM7hRJtWHOTjLjx18MgcOL" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="417" data-original-width="487" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEjoGCCAjCXAps-p0NjzqLuvG9qZBKbtS7LePZnVrZRqUzk978xyigCHTP6NLuPL1sJ80Whj-NkJCSflTuz7u-pBLy0oeH-Ha-IyBH2EF34TG_vrm5T-YZFPZL8FH8KFdtfVh66Sf6J61hXzCOGZ95qwmunV1EMNDGoRpGQM7hRJtWHOTjLjx18MgcOL" width="280" /></a></div><br /><br /></div><div><br /></div><div><br /></div></div><div><br /></div><div>++++++++++++++++++++++++++++++++</div><div><br /></div><div>Edições em outros idiomas.</div><div><br /></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi55sjN4bJqu1CGyQ0XFzOxcwwG9iivbkpdnK5Mu9-FMo-p5LN9PP3asAZDM8A4DQob7F64kSGHDn1y1vFHm8tXsL0SI1PjxSLffKWwt1gWya5nPh3hPCX4AZOrTrjQLqEviCvgCCJQN-OshbhnJzSgfD8S0-Vw4vYAT8Rtv4aYTX3v2iS2lIT8BcNR" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEi55sjN4bJqu1CGyQ0XFzOxcwwG9iivbkpdnK5Mu9-FMo-p5LN9PP3asAZDM8A4DQob7F64kSGHDn1y1vFHm8tXsL0SI1PjxSLffKWwt1gWya5nPh3hPCX4AZOrTrjQLqEviCvgCCJQN-OshbhnJzSgfD8S0-Vw4vYAT8Rtv4aYTX3v2iS2lIT8BcNR=w461-h640" width="461" /></a></div><div><br /></div><div><br /></div><div><div>ANDRADE, M. D. Macunaíma. Husets Forlag, 1989. 176 p. Edição em alemão. ISBN: 8774832255. </div></div><div>______________________________</div><div><br /></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhxE1o5ETcMMDUMbZZs_MtAQTqbWYACEKLgUK29BzoHnQfbbZtzjX-UF7gS2pTv0NA6SpfT8JhkhkK7TZO_LNl7AiJqYQcU_iVvQK16D1zyhgmIFPnqTQS8Xkq5N-WsOfTFKl0DlWwFYm_5HlK6_i5J8C0uNBE0SkNj02_38uWnAsyd35DQka0Tveba" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEhxE1o5ETcMMDUMbZZs_MtAQTqbWYACEKLgUK29BzoHnQfbbZtzjX-UF7gS2pTv0NA6SpfT8JhkhkK7TZO_LNl7AiJqYQcU_iVvQK16D1zyhgmIFPnqTQS8Xkq5N-WsOfTFKl0DlWwFYm_5HlK6_i5J8C0uNBE0SkNj02_38uWnAsyd35DQka0Tveba=w461-h640" width="461" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj2hwTAvcFNKyTZbofFdz1WF5J05dUhqeNTIPc2XHLDrqf5whnJMBhsA2u8s26jU59mYV5CPLKZ0wIZDuVZUEdWBisSvXMOBjP6SV89E0qbFdaK1h9fbWsFodkCDxcduWXtIRTXzYn1MNJ9oUqn56HXP4wxXawwBgXCIjZQrMLBI-MS7mGMW-pZG8r9" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="585" data-original-width="576" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEj2hwTAvcFNKyTZbofFdz1WF5J05dUhqeNTIPc2XHLDrqf5whnJMBhsA2u8s26jU59mYV5CPLKZ0wIZDuVZUEdWBisSvXMOBjP6SV89E0qbFdaK1h9fbWsFodkCDxcduWXtIRTXzYn1MNJ9oUqn56HXP4wxXawwBgXCIjZQrMLBI-MS7mGMW-pZG8r9" width="236" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhAfgsjv2DVddzIxNJHeupnEq34hWUJFN-u-2ZwvqkFODCu8fx8EtTkfRR-a234NLmKQ_vY_itl1aOAcLMpMg2GMD6Bt6waizB0KUYx6nxdhFTgFvWjIY8Uxgypq0u7c6Y2bpz9mLJqP5f2PTth68gSZSFS2fkin1W_jzRF2Rp3aO6zAr8WPQq2pgRN" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="602" data-original-width="356" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEhAfgsjv2DVddzIxNJHeupnEq34hWUJFN-u-2ZwvqkFODCu8fx8EtTkfRR-a234NLmKQ_vY_itl1aOAcLMpMg2GMD6Bt6waizB0KUYx6nxdhFTgFvWjIY8Uxgypq0u7c6Y2bpz9mLJqP5f2PTth68gSZSFS2fkin1W_jzRF2Rp3aO6zAr8WPQq2pgRN=w237-h400" width="237" /></a></div><br /><br /></div><br /><br /></div><div><br /></div><div>ANDRADE, M. D. Macunaíma. Randon House, 1984. 168 p. <span face="archivo, sans-serif" style="background-color: white; box-sizing: inherit; color: #6c6c6c; font-size: 13px; font-weight: bold; letter-spacing: 0.3px;"> </span><span face="archivo, sans-serif" style="background-color: white; color: #6c6c6c; font-size: 13px; letter-spacing: 0.3px;">Tradutor: </span><span face="archivo, sans-serif" style="background-color: white; box-sizing: inherit; color: #6c6c6c; font-size: 13px; font-weight: bold; letter-spacing: 0.3px;">E. A. Goodland. Edição em Ingles. </span></div><div><div class="details-first" style="background-color: white; box-sizing: inherit; color: #212529; font-family: archivo, sans-serif; font-size: 16px; margin-bottom: 50px;"><div class="product-details" style="box-sizing: inherit;"><p class="col-12" id="ctl00_cphMain_pnlEditora" style="-webkit-box-flex: 0; box-sizing: inherit; color: #6c6c6c; flex: 0 0 100%; font-size: 13px; letter-spacing: 0.3px; line-height: 32px; margin: 0px; max-width: 100%; min-height: 1px; padding-left: 15px; padding-right: 15px; position: relative; width: 468.737px;"><span style="background-color: transparent;">_____________________________</span></p><p class="col-12" id="ctl00_cphMain_pnlEditora" style="-webkit-box-flex: 0; box-sizing: inherit; color: #6c6c6c; flex: 0 0 100%; font-size: 13px; letter-spacing: 0.3px; line-height: 32px; margin: 0px; max-width: 100%; min-height: 1px; padding-left: 15px; padding-right: 15px; position: relative; width: 468.737px;"><span style="background-color: transparent;"><br /></span></p><p class="col-12" id="ctl00_cphMain_pnlEditora" style="-webkit-box-flex: 0; box-sizing: inherit; color: #6c6c6c; flex: 0 0 100%; font-size: 13px; letter-spacing: 0.3px; line-height: 32px; margin: 0px; max-width: 100%; min-height: 1px; padding-left: 15px; padding-right: 15px; position: relative; width: 468.737px;"><span style="background-color: transparent;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="background-color: transparent;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjFnKIv8XSGMuWIsVvGTJs8LpFnp8EeA2ezFpMVCk1ETJGhwW-drl59XBN8wxqcP6bySb1Po1klTnePlne9gjGTwyDspOedxlfONwH9nFz7b5rWh0cSBmYOBzS3D3abk1qPR7QMSD3_dw502FgMRbQ9dD6EVuE6Bx7POnLa8bvV76Suhgw-pq-6tiqi" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="567" data-original-width="371" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEjFnKIv8XSGMuWIsVvGTJs8LpFnp8EeA2ezFpMVCk1ETJGhwW-drl59XBN8wxqcP6bySb1Po1klTnePlne9gjGTwyDspOedxlfONwH9nFz7b5rWh0cSBmYOBzS3D3abk1qPR7QMSD3_dw502FgMRbQ9dD6EVuE6Bx7POnLa8bvV76Suhgw-pq-6tiqi=w419-h640" width="419" /></a></span></div><span style="background-color: transparent;"><br /><span face=""Open Sans", Arial, sans-serif" style="color: #6b6b6b; font-size: 18px; letter-spacing: normal;">Andrade. M de. MACUNAÍMA. London: Quarter Books, 1984. 168 pp. Texto em inglês.</span></span><p></p><p class="col-12" id="ctl00_cphMain_pnlEditora" style="-webkit-box-flex: 0; box-sizing: inherit; color: #6c6c6c; flex: 0 0 100%; font-size: 13px; letter-spacing: 0.3px; line-height: 32px; margin: 0px; max-width: 100%; min-height: 1px; padding-left: 15px; padding-right: 15px; position: relative; width: 468.737px;"><span style="background-color: transparent;">________________</span></p></div></div></div></div><div><br /></div><div><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgklcq5vntC19jm7Mgn8xIKGxzenLpj-xFnR9BWXCl2bqF9gBn0AjhNrBKMY6KAQh1tP5V1Dq_ypIqr6GtO8FQe00OSkbTFhoGoXPEHU_oaKFTzzLwu2GKfcyaCtduQQ43Yg2daf-ywsY-QOdcY6j-lKzIcfQSr_8DU63RXlC-Ehw9J9qPd7nhnLa7_" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgklcq5vntC19jm7Mgn8xIKGxzenLpj-xFnR9BWXCl2bqF9gBn0AjhNrBKMY6KAQh1tP5V1Dq_ypIqr6GtO8FQe00OSkbTFhoGoXPEHU_oaKFTzzLwu2GKfcyaCtduQQ43Yg2daf-ywsY-QOdcY6j-lKzIcfQSr_8DU63RXlC-Ehw9J9qPd7nhnLa7_=w461-h640" width="461" /></a></div><br /><div>CD com o Filme. Duração: 105 minutos. </div><div>Diretor: Joaquim Pedro de Andrade Legenda: Inglês, Espanhol, Francês</div><div>Extras: - Making Of: A restauração digital de Macunaíma - Heloísa Buarque de Hollanda fala de Macunaíma - Paulo José, à maneira de Mário de Andrade - Seleção de cenas censuradas + encarte de 16 páginas </div></div></div>Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com0tag:blogger.com,1999:blog-6800349290165781826.post-40952849057180229892021-03-20T15:47:00.000-07:002021-03-20T15:47:05.621-07:00Violeta Branca - Ritmos de Inquieta Alegria e Reencontro<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Violeta Branca Menescal de Vasconcelos, manauara, nascida no dia 15 de setembro de 1915 e falecVioleta Branca Menescal de Vasconcelos, manauara, nascida no dia 15 de setembro de 1915 e faleceu no Rio de Janeiro, em 7 de outubro de 2000. Teve quatro filhos.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"> É considerada uma das primeiras poetizas do modernismo e a primeira mulher a ingressar numa Academia de letras no Brasil (1937). Seus poemas estao reunidos dois livros: Ritmos de Inquieta Alegria (1935) e Reencontro: poemas de ontem e de hoje (1982)em tres livros. </span></span><span style="background-color: black; color: white; font-family: verdana, sans-serif; font-size: 13.3333px;">Em 1935, aos 19 anos, publicou seu primeiro livro de poesia, Ritmos de Inquieta Alegria, obra com características modernistas, que mereceu uma apreciação entusiasmada do intelectual paulista Rodrigo Octávio e boa acolhida por parte da crítica, pelo lirismo e vivacidade no tratamento dos temas. Esse livro foi relançado em 1998 com a coleção Resgate, pela editora Valer. Dois anos depois, Violeta casa-se e muda-se para o Rio de Janeiro mas continua publicando seus poemas na revista Cabocla em 1936 e na revista A Selva, nos anos 1937-1938, dirigida por Clóvis Barbosa (1904-1989). Em 1939 publicou poemas </span><span style="background-color: black; color: white; font-family: verdana, sans-serif; font-size: 13.3333px;">no jornal A Tarde que pertencia a Aristophano Antony e em 1962 apareceram algumas publicações de poemas pertencentes a Violeta Branca em O Jornal. Em 1982 publica em parceria com Andrade Bello um livreto de 24 pg - Concerto a quatro mão - Opus 3. Após 47 anos, em 1982, publicou Reencontros - Poemas de Ontem e de Hoje, seu segundo e último livro.</span></div>
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<span style="background-color: black; color: white; font-family: verdana, sans-serif; font-size: 13.3333px;">O reconhecimento do talento precoce de Violeta Branca fez dela a primeira mulher a entrar para uma Academia de Letras no país. Assim, em 14 de abril de 1937, Violeta Branca passa a fazer parte da Academia Amazonense de Letras ocupando a cadeira 28, anteriormente ocupada pelos poetas Raimundo Monteiro, Hugo Bellard e Américo Antony, e que teve como patrono o poeta Annibal Theóphilo (DINIZ, 2002). Durante muitos anos, Violeta representou a AAL na Federação das Academias de Letras do Brasil, no Rio de Janeiro, onde residia.</span></div>
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">A obra Ritmos de Inquieta Alegria reúne poemas "de uma alma ainda adolescente" (A Crítica, 11/10/2000), mas cheia de surpresas. Além do universo amazônico e seus mistérios, a sensualidade, um tema ousado para a mulher da época, também está presente na poesia de Violeta Branca, o que causou certo impacto no meio literário amazonense. </span></span></div>
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Os poemas que a musa amazonense reunira em Ritmos de Inquieta Alegria tiveram os encômios de um dos pontífices das letras pátrias, prestigiosa figura da Academia Brasileira de Letras: Rodrigo Octavio, que neles vira (não obstante sua posição antagônica ao movimento modernista) “versos heroicos, triunfais, nervosos”, para em seguida acentuar, no longo texto com que prefaciara o livro: “a leitura deles me encantou, como encantará a quem os tome em momento de plena disposição de </span></span><span style="background-color: black; color: white; font-family: verdana, sans-serif; font-size: 13.3333px;">espírito [...]” (BRANCA, 2012, p. 21).</span></div>
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">"O beijo que deste no meu pulso</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">cobriu de angústia</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">a forma imaterial dos meus sentidos.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Não percebeste o latejar das veias</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">ao contato de teus lábios,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">e nem advinhaste</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">que foi o prazer que me fez silenciar..."</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">BRANCA, Violeta. Reencontro - poemas de ontem e de hoje. 2ª. edição. Manaus, AM: Academia Amazonense de Letras; Edições Governo do Estado do Amazonas – Secretaria de Estado da Cultura, 2012. 146 p. (Série Violeta Branca, v. 8) 15x21 cm. ISBN 978-85-64218-29-1 </span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_jEaQJkUgpFG53hjHvKi_Fk8d6g4rFPPrjvnlvGRvOtIS7NXee9tTmPocflG6UBEKEFVopYEqaKhBwvO9xdQtMjQ8VwdC1kK60RseS9z6eTdssOAKr5vni-zmQOoyO0nDiNS51CH2GfY/s1600/violeta_blanca+Reencontro+poemas+de+ontem+e+de+hoje+2+ed+2012.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1290" data-original-width="869" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_jEaQJkUgpFG53hjHvKi_Fk8d6g4rFPPrjvnlvGRvOtIS7NXee9tTmPocflG6UBEKEFVopYEqaKhBwvO9xdQtMjQ8VwdC1kK60RseS9z6eTdssOAKr5vni-zmQOoyO0nDiNS51CH2GfY/s400/violeta_blanca+Reencontro+poemas+de+ontem+e+de+hoje+2+ed+2012.jpg" width="268" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white; font-family: verdana, sans-serif; font-size: 13.3333px; text-align: left;">BRANCA, Violeta. Ritmos de inquieta alegria. 2. edição, revista e aumentada. Manaus, AM: Editora Valer, 1997. 116 p. (Série Coleção Resgate, 1). ISBN 85-86512-02. Fonte: Catador de livros</span></td></tr>
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Ritmos de inquieta alegria é uma obra que se define pelo lirismo e vivacidade no tratamento dos temas. Compõe-se de poemas em que se destaca a ânsia de vida e liberdade, associadas a um forte desejo de descoberta dos mistérios do mundo. É um livro expressivo de um espírito irresignado, jovem e ousado. Violeta Branca, ao publicá-lo, em 1935, aos dezenove anos, surge para a literatura como uma poetisa promissora. O livro mereceu uma apreciação entusiasmada do saudoso intelectual Rodrigo Octavio e boa acolhida por parte da crítica.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Fonte: em: http://catadordepapeis.blogspot.com.br/2010/12/violeta-branca-poetisado-amazonas.html>. Acesso em 10 abr. 2018.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Ritmos de inquieta alegria / Violeta Branca ; organização e estudo crítico Tenório Telles.</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Por: Branca, Violeta.</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Colaborador(es):Telles, Tenório.</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Série: Resgate ; 1.</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Editora: Manaus : Valer : ; Edições Governo do Estado, 1997</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Ocuparam-se de sua obra, dentre outros, Genesino Braga, Tenório Telles e Marcos Frederico Krüger, tendo merecido , de Almir Diniz, em seu livro Mulheres, a homenagem de um soneto intitulado Canto de Liberdade. Não são poucas, contudo, as homenagens que ela tem recebido no decorrer destes últimos dez anos, destacando-se, para estudo e consulta, Violeta Branca (O poetismo de vanguarda), ensaio e documentário de Carmen Novoa Silva, de quem foi amiga até a data de seu trespasse. Vale a pena reler este livro, no qual, também, comparece uma transcrição da Antologia Poética da Mulher Amazonense, do escritor Danilo Du Silvan, editada em 1984. Embora sem os recursos formais de Cecília Meireles, nem, também, sua profundidade conceitual diante do mundo, Violeta Branca, afinal, segundo Tenório Telles, pertence à primeira fase do modernismo. ¨Seu discurso poético é fluido, despojado de qualquer pretensão acadêmica¨, conclui esse mestre. Feminina, inclusive, não nos parece, em nenhum momento, preocupada com o gênero de sua própria inquietação lírica ou existencial, enfatizando, sobretudo, a monumentalidade interior que se apressa a fazer de seu canto um jornal de surdinas e confidências, algumas vezes pueris, mas sempre como se estivesse entre árvores e pássaros. Jorge Tufic</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Editora Valer – Poesia</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Ritmos de inquieta alegria</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Sob vários aspectos o livro “Ritmos de inquieta alegria”, de Violeta Branca, merece uma reflexão. Comecemos pelo nome da poetisa – Violeta Branca. Olho para um pequeno vaso pleno de violetas brancas, delicadas e frágeis. Vejo-as sorrirem para os que as possam contemplar. Elas são pequenas, cálidas, parecem não suportar o menor toque, nem mesmo do vento, e podem florir, se forem respeitados os cuidados necessários, durante o ano inteiro. Quanto ao perfume, não exalam um perfume forte, normalmente é despercebido.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Não sei por qual ou quais razões, a criança nascida no dia 15 de setembro de 1915 (virginiana) recebeu o sugestivo nome. Além do mais, ele contrasta profundamente com algumas facetas que se apresentam neste livro, possivelmente o primeiro a ser publicado por uma mulher na literatura amazonense – no ano de 1935, quando tinha 19 anos. No ano de 1937, ela ingressou na Academia Amazonense de Letras.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">O “Ritmos de inquieta alegria” abre com o poema ‘Minha lenda’, no qual a poetisa afirma que ela, por decisão de Tupã, tornou-se Iara, mas o amor por um homem fê-la mulher. Isso significa que o amor é a força humanizadora que civiliza e que harmoniza os encontros nesta Terra.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">O poema ‘Inquietação’ traz versos especialmente belos, por exemplo: ‘Tenho a inquietação de um pássaro entontecido / dançando no azul / das águas que escorrem pelas pedras dos rochedos / na vertigem louca de se atirarem / ao precipício misterioso...’</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Violeta Branca inscreve na sua poesia os elementos modernistas, todavia sabemos que não é correto enfeixarmos uma manifestação artística num quadro pré-determinado, melhor é dizermos que ela manifesta um conjunto de inquietações e incorpora uma visão própria do período em que vivia. É essencialmente essa atitude experimentada na sua poesia que lhe dá um lugar na literatura. Ela é, conforme Krüger, no Prefácio desta obra, a principal ou talvez a única modernista no Amazonas. Seja exemplo o ‘Poema agreste’:</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Guerreiro audaz, que te enfeitas</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">de penas coloridas e cobras coleantes,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">que andas com o corpo</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">ágil como flechas</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">e moreno como o sol,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">inteiramente nu,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Os elementos da região amazônica se impõem e elevam o índio, tratado usualmente como ser inferior, para a plenitude da beleza de si e de sua terra. Trata-se de uma voz modernista, mas outros elementos chegam aqui para se solidarizar em Palavra.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Quando Violeta Branca escreveu seu “Ritmos de inquieta alegria”, ela era muito jovem, mas nela já se acumulavam a sonhadora e delicada mulher e a ousadia de uma poetisa que procurava um substrato no mundo da Palavra. No poema ‘Ritmo’, ela diz-nos como faz seus poemas que, ao contrário do que expressa, ultrapassam a aparente ingenuidade.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">O ritmo, que luminosamente</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">a minha arte embala,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">é claro e alegre</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">como uma festa infantil.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">É simples, como a fala</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">ingênua e despretensiosa de uma colegial,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">de passo leve e saltitante,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">que canta, andando na calçada,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">a canção da alegria matinal...</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">A poetisa, conforme lemos os seus poemas, não poderia se expressar de outra forma, senão em versos livres, pois a liberdade não suporta amarras ou cercaduras. Mas, como já disse, não é a menina que esvoaça pelas calçadas, levada pela poesia, uma poetisa que não tem consciência daquilo que cria. Ela é tanto insegura quanto de uma força que causa pasmo e admiração, pois pensemos na Manaus da década de 1930. À medida que a vamos lendo, daí o bom trabalho do coordenador do livro, Tenório Telles, ela cresce em ousadia. Seu peito arfa para libertar a Palavra que nele se aprisiona.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">O poema ‘Eu’ traz alguns dos versos mais fortes do livro:</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">A exaltação universal</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">trago-a</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">quente e vermelha,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">em cada gota de meu sangue.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">No meu cérebro</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">passam, numa rapidez inquieta,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">de navalhas, ferindo,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">os pensamentos,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">que nem todos podem pensar.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">A ressurreição</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">da claridade delirante de todos os dias de sol</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">corre em algemas gritantes</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">pelos meus gestos expressivos.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Meus nervos,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">− cobras vibrantes – enroscam-se</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">pelas árvores brancas e sonoras</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">de meu corpo jovem</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">e deixam restos de sensações fortes</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">na selva emocional</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">de minha alma!</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Eu tenho uma sensibilidade de punhal!</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">E nos meus poemas</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">dança, em alegorias bizarras</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">e movimentos novos,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">toda a instintiva</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">e incontida</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">volúpia universal!</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">O poema ‘Eu’ contrasta com ‘Ritmo’. Nele já não mais fala a jovenzinha livre e saltitante, mas a poetisa altaneira que aspira ao universal e que nos dá um dos belos perfis do poeta e da sua inquietação. No meu entendimento, duas poetisas nesses versos se embatem: aquela que justifica a sua poesia, com bastante insegurança e com severas oscilações. A segunda é segura da sua condição, que não vê para si outro caminho senão o de escrever versos. É ela quem diz que "Eu tenho uma sensibilidade de punhal!".</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">E ainda, atentemos para esses versos, em ‘Dois tankas de minha terra’:</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Nos poemas que ora escrevo</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">não há, como outrora,</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">a suavidade de um enlevo...</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">São ardentes, tropicais:</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">têm o cheiro de terra molhada</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">e o gosto das frutas maduras...</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">É assim que nos deixou poemas ou versos de extrema força e beleza. É por isso que Violeta Branca, de quem temos somente dois livros publicados – “Ritmos de inquieta alegria” (1935) e “Reencontros” (1882), merece ser ouvida como expressão da poesia e pela particularidade como ela compreende a existência.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Para terminar, em ‘Iniciação’ minha breves palavras, a jovem poetisa repete a inquietação de todos os artistas:</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Eu não sei quem foi que veio</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">com as mãos em luz</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">incendiar de emoção</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">os cipós flexíveis dos meus nervos.</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Eu não sei quem foi que veio</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">jogar pedras de alegria</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">na água dormente de minha inquietação...</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Eu não sei quem foi...</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Talvez fosse melhor não ser poeta, mas Violeta Branca é, e merece ser lida: pelos versos exuberantes e também delicados, pela ousadia com que enfrentou uma sociedade como a amazonense na década de 1930, por mostrar sem medo a juventude que inquietava todo o seu corpo. No mais, seu nome já é um início para se falar de poesia.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Neiza Teixeira</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Autora de “Para aquém ou para além de nós.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Os autores e o tema Amazônia são meu foco.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">O livro da Violeta Branca, na realidade um livreto de 24 paginas - Concerto a quatro mão - Opus de Violeta Branca e Andrade Melo é fato. Eu possuo uma copia do mesmo. Foi publicado em 1981, pela Gráfica Editora Arte Moderna. Tem um poema neste livreto que gosto bastante, como não conheço os outros livros na integra não sei se já estava publicado. </span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">A culpa de Deus</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">(Violeta Branca)</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Que culpa tenho se Deus</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">me fez de sal e de mel</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">e de estrelas me deu</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">uma coroa e o anel</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">que brilha na minha mão ?</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Que culpa tenho se Ele</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">me ensinou o caminho</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">azul de outro e arminho</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">que leva à inspiração ?</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Que culpa tenho se Deus</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">ao ampliar os meus dias</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">criou também fantasias</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">de luas, pássaros, flores,</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">e </span><span style="background-color: black; font-size: 13.3333px;">me doou poesias</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">para dizê-las nas horas</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">das minhas vertigens de amor ? eu no Rio de Janeiro, em 7 de outubro de 2000. Teve quatro filhos. É considerada uma das primeiras poetizas do modernismo e a primeira mulher a ingressar numa Academia de letras no Brasil (1937). Seus poemas estao reunidos dois livros: Ritmos de Inquieta Alegria (1935) e Reencontro: poemas de ontem e de hoje (1982)em tres livros. </span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Em 1935, aos 19 anos, publicou seu primeiro livro de poesia, Ritmos de Inquieta Alegria, obra com características modernistas, que mereceu uma apreciação entusiasmada do intelectual paulista Rodrigo Octávio e boa acolhida por parte da crítica, pelo lirismo e vivacidade no tratamento dos temas. Esse livro foi relançado em 1998 com a coleção Resgate, pela editora Valer. Dois anos depois, Violeta casa-se e muda-se para o Rio de Janeiro mas continua publicando seus poemas na revista Cabocla em 1936 e na revista A Selva, nos anos 1937-1938, dirigida por Clóvis Barbosa (1904-1989). Em 1939 publicou poemas</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">no jornal A Tarde que pertencia a Aristophano Antony e em 1962 apareceram algumas publicações de poemas pertencentes a Violeta Branca em O Jornal. Em 1982 publica em parceria com o o . Após 47 anos, em 1982, publicou Reencontros - Poemas de Ontem e de Hoje, seu segundo e último livro.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">O reconhecimento do talento precoce de Violeta Branca fez dela a primeira mulher a entrar para uma Academia de Letras no país. Assim, em 14 de abril de 1937, Violeta Branca passa a fazer parte da Academia Amazonense de Letras ocupando a cadeira 28, anteriormente ocupada pelos poetas Raimundo Monteiro, Hugo Bellard e Américo Antony, e que teve como patrono o poeta Annibal Theóphilo (DINIZ, 2002). Durante muitos anos, Violeta representou a AAL na Federação das Academias de Letras do Brasil, no Rio de Janeiro, onde residia.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">A obra Ritmos de Inquieta Alegria reúne poemas "de uma alma ainda adolescente" (A Crítica, 11/10/2000), mas cheia de surpresas. Além do universo amazônico e seus mistérios, a sensualidade, um tema ousado para a mulher da época, também está presente na poesia de Violeta Branca, o que causou certo impacto no meio literário amazonense. Fragmentos respectivos de Tankas de Minha Terra e Volúpia ilustram essas temáticas </span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">"Eu quisera ter os braços muito longos,</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">mais longos que as palmeiras esguias destas zonas,</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">maiores que as cobras grandes,</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">maiores, até, que os rios"</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Os poemas que a musa amazonense reunira em Ritmos de Inquieta Alegria tiveram os encômios de um dos pontífices das letras pátrias, prestigiosa figura da Academia Brasileira de Letras: Rodrigo Octavio, que neles vira (não obstante sua posição antagônica ao movimento modernista) “versos heroicos, triunfais, nervosos”, para em seguida acentuar, no longo texto com que prefaciara o livro: “a leitura deles me encantou, como encantará a quem os tome em momento de plena disposição de </span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">espírito [...]” (BRANCA, 2012, p. 21).</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">"O beijo que deste no meu pulso</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">cobriu de angústia</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">a forma imaterial dos meus sentidos.</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Não percebeste o latejar das veias</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">ao contato de teus lábios,</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">e nem advinhaste</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">que foi o prazer que me fez silenciar..."</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">BRANCA, Violeta. Reencontro - poemas de ontem e de hoje. 2ª. edição. Manaus, AM: Academia Amazonense de Letras; Edições Governo do Estado do Amazonas – Secretaria de Estado da Cultura, 2012. 146 p. (Série Violeta Branca, v. 8) 15x21 cm. ISBN 978-85-64218-29-1 </span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">BRANCA, Violeta. Ritmos de inquieta alegria. Organização e estudo crítico Tenório Telles. 2ª. edição, revista e aumentada. Manaus, AM: Editora Valer, 1997. 116 p. (Série Coleção Resgate, 1) 14x21 cm. Capa: Álvaro Marques. Foto: Leonide Principe. Apresentação de Marcos-Frederico Krüger. ISBN 85-86512-02-8</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Ritmos de inquieta alegria é uma obra que se define pelo lirismo e vivacidade no tratamento dos temas. Compõe-se de poemas em que se destaca a ânsia de vida e liberdade, associadas a um forte desejo de descoberta dos mistérios do mundo. É um livro expressivo de um espírito irresignado, jovem e ousado. Violeta Branca, ao publicá-lo, em 1935, aos dezenove anos, surge para a literatura como uma poetisa promissora. O livro mereceu uma apreciação entusiasmada do saudoso intelectual Rodrigo Octavio e boa acolhida por parte da crítica.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Fonte: em: http://catadordepapeis.blogspot.com.br/2010/12/violeta-branca-poetisado-amazonas.html>. Acesso em 10 abr. 2018.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Ritmos de inquieta alegria / Violeta Branca ; organização e estudo crítico Tenório Telles.</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Por: Branca, Violeta.</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Colaborador(es):Telles, Tenório.</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Série: Resgate ; 1.</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Editora: Manaus : Valer : ; Edições Governo do Estado, 1997</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Ocuparam-se de sua obra, dentre outros, Genesino Braga, Tenório Telles e Marcos Frederico Krüger, tendo merecido , de Almir Diniz, em seu livro Mulheres, a homenagem de um soneto intitulado Canto de Liberdade. Não são poucas, contudo, as homenagens que ela tem recebido no decorrer destes últimos dez anos, destacando-se, para estudo e consulta, Violeta Branca (O poetismo de vanguarda), ensaio e documentário de Carmen Novoa Silva, de quem foi amiga até a data de seu trespasse. Vale a pena reler este livro, no qual, também, comparece uma transcrição da Antologia Poética da Mulher Amazonense, do escritor Danilo Du Silvan, editada em 1984. Embora sem os recursos formais de Cecília Meireles, nem, também, sua profundidade conceitual diante do mundo, Violeta Branca, afinal, segundo Tenório Telles, pertence à primeira fase do modernismo. ¨Seu discurso poético é fluido, despojado de qualquer pretensão acadêmica¨, conclui esse mestre. Feminina, inclusive, não nos parece, em nenhum momento, preocupada com o gênero de sua própria inquietação lírica ou existencial, enfatizando, sobretudo, a monumentalidade interior que se apressa a fazer de seu canto um jornal de surdinas e confidências, algumas vezes pueris, mas sempre como se estivesse entre árvores e pássaros. Jorge Tufic</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Editora Valer – Poesia</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Ritmos de inquieta alegria</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Sob vários aspectos o livro “Ritmos de inquieta alegria”, de Violeta Branca, merece uma reflexão. Comecemos pelo nome da poetisa – Violeta Branca. Olho para um pequeno vaso pleno de violetas brancas, delicadas e frágeis. Vejo-as sorrirem para os que as possam contemplar. Elas são pequenas, cálidas, parecem não suportar o menor toque, nem mesmo do vento, e podem florir, se forem respeitados os cuidados necessários, durante o ano inteiro. Quanto ao perfume, não exalam um perfume forte, normalmente é despercebido.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Não sei por qual ou quais razões, a criança nascida no dia 15 de setembro de 1915 (virginiana) recebeu o sugestivo nome. Além do mais, ele contrasta profundamente com algumas facetas que se apresentam neste livro, possivelmente o primeiro a ser publicado por uma mulher na literatura amazonense – no ano de 1935, quando tinha 19 anos. No ano de 1937, ela ingressou na Academia Amazonense de Letras.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">O “Ritmos de inquieta alegria” abre com o poema ‘Minha lenda’, no qual a poetisa afirma que ela, por decisão de Tupã, tornou-se Iara, mas o amor por um homem fê-la mulher. Isso significa que o amor é a força humanizadora que civiliza e que harmoniza os encontros nesta Terra.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">O poema ‘Inquietação’ traz versos especialmente belos, por exemplo: ‘Tenho a inquietação de um pássaro entontecido / dançando no azul / das águas que escorrem pelas pedras dos rochedos / na vertigem louca de se atirarem / ao precipício misterioso...’</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Violeta Branca inscreve na sua poesia os elementos modernistas, todavia sabemos que não é correto enfeixarmos uma manifestação artística num quadro pré-determinado, melhor é dizermos que ela manifesta um conjunto de inquietações e incorpora uma visão própria do período em que vivia. É essencialmente essa atitude experimentada na sua poesia que lhe dá um lugar na literatura. Ela é, conforme Krüger, no Prefácio desta obra, a principal ou talvez a única modernista no Amazonas. Seja exemplo o ‘Poema agreste’:</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Guerreiro audaz, que te enfeitas</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">de penas coloridas e cobras coleantes,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">que andas com o corpo</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">ágil como flechas</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">e moreno como o sol,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">inteiramente nu,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Os elementos da região amazônica se impõem e elevam o índio, tratado usualmente como ser inferior, para a plenitude da beleza de si e de sua terra. Trata-se de uma voz modernista, mas outros elementos chegam aqui para se solidarizar em Palavra.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Quando Violeta Branca escreveu seu “Ritmos de inquieta alegria”, ela era muito jovem, mas nela já se acumulavam a sonhadora e delicada mulher e a ousadia de uma poetisa que procurava um substrato no mundo da Palavra. No poema ‘Ritmo’, ela diz-nos como faz seus poemas que, ao contrário do que expressa, ultrapassam a aparente ingenuidade.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">O ritmo, que luminosamente</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">a minha arte embala,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">é claro e alegre</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">como uma festa infantil.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">É simples, como a fala</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">ingênua e despretensiosa de uma colegial,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">de passo leve e saltitante,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">que canta, andando na calçada,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">a canção da alegria matinal...</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">A poetisa, conforme lemos os seus poemas, não poderia se expressar de outra forma, senão em versos livres, pois a liberdade não suporta amarras ou cercaduras. Mas, como já disse, não é a menina que esvoaça pelas calçadas, levada pela poesia, uma poetisa que não tem consciência daquilo que cria. Ela é tanto insegura quanto de uma força que causa pasmo e admiração, pois pensemos na Manaus da década de 1930. À medida que a vamos lendo, daí o bom trabalho do coordenador do livro, Tenório Telles, ela cresce em ousadia. Seu peito arfa para libertar a Palavra que nele se aprisiona.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">O poema ‘Eu’ traz alguns dos versos mais fortes do livro:</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">A exaltação universal</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">trago-a</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">quente e vermelha,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">em cada gota de meu sangue.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">No meu cérebro</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">passam, numa rapidez inquieta,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">de navalhas, ferindo,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">os pensamentos,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">que nem todos podem pensar.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">A ressurreição</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">da claridade delirante de todos os dias de sol</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">corre em algemas gritantes</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">pelos meus gestos expressivos.</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Meus nervos,</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">− cobras vibrantes – enroscam-se</span></span><br />
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<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">pelas árvores brancas e sonoras</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">de meu corpo jovem</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">e deixam restos de sensações fortes</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">na selva emocional</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">de minha alma!</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Eu tenho uma sensibilidade de punhal!</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">E nos meus poemas</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">dança, em alegorias bizarras</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">e movimentos novos,</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">toda a instintiva</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">e incontida</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">volúpia universal!</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">O poema ‘Eu’ contrasta com ‘Ritmo’. Nele já não mais fala a jovenzinha livre e saltitante, mas a poetisa altaneira que aspira ao universal e que nos dá um dos belos perfis do poeta e da sua inquietação. No meu entendimento, duas poetisas nesses versos se embatem: aquela que justifica a sua poesia, com bastante insegurança e com severas oscilações. A segunda é segura da sua condição, que não vê para si outro caminho senão o de escrever versos. É ela quem diz que "Eu tenho uma sensibilidade de punhal!".</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">E ainda, atentemos para esses versos, em ‘Dois tankas de minha terra’:</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Nos poemas que ora escrevo</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">não há, como outrora,</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">a suavidade de um enlevo...</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">São ardentes, tropicais:</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">têm o cheiro de terra molhada</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">e o gosto das frutas maduras...</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">É assim que nos deixou poemas ou versos de extrema força e beleza. É por isso que Violeta Branca, de quem temos somente dois livros publicados – “Ritmos de inquieta alegria” (1935) e “Reencontros” (1882), merece ser ouvida como expressão da poesia e pela particularidade como ela compreende a existência.</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Para terminar, em ‘Iniciação’ minha breves palavras, a jovem poetisa repete a inquietação de todos os artistas:</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Eu não sei quem foi que veio</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">com as mãos em luz</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">incendiar de emoção</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">os cipós flexíveis dos meus nervos.</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Eu não sei quem foi que veio</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">jogar pedras de alegria</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">na água dormente de minha inquietação...</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Eu não sei quem foi...</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Talvez fosse melhor não ser poeta, mas Violeta Branca é, e merece ser lida: pelos versos exuberantes e também delicados, pela ousadia com que enfrentou uma sociedade como a amazonense na década de 1930, por mostrar sem medo a juventude que inquietava todo o seu corpo. No mais, seu nome já é um início para se falar de poesia.</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Neiza Teixeira</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Autora de “Para aquém ou para além de nós.</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Os autores e o tema Amazônia são meu foco.</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">O livro da Violeta Branca, na realidade um livreto de 24 paginas - Concerto a quatro mão - Opus de Violeta Branca e Andrade Melo é fato. Eu possuo uma copia do mesmo. Foi publicado em 1981, pela Gráfica Editora Arte Moderna. Tem um poema neste livreto que gosto bastante, como não conheço os outros livros na integra não sei se já estava publicado. </span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">A culpa de Deus</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">(Violeta Branca)</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Que culpa tenho se Deus</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">me fez de sal e de mel</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">e de estrelas me deu</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">uma coroa e o anel</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">que brilha na minha mão ?</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Que culpa tenho se Ele</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">me ensinou o caminho</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">azul de outro e arminho</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">que leva à inspiração ?</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">Que culpa tenho se Deus</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">ao ampliar os meus dias</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">criou também fantasias</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">de luas, pássaros, flores,</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">e me doou poesias</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;">para dizê-las nas horas</span></span><br />
<span style="color: white; font-family: verdana, sans-serif;"><span style="background-color: black; font-size: 13.3333px;"><br /></span></span>
<span style="color: white; font-family: verdana, sans-serif;"><span style="font-size: 13.3333px;"><span style="background-color: black;">das minhas verti</span>gens de amor ? </span></span></div>
Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com0tag:blogger.com,1999:blog-6800349290165781826.post-51979654551084217582020-12-20T03:52:00.003-08:002020-12-20T03:52:59.656-08:00Claudio D'Abbevvile - História da missão dos padres capuchinos na ilha do Maranhão e suas circunvizinhanças<p></p><div class="separator" style="clear: both; text-align: center;"><b style="background-color: white; color: #333333; font-family: "Amazon Ember", Arial, sans-serif; font-size: large; text-align: left;">Claude d´Abbeville</b><span style="background-color: white; color: #333333; font-family: "Amazon Ember", Arial, sans-serif; font-size: large; text-align: left;">, capuchinho francês, fez parte da missão que veio ao Maranhão acompanhando a expedição de La Ravardière, em 1612. Permaneceu no Brasil quatro meses. É admirável como, no curto período de sua estada no Maranhão, pôde adquirir o imenso cabedal de conhecimentos que transmitiu aos pósteros. O espólio desse missionário revelou sobre astronomia dos tupis do Maranhão, descrevendo grande número de corpos celestes, com suas denominações bárbaras e suas características mais flagrantes, de modo a facilitar a identificação a quem estude o assunto.</span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #333333; font-family: "Amazon Ember", Arial, sans-serif; text-align: left;"><span style="font-size: medium;"><br /></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #333333; font-family: "Amazon Ember", Arial, sans-serif; font-size: 14px; text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha7ab8rMBGEFy-PqzhGxrjPTIbMW-0OBwkENtt0d6llCfjVA_wlBRInv1N_VggR5tbKlGGC9MqQ_OC0a1ejxnncQ3LzasB-vSFzt8l10pMv08wZ6CEfIeHNVhkZs0lP1Fb7uU1glEuUoo/s712/Abeville+1+ee+1874.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="712" data-original-width="419" height="662" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha7ab8rMBGEFy-PqzhGxrjPTIbMW-0OBwkENtt0d6llCfjVA_wlBRInv1N_VggR5tbKlGGC9MqQ_OC0a1ejxnncQ3LzasB-vSFzt8l10pMv08wZ6CEfIeHNVhkZs0lP1Fb7uU1glEuUoo/w388-h662/Abeville+1+ee+1874.JPG" width="388" /></a></div><br /> <p></p><p>Claude d'Abbeville. História da missão dos padres capuchinos na ilha do Maranhão e suas circunvizinhanças. Trad. Cezar Augusto Marques. 1 ed. São Luis - Maranhão. 1874. </p><p>Há noticias de uma edição feita com apenas 100 exemplares. Editora: Librairie Ancienne É. Champion. 1922. Prefácio XXIX pp; + 394 pp; +table de choses, 27 pp; + glossário 76 pp. Feita às expensas de Paulo Prado. Rodolfo Garcia era o revisor (?) ,</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcwIcFT1BEenApYiOFwkyiNe4U7BlvSTAoB2H394rNdiuR3-sSHUybJknLS-C6Bx8jhkioat6G-lJ3nSV9P5k3FepQxUnRyVttwYrBI9GR5QDetGT81oK7onCsnTcCdp2-RC7igXiTd80/s652/Abeville+x+ed+Livraria+Martins.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="652" data-original-width="473" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcwIcFT1BEenApYiOFwkyiNe4U7BlvSTAoB2H394rNdiuR3-sSHUybJknLS-C6Bx8jhkioat6G-lJ3nSV9P5k3FepQxUnRyVttwYrBI9GR5QDetGT81oK7onCsnTcCdp2-RC7igXiTd80/w290-h400/Abeville+x+ed+Livraria+Martins.JPG" width="290" /></a></div><br /><p>Claude d'Abbeville. História da missão dos padres capuchinos na ilha do Maranhão e suas circunvizinhanças. Trad. Sérgio Milliet. Introdução e Notas: Rodolfo Garcia. 3 ed. Livraria Martins - São Paulo. 1945. 296 p. </p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6x67KwIeP35HYJCnjC9GeyhIW-5BS_CM31i9ajVrUWAeUZ7RwxC862DzO4qv_wd34Rym9tPTi4-PEI8S0Iq2mCA1wlU58Ls0grVHTas9F1kLEZKlH_urPWZqbRr-mUbVKKlnbxfquA08/s499/Abeville+Itatiaia+1975.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="499" data-original-width="361" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6x67KwIeP35HYJCnjC9GeyhIW-5BS_CM31i9ajVrUWAeUZ7RwxC862DzO4qv_wd34Rym9tPTi4-PEI8S0Iq2mCA1wlU58Ls0grVHTas9F1kLEZKlH_urPWZqbRr-mUbVKKlnbxfquA08/w289-h400/Abeville+Itatiaia+1975.jpg" width="289" /></a></div><br /><p>Claude d'Abbeville. História da missão dos padres capuchinos na Ilha do Maranhão e suas circunvizinhanças. Itatiaia - EDUSP. Belo Horizonte - São Paulo. 1975. ISBN: <span style="background-color: white; color: #111111; font-family: "Amazon Ember", Arial, sans-serif; font-size: 14px;">9788531903052</span> </p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqna7ksRoDfGshpXJ2wKU_LrbBKAj7zziqLfCVDXWdIZiXNGq0c0vMbN436rmK-hwTkrMm_yLnYfjpZai0ASrzo5lngVaUObmqzVD-VaXQVCQCSqj5ebuVoHKSQCp05jDKT-B_xnooKtU/s499/Claude+de++Abeville+x+ed+Siciliano+.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="499" data-original-width="343" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqna7ksRoDfGshpXJ2wKU_LrbBKAj7zziqLfCVDXWdIZiXNGq0c0vMbN436rmK-hwTkrMm_yLnYfjpZai0ASrzo5lngVaUObmqzVD-VaXQVCQCSqj5ebuVoHKSQCp05jDKT-B_xnooKtU/w275-h400/Claude+de++Abeville+x+ed+Siciliano+.JPG" title="Claude d'Abbeville. História da missão dos padres capuchinos na ilha do Maranhão e suas circunvizinhanças. Siciliano. São Paulo. 2002. 363 p. ISBN: 978-8526708815" width="275" /></a></div><br /><p>Claude d'Abbeville. História da missão dos padres capuchinos na Ilha do Maranhão e suas circunvizinhanças. Siciliano. São Paulo. 2002. 363 p. ISBN: <span style="background-color: white; color: #111111; font-family: "Amazon Ember", Arial, sans-serif; font-size: 14px;">978-8526708815</span> </p><p><br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsREkaPk_P0WFFSZ9vddJIrnETJG_IiMK8IPRI85y8A1SenR1phcXXCdByV46r95PFr4xHeZTC3aXYsQHo4QNSKtxyYn2LYI7vq-y22zA6dmCzuMN2nZLe2i5vbCsKFM0NmbC4EmzYqvU/s547/Claude+de++Abeville+x+ed+Senado+2009.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="547" data-original-width="377" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsREkaPk_P0WFFSZ9vddJIrnETJG_IiMK8IPRI85y8A1SenR1phcXXCdByV46r95PFr4xHeZTC3aXYsQHo4QNSKtxyYn2LYI7vq-y22zA6dmCzuMN2nZLe2i5vbCsKFM0NmbC4EmzYqvU/w276-h400/Claude+de++Abeville+x+ed+Senado+2009.JPG" width="276" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;">Claude d'Abbeville. História da missão dos padres capuchinos na Ilha do Maranhão e suas circunvizinhanças. Edições Senado. Brasília. 2008. 403 p. </span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE1982tqi7KkvqIOBGXOuVrHkprpNvJd0PkDYKLtPYa0q_QRmK51p3kZJznio9B0fJGwxkrsSEWyvH0SaNDHmYRjQTOgNQ1Ez71yFovIrrviM2quOQ7R0Y8lPzCEq6DU21ceSfbNwHP28/s1500/11424490381.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="937" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE1982tqi7KkvqIOBGXOuVrHkprpNvJd0PkDYKLtPYa0q_QRmK51p3kZJznio9B0fJGwxkrsSEWyvH0SaNDHmYRjQTOgNQ1Ez71yFovIrrviM2quOQ7R0Y8lPzCEq6DU21ceSfbNwHP28/w250-h400/11424490381.jpg" width="250" /></a></div><br /><p class="biblio" style="background-color: white; border: 0px; box-sizing: border-box; color: #4d4d4d; font-family: "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 1.45em; margin: 0px 0px 5px; padding: 0px; vertical-align: baseline;"><span id="biblio-title" style="border: 0px; box-sizing: border-box; margin: 0px; padding: 0px; vertical-align: baseline;">Claude de Abeville. Histoire de la mission des peres capucins en...</span> <span id="biblio-publisher" style="border: 0px; box-sizing: border-box; margin: 0px; padding: 0px; vertical-align: baseline;">Paris, De l'Imprimerie de François Huby, 1614.</span></p><p></p><p class="biblio" style="background-color: white; border: 0px; box-sizing: border-box; color: #4d4d4d; font-family: "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 1.45em; margin: 0px 0px 5px; padding: 0px; vertical-align: baseline;"><br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjS9vjuQ4f8RDVLjmBhaPiSGDQLxv7Gcepr_kVceVXvqJ_enJ-0zO4P-PK89_9q_YVgG8DEy4Z_nLyPT6eZG4fa1DGGszhn-r_8ebpl44uanlsaO7iPcwbUYQEixTUhBrmYDFlHvTf9xkc/" style="margin-left: 1em; margin-right: 1em;"><img data-original-height="610" data-original-width="302" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjS9vjuQ4f8RDVLjmBhaPiSGDQLxv7Gcepr_kVceVXvqJ_enJ-0zO4P-PK89_9q_YVgG8DEy4Z_nLyPT6eZG4fa1DGGszhn-r_8ebpl44uanlsaO7iPcwbUYQEixTUhBrmYDFlHvTf9xkc/w198-h400/image.png" width="198" /></a></div><br /><br /></div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6o60Y8GhDLBAqTj3_8WArLILH6cw7AdTMeS-B26d_FijtkgciEkWSsvWrSQN3qJM17q9bjP7R3u2DG2iU1lEesssXw27aFRC4XOLwwe4DS2bPBY8VrsIZglemyQqL45nfHcG-APC0Tbc/s1500/11424490381_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="982" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6o60Y8GhDLBAqTj3_8WArLILH6cw7AdTMeS-B26d_FijtkgciEkWSsvWrSQN3qJM17q9bjP7R3u2DG2iU1lEesssXw27aFRC4XOLwwe4DS2bPBY8VrsIZglemyQqL45nfHcG-APC0Tbc/s320/11424490381_2.jpg" /></a></div><br />Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com0tag:blogger.com,1999:blog-6800349290165781826.post-83662813507124619172020-04-18T05:13:00.002-07:002020-04-18T13:24:55.190-07:00Sarandalhas - Mady Benoliel Benzecry<div dir="ltr" style="text-align: left;" trbidi="on">
A poetiza, compositora e artista plastica, Messody Benoliel Benzecry, que assinava simplesmente - Mady, nasceu em Manaus em 19 de fevereiro de 1933, filha de Jacob Paulo Levy Benoliel e Rachel Benoliel. Foi casada com o escultor e pintor Eugênio Carlos de Almeida Barbosa Batista, juntos realizaram diversas obras e exposições (Batista e Mady).<br />
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<tr><td class="tr-caption" style="text-align: center;">Foto: Mady. Sarandalhas. 1967</td></tr>
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Mady, publicou dois livros de poesia: De todos os crepúsculos (1964) e Sarandalha (1967). Sarandalha tem a capa e oito ilustrações de Moacir Andrade. Mady faleceu com 70 anos, na cidade do Rio de Janeiro, em 11 de junho de 2003. Deixou dois filhos Jacob Elias Benzecry (Elly) e Norma Nellie (1953 -2000) - Norminha.<br />
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Sarandalhas 1967<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirX40dWBkHNTSQRephuMoPsG8h4jfsTEaxX9nSWBAxwCkwS4fv044yBQdXquhp9IfosgpuvfcNLYz1yXdu5ta7QdsrlfU4-phS3q6NNKQvkvYoP1AOFRJeRYGLu1kcrZg9bp7qIvlrAa4/s1600/mady+b+benzecry.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1147" data-original-width="841" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirX40dWBkHNTSQRephuMoPsG8h4jfsTEaxX9nSWBAxwCkwS4fv044yBQdXquhp9IfosgpuvfcNLYz1yXdu5ta7QdsrlfU4-phS3q6NNKQvkvYoP1AOFRJeRYGLu1kcrZg9bp7qIvlrAa4/s640/mady+b+benzecry.jpg" width="467" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mady B. Benzecry. Sarandalhas (poemas). 1 ed. Ponguetti: Rio de Janeiro.1967. 117 p.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKXj1q685G_GSBsVZfLkYmfxKF4Emb1jheUXTRw42alPZa_ASteuxvDuHg1BqC9Ou2aJeADFw4dEdorpbAlvZGmDmvei7yH4lej6bf7QQw7_bwyCCUsY1urCzGf_6nO-D-tgdO3PD2bMY/s1600/Dedicatoria+Mady.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="676" data-original-width="507" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKXj1q685G_GSBsVZfLkYmfxKF4Emb1jheUXTRw42alPZa_ASteuxvDuHg1BqC9Ou2aJeADFw4dEdorpbAlvZGmDmvei7yH4lej6bf7QQw7_bwyCCUsY1urCzGf_6nO-D-tgdO3PD2bMY/s320/Dedicatoria+Mady.jpg" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sarandalhas. Folha de rosto com dedicatória. Acervo - Amazoniana - Wenceslau Teixeira</td></tr>
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Este livro foi dividido em quatro partes: A criação da Bahia, Baú de Infância, Cantilenas e Esparsas.<br />
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Baú de infância relembra sua infância em Manaus e dedica quatro poemas aos "doidos" folclóricos na década de 60 e 70 em Manaus: Bomba-lá, Macaxeira,Velha Saúva, Nêga Charuto, Mudinho Cazuza, Alfredo Lezo, a poetiza popular (Isabel Murtinho - a paçoca) e a Carmen Doida que também foi retratada por outros escritores: Thiago de Mello - Manaus - Amor e Memória. Rio de Janeiro: Philobiblion. 1984. 251 p. (Coleção Oficio de Viver, v.1). José Aldemir Oliveira. Cronicas da minha cidade. Letra Capital. 2017. 132 p.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhix65lLUKCu0IqIA3IV3_N5nVvq0NZl3ZhEey9JC5PCKBEG4C0KKrwpPzXYZ2BSXgbVmGlb0FTvGBhK2ru7pQi13kQv2gMoEnoqziXHoiCcPIhU7sojO-Sgqyjp-MqsHr520rXZaPUydw/s1600/Carmem+doida+Moacir+Andrade.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="575" data-original-width="416" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhix65lLUKCu0IqIA3IV3_N5nVvq0NZl3ZhEey9JC5PCKBEG4C0KKrwpPzXYZ2BSXgbVmGlb0FTvGBhK2ru7pQi13kQv2gMoEnoqziXHoiCcPIhU7sojO-Sgqyjp-MqsHr520rXZaPUydw/s400/Carmem+doida+Moacir+Andrade.jpg" width="288" /></a></td></tr>
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<tr><td class="tr-caption" style="font-size: 12.8px;">Carmem-Doida - Ilustração para o poema. Moacir Andrade. Sarandalhas. 1967</td></tr>
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<h2 style="text-align: center;">
CARMEM-DOIDA</h2>
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CARMEM-DOIDA! Gritava</div>
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a criançada da antiga</div>
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praça da prefeitura,</div>
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a Carmem-doida endoidava</div>
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mandava banana pra todos,</div>
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cuspia a dentadura</div>
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xingava a mãe e a família</div>
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da garotada e berrava</div>
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os piores palavrões…</div>
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Carmem-doida! E a tua mãe,</div>
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está no hospício também?</div>
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“No céu! Seus mizerentos</div>
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rebentos do Satanás,</div>
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na paz do Senhô, ela está!”</div>
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E ia ao “Juizado</div>
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de Menores” se queixar!</div>
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“Seu juiz, não é prussive,</div>
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tanta, tanta bandalheira,</div>
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eu sou muié de respeito</div>
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e não ardimito brincadeira!</div>
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A gente tem de acabá</div>
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com esses moleque de rua,</div>
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já é a quinta dentadura</div>
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que eles me faz quebrá,</div>
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entonces esta, foi cara,</div>
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ganhei ela de natar</div>
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e tinha um dente de ouro</div>
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bem na frente, seu dotô</div>
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eles tem de me pagá!”</div>
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E lá se iam dois guardas</div>
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a garotada autuar…</div>
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Um dia, foi no Natal</div>
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uma “vaquinha” correu</div>
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na praça da prefeitura</div>
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e Carmem-doida ganhou</div>
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um presente dos meninos</div>
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com cinco dentes de ouro</div>
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uma nova dentadura!</div>
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E desde então Carmem-doida,</div>
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muito mais doida, ficou…</div>
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(Sarandalhas, 1967, p. 37 - 39)</div>
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A Carmem-Doida, era uma morena magra e alta, gostava de dançar na rua, sempre com um saco de estopa na mão e de andar de ônibus. Os estudantes quando chamavam - Carmem-doida, sempre tinha a pronta resposta: -É a tua mãe, filho da puta, vagabundo!<br />
Num acidente ficou paralitica, mas foi cuidada por uma pessoa até o final da sua vida. Foi tema de uma reportagem do Jornal a Critica em 1977</div>
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Fontes: <a href="https://simaopessoa.blogspot.com/2010/11/carmem-doida-pra-viver-jornalismo.html" target="_blank">Blog do Simão Pessoa - Carmem-Doida</a><br />
Fonte: <a href="http://luciobezerra.com/adoravel-carmem-doida/" target="_blank">Blog de Lucio Bezerra - Carmem-Doida</a><br />
Fonte: <a href="https://amazonianarede.com.br/os-doidos-de-manaus/" target="_blank">Amazonia na Rede - Os doidos de- Manaus</a><br />
Fonte: <a href="http://www.taquiprati.com.br/cronica/466-manaus-e-a-fabrica-de-loucos" target="_blank">Blog Taquiprati Manaus e a fabrica de loucos</a><br />
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<h2 style="text-align: center;">
<br />Cidade Flutuante </h2>
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A Drummond de Andrade</div>
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Barracos de umbaúba,</div>
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soalhos de acapú,</div>
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esteios de acaricoara,</div>
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telhados de ubuçú.</div>
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Cortinas de céus bordados,</div>
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tapetes de muriré,</div>
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nimbados de espuma afloram,</div>
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serão frotas de Noé?</div>
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No manto líquido negro,</div>
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pardo, mesclado, barrento,</div>
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vomitam estampidos horrendos</div>
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dragões com asas de vento</div>
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e da garganta da noite</div>
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escapam berros medonhos,</div>
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elétricas espadanas</div>
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serão Dante, os demônios?</div>
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Barracos de umbaúba,</div>
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soalhos de acapu,</div>
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Veneza não tem teu verde,</div>
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nem o canto do sanhaçu!</div>
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Mulheres pantagruélicas,</div>
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misto de peixe e de gente</div>
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que grega mitologia</div>
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tem serva mais bela e ardente?</div>
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Caboclo forte e sem medo</div>
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de guerras, de vendaval,</div>
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que antiga couraça é mais rija</div>
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que a tua, de animal?</div>
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O teu corcel é canoa,</div>
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com rédeas de pixiúba,</div>
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teu capacete de aço,</div>
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é chapéu de carnaúba</div>
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E tu menino macrôptero,</div>
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mais gordo que um matrinchão</div>
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quantas estrelas tu fisgas</div>
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nas pontas do teu arpão?</div>
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Barracos de umbaúba,</div>
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soalhos de acapu,</div>
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Veneza não tem teu verde,</div>
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nem o canto o irapurú</div>
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Veneza não tem palmeiras,</div>
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Veneza não tem teu azul,</div>
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Veneza não tem tua gente</div>
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nem o canto do Sanhaçu!</div>
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<span style="background-color: #f0f6f9; font-family: "calibri" , "arial"; font-weight: 700;"><br /></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBFaFodfacdYnsEJoqbD-z4k-JTocmqzlPIz-hjx9GfkDFjpM_qcfUOogfW9eSTaq14FOehZO-yDKsueh9bWKJN6n-nRZzfwJlOO7mET3PHr6-0bSOF7pYDF_h0LDDDghxUzBxPohs76A/s1600/cidade+flutuante+-+Mary+Moacir+Andrade.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="505" data-original-width="490" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBFaFodfacdYnsEJoqbD-z4k-JTocmqzlPIz-hjx9GfkDFjpM_qcfUOogfW9eSTaq14FOehZO-yDKsueh9bWKJN6n-nRZzfwJlOO7mET3PHr6-0bSOF7pYDF_h0LDDDghxUzBxPohs76A/s400/cidade+flutuante+-+Mary+Moacir+Andrade.jpg" width="387" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cidade Flutuante - Ilustração para o poema de Moacir Andrade. Sarandalhas.1967</td></tr>
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<span style="background-color: #f0f6f9; font-family: "calibri" , "arial"; font-weight: 700;"><br /></span></div>
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<span style="background-color: #f0f6f9; font-family: "calibri" , "arial"; font-weight: 700;">___________________________________</span></div>
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<span style="background-color: #f0f6f9; font-family: "courier new" , "courier" , monospace;"><span style="background-color: white; color: #6b6b6b; font-size: 18px; text-align: left;"><b> A artista plastica - MADY</b></span></span></div>
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<span style="background-color: #f0f6f9; font-family: "courier new" , "courier" , monospace;"><span style="background-color: white; color: #6b6b6b; font-size: 18px; text-align: left;"><b><br /></b></span></span></div>
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<span style="background-color: #f0f6f9; font-family: "courier new" , "courier" , monospace;"><span style="background-color: white; color: #6b6b6b; font-size: 18px; text-align: left;"><b>Juntamente com Eugênio Carlos de Almeida Barbosa (Batista) Mady participou de diversas exposições no Brasil e exterior. Assinavam obras conjuntas como BATISTA & MADY</b></span></span></div>
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<span style="background-color: #f0f6f9; font-family: "calibri" , "arial"; font-weight: 700;"><span style="background-color: white; color: #6b6b6b; font-family: "open sans" , "arial" , sans-serif; font-size: 18px; font-weight: 400; text-align: left;"><br /></span></span></div>
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<span style="background-color: #f0f6f9; font-family: "calibri" , "arial"; font-weight: 700;"><span style="background-color: white; color: #6b6b6b; font-family: "open sans" , "arial" , sans-serif; font-size: 18px; font-weight: 400; text-align: left;"><br /></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs62mafgNCsEmuT9LzMbHOgoxRlmKc5UBaZsgQpgYP48_puXkMUsjxH2ni0hV8EKAQMVZbzCEl2YFSVkH0mbi8K2C6kac_2cyWbqLdNK0mYSg8NuX2lNoerfMMeTnIm0nlUYA4_Uprc2o/s1600/obra_10863771.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="577" data-original-width="600" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs62mafgNCsEmuT9LzMbHOgoxRlmKc5UBaZsgQpgYP48_puXkMUsjxH2ni0hV8EKAQMVZbzCEl2YFSVkH0mbi8K2C6kac_2cyWbqLdNK0mYSg8NuX2lNoerfMMeTnIm0nlUYA4_Uprc2o/s320/obra_10863771.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Batista e Mady vida e obra: embaixadores da alma brasileira. Mario Margutti. Rio de Janeiro: Lucky, 2003. 212 p. </td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdPqQcaQcB6aZMAWxHKYWV2hDqotRZxJm6OQr-7doSxq9ADCpXIwT7Pi55xbXaJMmbL5nN9WZ3KzV_GoJte3Fiv_HyUwxYqyZHceGdCiUcxBo97zlFAiqwvoQgBdw_PD3Po47kwmaiqxE/s1600/Mady+e+Batista+2020.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="342" data-original-width="330" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdPqQcaQcB6aZMAWxHKYWV2hDqotRZxJm6OQr-7doSxq9ADCpXIwT7Pi55xbXaJMmbL5nN9WZ3KzV_GoJte3Fiv_HyUwxYqyZHceGdCiUcxBo97zlFAiqwvoQgBdw_PD3Po47kwmaiqxE/s320/Mady+e+Batista+2020.JPG" width="308" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Batista e Mady. Mario Margutti. </td></tr>
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<span style="background-color: #f0f6f9; font-family: "calibri" , "arial"; font-weight: 700;"><span style="background-color: white; color: #6b6b6b; font-family: "open sans" , "arial" , sans-serif; font-size: 18px; font-weight: 400; text-align: left;"><br /></span></span></div>
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<span style="background-color: #f0f6f9; font-family: "calibri" , "arial"; font-weight: 700;"><span style="background-color: white; color: #6b6b6b; font-family: "open sans" , "arial" , sans-serif; font-size: 18px; font-weight: 400; text-align: left;"><br /></span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIaAJ0PcUNqOX0vv3E2zh_cmQ0v_cthzZrESYGS2nIbsTYcYKvWXH2zlo__rN_xXEqmw5-xGZF8RJ8WQT8f6Na3_j3Uc7eE4iEGO2bg0my3G5gps_L8vMV0bxAWCcWBUdnOmeSooGJ3Yg/s1600/mady+benzecry+bArco+casario+e+fauna+no+igarape+amazonico.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="558" data-original-width="779" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIaAJ0PcUNqOX0vv3E2zh_cmQ0v_cthzZrESYGS2nIbsTYcYKvWXH2zlo__rN_xXEqmw5-xGZF8RJ8WQT8f6Na3_j3Uc7eE4iEGO2bg0my3G5gps_L8vMV0bxAWCcWBUdnOmeSooGJ3Yg/s400/mady+benzecry+bArco+casario+e+fauna+no+igarape+amazonico.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mady</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTdBYi1gGnnLQjKmQvqAoEo60o60qFoCFX8GKDJcB3kgv24lE4rofZHU9MUe48MR5U1UNhvMZrNSK52Ahtf6yJaj3KLzjHKRkn33ic1KGb-fDqjn4EBTGqm38RI_Ox44yS_g_Qds6EnKs/s1600/Mady+pintura+II.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="529" data-original-width="430" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTdBYi1gGnnLQjKmQvqAoEo60o60qFoCFX8GKDJcB3kgv24lE4rofZHU9MUe48MR5U1UNhvMZrNSK52Ahtf6yJaj3KLzjHKRkn33ic1KGb-fDqjn4EBTGqm38RI_Ox44yS_g_Qds6EnKs/s400/Mady+pintura+II.JPG" width="325" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mady</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcsipHN6QDyjWQbjE61JPa_q5DWk1V2fz-TEyTbiSWIL2a03RNbv5pudk4I4ZUvCJo46DB7NiyKkeM2u6alk0ZJVJTNCfRDh8xW-KYCWhRKa-BEb5i1rd8Voi24Zp2lmfegBdY9q-P1eo/s1600/Mady+Benzecry+pintora.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="432" data-original-width="760" height="227" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcsipHN6QDyjWQbjE61JPa_q5DWk1V2fz-TEyTbiSWIL2a03RNbv5pudk4I4ZUvCJo46DB7NiyKkeM2u6alk0ZJVJTNCfRDh8xW-KYCWhRKa-BEb5i1rd8Voi24Zp2lmfegBdY9q-P1eo/s400/Mady+Benzecry+pintora.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><b style="background-color: black; font-family: calibri, arial; font-size: 14px; text-align: left;"><span style="color: white;">O descobrimento do Brasil - 500 anos. Batista & Mady</span></b></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGoN23mhNUwyUdzKT1MA0XZ9VioFz4lYL_p0MrkTbOPEEWfBlAK7O6MAN9wks_l31LxAvvO3lJWz2p_1AFDT48sA_TQ61Go1dINJnNYBkV81v1v9h4qu1JixVOiCigiqh0N8jf4Gcmnbs/s1600/Mady+Benzecry.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="628" data-original-width="802" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGoN23mhNUwyUdzKT1MA0XZ9VioFz4lYL_p0MrkTbOPEEWfBlAK7O6MAN9wks_l31LxAvvO3lJWz2p_1AFDT48sA_TQ61Go1dINJnNYBkV81v1v9h4qu1JixVOiCigiqh0N8jf4Gcmnbs/s400/Mady+Benzecry.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white;">Doação do jornalista, Roberto Marinho, ao Forte de Copacabana do painel "O descobrimento do Brasil - 500 anos", de autoria dos artistas plásticos Eugênio Carlos (Batista) e Messody Benoliel Benzecry (Mady)</span></td></tr>
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com1tag:blogger.com,1999:blog-6800349290165781826.post-44256600003159673812020-04-15T06:32:00.004-07:002020-04-18T03:40:41.153-07:00Marajó a ditadura da água - Giovanni Gallo<div dir="ltr" style="text-align: left;" trbidi="on">
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<b>Giovanni Gallo</b></h2>
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(Turim, 27 de abril de 1927 — Belém, 7 de março de 2003) foi um padre inaciano turinês, nascido em 27 de abril de 1927. Foi ordenado sacerdote aos 29 anos, tendo trabalhado na Andaluzia (Espanha), na Ilha da Sardenha (Italia) e na Basiléia (Suíça). Chegou ao Brasil na década de 1970 trabalhando inicialmente na Ilha de São Luis do Maranhão, em 1973 é transferido para a Ilha do Marajó (comunidade do Jenipapo) onde trabalha até seu falecimento em 07 de março de 2003. <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;">Foto: Giovanni Gallo</td></tr>
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Fundou o Museu do Marajó em 1972, em Santa Cruz do Arari - PA, cujo acervo reuni aspectos do Homem, da cultura, da fauna e da flora marajoara. Escrevia cronicas para os jornais o Liberal e o Estado do Pará, algumas destas foram reunidas no livro: Marajó, a ditadura da água, cuja primeira edição foi publicada em 1979. Publicou também: Motivos Ornamentais da Cerâmica Marajoara e O Homem que Implodiu (autobiografia)<i style="background-color: white; color: #222222; font-family: sans-serif; font-size: 14px;">. </i></h2>
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<i style="background-color: white; color: #222222; font-family: sans-serif;"><b><span style="font-size: large;">Marajó a ditadura da água </span></b></i><br />
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<tr><td class="tr-caption" style="text-align: center;"><b style="font-family: sans-serif; font-size: 14px; text-align: left;"><span style="background-color: black; color: white;">Giovanni Gallo. Marajó a ditadura da água. 1 ed. 1979. SECULT: Belem. 312 p</span></b><b style="color: #222222; font-family: sans-serif; font-size: 14px; text-align: left;">.</b><span style="background-color: white; text-align: left;"><b style="color: #222222; font-family: sans-serif; font-size: 14px;"> </b></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrjPd8_6ObRGINE_WA3Ml8de8NUNKLQyn-ep6ksAe3YaosN0-nzcMEeLVBPwz5PryWhvrDYdLgiWTiINJqmGj9d0j1lj83fjnVrerMX_iZaOwOgvzJyrJUTq8qyMh5YcYurxgc2doBKSU/s1600/Giovanni+Galo++2+ed+Eidcoes+Nosso+Museu+Santa+Cruz+do+Arari+1981+b.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="608" data-original-width="425" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrjPd8_6ObRGINE_WA3Ml8de8NUNKLQyn-ep6ksAe3YaosN0-nzcMEeLVBPwz5PryWhvrDYdLgiWTiINJqmGj9d0j1lj83fjnVrerMX_iZaOwOgvzJyrJUTq8qyMh5YcYurxgc2doBKSU/s400/Giovanni+Galo++2+ed+Eidcoes+Nosso+Museu+Santa+Cruz+do+Arari+1981+b.JPG" width="278" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><b style="font-family: sans-serif; font-size: 14px; text-align: left;"><span style="background-color: black; color: white;">Giovanni Gallo. Marajó a ditadura da água. 2 ed. 1981. Edições "O Nosso Museu": Santa Cruz do Arari. 314 p.</span></b></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><b style="font-family: sans-serif; font-size: 14px; text-align: left;"><span style="background-color: black; color: white;">Giovanni Gallo. Marajó a ditadura da água. 3 ed. 1982. Edições "O Nosso Museu": Santa Cruz do Arari. 314 p.</span></b></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguxqzRI2kSdS1LGbBLnzHJI_3Upr3SrmLsVuAPKSrTKLmQtdd7FA39ac0cymqJfWp1jFheJ0lVmG2ZSLLVye_soZpASD93sJ6Vo7HA13Kv95GsXf4fuyuuZHnX4OzCknsbiPGcMdS9JDE/s1600/Giovanni+Galo+4+ed+2015.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="576" data-original-width="432" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguxqzRI2kSdS1LGbBLnzHJI_3Upr3SrmLsVuAPKSrTKLmQtdd7FA39ac0cymqJfWp1jFheJ0lVmG2ZSLLVye_soZpASD93sJ6Vo7HA13Kv95GsXf4fuyuuZHnX4OzCknsbiPGcMdS9JDE/s400/Giovanni+Galo+4+ed+2015.JPG" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><span style="color: white;"><b style="font-family: sans-serif; font-size: 14px; text-align: left;">G</b><b style="font-family: sans-serif; font-size: 14px; text-align: left;">iovanni Gallo. Marajó a ditadura da água. 4 ed. 2015. Edições "O Nosso Museu": Santa Cruz do Arari. 256 p.</b><span style="font-weight: 700;"> </span></span></span></td></tr>
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<i style="background-color: white; color: #222222; font-family: sans-serif; font-size: 14px;"><br /><a href="https://issuu.com/revistapzz/docs/livro_gallo_final" target="_blank">Link para o livro - Marajó: a ditadura da água</a></i><br />
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<tr><td class="tr-caption" style="text-align: center;">Ilha do Marajó - Foto: Giovanni Gallo</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2mRB6opABWo5chxxVno437JE4rkJ9DhW1ZdSge3SHl07cT_nSD2vl2vos91yXoGxlvvGMigYIOTLn66VOkLwL3WYsAFVRxqOrJKa_0rkAWTcN0awIex1024diiQnwZKBuTUDr2R3uIio/s1600/Arari+Giovanni+Gallo.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="565" data-original-width="814" height="443" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2mRB6opABWo5chxxVno437JE4rkJ9DhW1ZdSge3SHl07cT_nSD2vl2vos91yXoGxlvvGMigYIOTLn66VOkLwL3WYsAFVRxqOrJKa_0rkAWTcN0awIex1024diiQnwZKBuTUDr2R3uIio/s640/Arari+Giovanni+Gallo.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ilha do Marajó - Foto: Giovanni Gallo</td></tr>
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Outros livros de Giovanni Gallo<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizjlU9RHpPhpe5CKYWyvrxG6S2rg-9PaI3NbDAZm7nfeENFESecaiFQP6u19MqzBqWnIEur3k1_FcNuAIC75OPvXIDzvbB3RQzLRW28VS5vRMKXuvhpxxgMNcBk7sYMthovPJHzqFsdpA/s1600/Gallo%252C+Giovanni+Motivos+ornamentais+da+ceramica+marajoara+1+ed+1990+Sminth+Producoes+graficas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="436" data-original-width="600" height="232" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizjlU9RHpPhpe5CKYWyvrxG6S2rg-9PaI3NbDAZm7nfeENFESecaiFQP6u19MqzBqWnIEur3k1_FcNuAIC75OPvXIDzvbB3RQzLRW28VS5vRMKXuvhpxxgMNcBk7sYMthovPJHzqFsdpA/s320/Gallo%252C+Giovanni+Motivos+ornamentais+da+ceramica+marajoara+1+ed+1990+Sminth+Producoes+graficas.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><b style="background-color: black;"><span style="color: white;">Giovanni Gallo. Motivos ornamentais da cerâmica marajoara. 1 ed. Edições " O Nosso Museu": Santa Cruz do Arari. 1990. x p. </span></b></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><b style="background-color: black;"><span style="color: white;">Giovanni Gallo. Motivos ornamentais da cerâmica marajoara. 2 ed. Edições " O Nosso Museu": Santa Cruz do Arari. 2005 x p. </span></b></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white; font-weight: 700;">Giovanni Gallo. O homem que implodiu. SECULT: Belém. 1986 p.<br /></span></td></tr>
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Data: Abril de 2020</div>
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com0tag:blogger.com,1999:blog-6800349290165781826.post-87799835992543609752020-04-09T10:03:00.002-07:002020-10-24T14:42:25.386-07:00Arthur Ferreira Reis - o historiador da Amazônia no século XIX<div dir="ltr" style="text-align: left;" trbidi="on">
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<b>Arthur Cézar Ferreira Reis (ACFR)</b></h2>
Manauara, nascido em 8 de janeiro de 1906, faleceu no Rio de Janeiro, em 7 de fevereiro de 1993.<br />
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Filho do jornalista e teatrólogo Vicente Torres da Silva Reis e de Emília Ferreira Reis. Casado com Graziela Reis com que teve cinco filhos.<br />
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Fez o curso primário no Grupo Escolar Saldanha Marinho e o secundário no Ginásio Amazonas em Manaus. Em 1923 iniciou seus estudos na Faculdade de Direito de Belém, nas transfere-se no ano seguinte para o Rio de Janeiro onde bacharelou-se em Direito em 1927 pela Faculdade de Ciências Jurídicas e Sociais do Rio de Janeiro. Em 1930, torna-se chefe de gabinete da Junta Revolucionária no estado, contando com o apoio dos estudantes. Cinco anos mais tarde seria indicado para ser diretor da Instrução Pública. Em 1931, publicaria o antológico livro História do Amazonas. Retorna a Manaus em 1928, tornando-se redator chefe do Jornal do Comércio de propriedade de seu pai, e colaborou em revistas especializadas, como a do IHGB (desde 1941), do Patrimônio Histórico e Artístico Nacional, Cultura, Província de S. Pedro, Revista Brasileira (da ABL), Revista de História (da USP), Observador Econômico Ocidente (de Lisboa), Carta Mensal (da Confederação Nacional do Comércio).<br />
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Foi professor de História, no Colégio D. Bosco, na Escola Normal do Amazonas e na Escola da América e na Faculdade de Direito do Amazonas em Manaus. Após a Revolução de 1930, foi chefe de Gabinete da Junta Governativa Revolucionária do AM.<br />
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Participou da Comissão encarregada de fixar os limites dos municípios do Estado do AM, sendo seu relator-geral (1934).<br />
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No ano de 1939 transferiu-se para Belém do Pará, lecionando no Colégio Paraense, Nossa Senhora do Carmo e Moderno, simultaneamente colaborando nos jornais: O Estado do Pará e Folha do Norte.<br />
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Em 1946, no governo de Eurico Dutra (1946-1951), assumiu a chefia da Divisão de Expansão Econômica do Departamento Nacional de Indústria e Comércio do Ministério do Trabalho. No ano seguinte chefiou a delegação brasileira à Conferência do Comércio e Emprego, realizada em Havana, Cuba, sob o patrocínio da Organização das Nações Unidas (ONU). Em 1948 foi diretor-geral do Departamento Estadual do Trabalho de São Paulo no governo de Ademar de Barros e desse ano a 1949 integrou a Comissão de Mão-de-obra da Comissão Mista Brasileiro-Americana de Estudos Econômicos. Secretariou ainda a comissão técnica que, por determinação do presidente Getúlio Vargas (1951-1954), estudou em 1951 os programas de trabalho a serem executados na Amazônia visando sua valorização. Após a promoção de uma conferência administrativa sobre os problemas da região pela assessoria da presidência, foi criada a Superintendência do Plano de Valorização Econômica da Amazônia (SPVEA) e Vargas cogitou primeiramente o nome de Juarez Távora, cujos problemas de saúde não lhe permitiu aceitar o encargo. Tendo então nomeado Artur César Ferreira Reis, que assumiu o SPVEA em 1953, quando deixou a chefia da Divisão de Expansão Econômica do Departamento Nacional de Indústria e Comércio do Ministério do Trabalho. Ferreira Reis permaneceu à frente da SPVEA até 1955 e, em junho do ano seguinte, tornou-se diretor do Instituto Nacional de Pesquisa da Amazônia (INPA), cargo que permaneceu até junho de 1958. Em 1961 dirigiu o Departamento de História e Divulgação do estado da Guanabara, no governo de Carlos Lacerda. Foi diretor-geral do Departamento Nacional da Indústria em 1963 e delegado do Brasil à Conferência de Comércio e Desenvolvimento da ONU, realizada em Genebra, na Suíça, em 1964.<br />
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<b>No governo do Amazonas</b><br />
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Ainda em 1964, logo após o golpe político-militar de 31 de março, que depôs o presidente João Goulart, e em decorrência do afastamento do governador Plínio Ramos Coelho (1963-1964) sob acusação de corrupção, Artur César Ferreira Reis teve seu nome indicado pelo presidente Humberto Castelo Branco (1964-1967) para governador do estado do Amazonas, sendo eleito pela Assembléia Legislativa em 27 de junho de 1964.<br />
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Durante seu governo projetou-se pelos combates contra as tentativas de internacionalização da Amazônia e a favor da canalização para essa região de diversos benefícios concedidos pelo governo federal a outras regiões do país. Denunciou a proposta da Academia Nacional de Ciências dos Estados Unidos de formação de um Centro do Trópico Úmido, visando estudar problemas científicos e tecnológicos da região, e, posteriormente, denunciou também o projeto do Instituto Hudson de Nova Iorque, nos Estados Unidos, relativo à implantação de um grande lago amazônico, que deveria fazer submergir uma superfície equivalente à do estado de São Paulo, no médio vale. Classificou esses projetos como tentativas que possibilitavam a intromissão de um governo estrangeiro em território nacional, escapando ao controle do governo brasileiro, além de se sobreporem ao Instituto Nacional de Pesquisa da Amazônia, órgão dedicado à exploração científica na região.<br />
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No plano econômico, buscou junto ao governo federal tornar extensivos à região os incentivos fiscais e favores creditícios concedidos ao Nordeste. Em outubro de 1966 foi criada a Superintendência de Desenvolvimento da Amazônia (Sudam), em substituição à SPVEA. Criaram-se também incentivos fiscais e o Fundo de Investimentos Privados da Amazônia (Fidam). Levou para trabalhar no seu gabinete, Márcio Souza e Elson Farias. Negociou a libertação de Glauber Rocha, para filmar o documentário institucional “Amazonas, Amazonas”. Criou as Edições Governo do Estado, que publicou cerca de 150 volumes de história, romance, poesia, antropologia. Prestigiou no seu governo os trabalhos dos arquitetos Severiano Mário Porto e Cezar Oiticica para o Amazonas. Deixou o governo em 31 de janeiro de 1967, sendo sucedido por Danilo Areosa.<br />
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<b>Regresso ao Rio de Janeiro</b><br />
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Foi um dos fundadores da Câmara de Ciências Humanas do Conselho Federal de Cultura, órgão que presidiu de 1967 a 1968. Foi ainda vice-presidente do Instituto de Resseguros do Brasil (IRB) e professor de sociologia e política na Pontifícia Universidade Católica (PUC) e de administração na Fundação Getúlio Vargas, ambas no Rio de Janeiro. Lecionou também no curso de pós-graduação em história da Universidade Federal Fluminense (UFF), em Niterói.<br />
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Escreveu mais de duzentos artigos, inúmeros prefácios e participou de conferências e em obras coletivas. Era possuidor de uma numerosa biblioteca que hoje esta em Manaus no acervo da Biblioteca Arthur Cézar Ferreira Reis, implantada em 2001, reúne as obras que compunham a biblioteca de ACFR. Mais de 21 mil títulos estão disponíveis entre a coleção de livros e coleção de periódicos.<br />
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Direcionou seus estudos e conhecimentos a serviço de uma causa: a história e o desenvolvimento da Amazônia. Foi membro do IHGB (Instituto Histórico e Geográfico Brasileiro), do IGHA (Instituto Geográfico e Histórico do Amazonas) e da AAL (Academia Amazonense de Letras).<br />
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Escreveu quase uma centena de obras, além de proferir diversas palestras e prefaciar centenas de livros.<br />
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<b>Principais obras de ACFR </b></div>
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<span style="color: black; font-family: "arial"; font-size: small; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;"><b style="background-color: white;">1931 - História do Amazonas</b></span><span style="background-color: black; color: black; font-family: "arial"; font-size: large; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;"><b><br /></b></span></h2>
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<span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 11pt; vertical-align: baseline; white-space: pre;">Arthur Cézar Ferreira Reis. História do Amazonas. 1 ed. </span><span face=""arial unicode ms" , "arial" , "verdana" , sans-serif" style="font-size: 13px;">Officinas Typographicas de A. Reis: Manaus. 269 p. </span></span></div>
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<span face=""arial unicode ms" , "arial" , "verdana" , sans-serif"><span style="background-color: black; color: white; font-size: 13px;">Arthur Cézar Ferreira Reis. História do Amazonas. 2 ed. Itatiaia-USP: Belo Horizonte - São Paulo. 2019. 261 p ISBN 978 85 31900358 </span></span></div>
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<span style="color: white; font-family: "arial"; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;"><b style="background-color: black;">1934 - Manaos e outras Villas</b></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white;"><span face=""arial unicode ms" , "arial" , "verdana" , sans-serif" style="font-size: 13px; text-align: left;">Arthur Cézar Ferreira. Reis. Manáos e outras villas. 1 ed. Typographia Fenix: </span><span face=""arial unicode ms" , "arial" , "verdana" , sans-serif" style="font-size: 13px; text-align: left;">Manaus, 1935. 150 p.</span></span></td></tr>
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<span style="background-color: black;"><span style="color: white;"><span face=""arial unicode ms" , "arial" , "verdana" , sans-serif" style="font-size: 13px;">Arthur Cézar Ferreira. Reis. Manáos e outras villas. 2 ed. </span><span face=""arial unicode ms" , "arial" , "verdana" , sans-serif" style="font-size: 13px;">Manaus : Amazonas, Secretaria de Estado da Cultura e Turismo : EDUA, 1999. 144 p.</span></span></span><br />
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<span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="color: white; font-size: 14px; text-align: justify;"><b style="background-color: black;">1940 - A Política de Portugal no Valle Amazônico</b></span><br />
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<span style="background-color: black; color: white;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="font-size: 14px; text-align: justify;">A Política de Portugal no Valle Amazônico. </span><span face=""arial unicode ms" , "arial" , "verdana" , sans-serif" style="font-size: 13px;">Impresso nas officinas graphicas da revista Novidade:Belem. 1940.168 p</span></span><br />
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<span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify;">Arthur Cézar Ferreira Reis. A Política de Portugal no Valle Amazônico. Cultural Brasil: Belém, 1993. 168 p. 2 ed. Coleção Lendo o Pará, v.16</span></div>
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<b><span style="background-color: black; color: white;"><span style="font-family: "arial"; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;">1940 - </span><span style="font-family: "arial"; white-space: pre;">Lobo D´Almada, um Estadista Colonial</span></span></b><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white;">Arthur Cézar Ferreira Reis. Lobo d'Almada. 1 ed. Imprensa Pública: Manaus, 1940. 305 p.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg73peqzABU1qBIG1Tc261raoVYEh7IYNbLWeNr-fopoX0grRsiY45UUjOFbc2kvi_bTq06QJO1SWZdYKWBOLd9VJr2-GoW-15vEu89T8FpwwV-swv4KUxfx-rz-rBSK-u7rrkIyNUuBzE/s1600/Arthur+Cezar+Ferreira+Reis+Lobo+da+Almada.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="674" data-original-width="460" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg73peqzABU1qBIG1Tc261raoVYEh7IYNbLWeNr-fopoX0grRsiY45UUjOFbc2kvi_bTq06QJO1SWZdYKWBOLd9VJr2-GoW-15vEu89T8FpwwV-swv4KUxfx-rz-rBSK-u7rrkIyNUuBzE/s400/Arthur+Cezar+Ferreira+Reis+Lobo+da+Almada.JPG" width="272" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><span style="color: white;">Arthur Cézar Ferreira Reis. Lobo d'Almada. 2 ed. Valer: Manaus , 1999. 302 p. ISBN 8575122347</span></span></td></tr>
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<span style="background-color: black;"><span style="color: white;"><span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><span face=""arial unicode ms" , "arial" , "verdana" , sans-serif" style="font-size: 13px; white-space: normal;"><br /></span></span>
<span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><span face=""arial unicode ms" , "arial" , "verdana" , sans-serif" style="font-size: 13px; white-space: normal;"><a href="https://issuu.com/bibliovirtualsec/docs/lobo_d__almada_um_estadista_colonia" target="_blank">Livro Lobo d'Almada 1 ed </a></span></span>
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<span style="color: white; font-family: "arial"; vertical-align: baseline; white-space: pre;"><b style="background-color: black;">1940 - Paulista na Amazônia e outros ensaios </b></span><br />
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<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">(1940) Paulista na Amazônia e outros Ensaios. Imprensa Nacional: Rio de Janeiro.</span></div>
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<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">Separata do vol. 175 da Revista do Instituto [Histórico e Geográfico Brasileiro]. p. [247]-338. </span></div>
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<span style="color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;"><b style="background-color: black;">1941 - D. Romualdo de Souza Coelho </b></span><br />
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<span style="font-family: "arial"; font-size: 11pt; white-space: pre;">____________________________________________</span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">1941 - Síntese da História do Pará</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhfi2JVNlmgwpMmlaxXEziqh5A2l_zVHm_K_uVUTbmEM5xAZ3OYVQtzATadfGB_wugokyKDLdbYLDDNE080Q4-mpV3ASheWsutBSWGSksmwvuV5FULBlPVmi4SpFFI4z6fRdlM1tY-b7E/s1600/Arthur+C%25C3%25A9sar+Ferreira+Reis+Sintese+da+Historia+do+Para+1972+162+p.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="452" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhfi2JVNlmgwpMmlaxXEziqh5A2l_zVHm_K_uVUTbmEM5xAZ3OYVQtzATadfGB_wugokyKDLdbYLDDNE080Q4-mpV3ASheWsutBSWGSksmwvuV5FULBlPVmi4SpFFI4z6fRdlM1tY-b7E/s320/Arthur+C%25C3%25A9sar+Ferreira+Reis+Sintese+da+Historia+do+Para+1972+162+p.jpg" width="241" /></a></td></tr>
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<span style="font-family: "arial"; font-size: 11pt; vertical-align: baseline; white-space: pre;"><span style="background-color: black;"><span style="color: white;">Arthur Cézar Ferreira Reis. Síntese da História do Pará. 2 ed. Amazônia Edições Culturais:Belém.1972.</span></span></span></div>
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<b><span style="background-color: black; color: white;"><span style="font-family: "arial"; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;">1942 - A Conquista Espiritual da A</span><span style="font-family: "arial"; white-space: pre;">mazônia </span></span></b><br />
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<span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 11pt; vertical-align: baseline; white-space: pre;">Arthur Cézar Ferreira Reis. A Conquista Espiritual da A</span><span style="font-family: "arial"; font-size: 11pt; white-space: pre;">mazônia. 1 ed. </span><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="font-size: 14px; text-align: justify;">Escolas Profissionais Salesianas: São Paulo. 1942.130 p. </span><span face=""arial unicode ms" , "arial" , "verdana" , sans-serif" style="font-size: 13px;">Prefácio Pedro Calmon.</span></span><br />
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<span style="background-color: black; color: white;"><span face=""arial unicode ms" , "arial" , "verdana" , sans-serif" style="font-size: 13px;">Link de acesso para: </span><a href="https://issuu.com/bibliovirtualsec/docs/conquista_espiritual_da_amaz__nia__" style="font-family: "arial unicode ms", arial, verdana, sans-serif; font-size: 13px;" target="_blank">A Conquista Espiritual da Amazônia</a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVGxXXAgubE4q3FH0pFX1qbYuU1rENOcdxj3p-U5J2i9-RGUZiHQA9VZGUsdRJGfkY8ujRYRa4XT6cSfY5wTtXRM3IW9-hstuu8mAG98ApnDWS1b0Xp1T7kOh6VGaXWshl7J4-B-LaX8c/s1600/Arthur+Cezar+Ferreira+Reis+A+Conquista+Espiritual+da+Amaz%25C3%25B4nia++1942+130+p+Escolas+Profissionais+Salesianas+-+S%25C3%25A3o+Paulo.JPG" style="margin-left: 1em; margin-right: 1em;"><br /><img border="0" data-original-height="731" data-original-width="494" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVGxXXAgubE4q3FH0pFX1qbYuU1rENOcdxj3p-U5J2i9-RGUZiHQA9VZGUsdRJGfkY8ujRYRa4XT6cSfY5wTtXRM3IW9-hstuu8mAG98ApnDWS1b0Xp1T7kOh6VGaXWshl7J4-B-LaX8c/s320/Arthur+Cezar+Ferreira+Reis+A+Conquista+Espiritual+da+Amaz%25C3%25B4nia++1942+130+p+Escolas+Profissionais+Salesianas+-+S%25C3%25A3o+Paulo.JPG" width="216" /></a></div>
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<span style="background-color: black; color: white;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="font-size: 14px; text-align: justify;">A Conquista Espiritual da Amazônica, </span><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="color: #4c4c4c;"><span style="font-size: 14px;">Rio de Janeiro Superintendência do Plano de </span></span><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif"><span style="font-size: 14px;">Valorização Econômica da Amazônia, Seção de Documentação e Relações Públicas], [1964]</span></span></span></div>
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<span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="color: #4c4c4c;"><span style="background-color: black; color: white; font-size: 14px;">Coleção Araujo Lima v. 19. 18 p.</span></span></div>
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<span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="color: #4c4c4c;"><span style="background-color: black; color: white; font-size: 14px;"><br /></span></span></div>
<span style="background-color: black; color: white;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="text-align: justify;"><span style="font-size: 14px;">A conquista espiritual da Amazônia. </span></span><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="font-size: 14px; text-align: justify;">Manaus : Governo do Estado do Amazonas, Secretaria de Estado da Cultura, Esportes e Estudos Amazônicos : Editora da Universidade do Amazonas, 1997. 171 pg. ISBN 9788554882930 </span></span><br />
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<span style="color: white; font-family: "arial"; white-space: pre;"><b style="background-color: black;">1943 - O Processo Histórico da Economia Amazonense</b></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSnzu0jGRHm1bie5A3UH6qPT_9xYBeDTXcD4GrLq6op3Tn1-eu6anmERczW04X43aDFWnWnzpzVuSWo_O-AivKEgjww_-sKeaMRPlrQE4ifcbVfTfqYboojCvJQwb9C9nC8weVXsNYfxs/s1600/Arthur+C%25C3%25A9sar+Ferreira+Reis+O+cesso+historico+da+economia+amazonese+194x.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="941" data-original-width="639" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSnzu0jGRHm1bie5A3UH6qPT_9xYBeDTXcD4GrLq6op3Tn1-eu6anmERczW04X43aDFWnWnzpzVuSWo_O-AivKEgjww_-sKeaMRPlrQE4ifcbVfTfqYboojCvJQwb9C9nC8weVXsNYfxs/s400/Arthur+C%25C3%25A9sar+Ferreira+Reis+O+cesso+historico+da+economia+amazonese+194x.JPG" width="271" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><span style="color: white;">Arthur Cezar Ferreira Reis. O Processo histórico da economia amazonense. Imprensa Nacional:Belém. 1 ed. 1943 105 pg. [na contracapa tem a data de 1944 e cita como a cidade da Imprensa Nacional - Rio de Janeiro</span></span></td></tr>
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<span style="font-family: "arial"; font-size: 11pt; white-space: pre;"><a href="https://issuu.com/bibliovirtualsec/docs/processo_hist__rico_da_economia_ama" target="_blank"><br /><span style="background-color: black;"><span style="color: white;">Link para o livro: Processo Histórico da Economia Amazonense</span></span></a></span><span style="background-color: black;"><span style="color: white;">
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<span style="font-family: "arial";"><span style="background-color: black; color: white; font-size: 14.6667px; white-space: pre;">______________________________________________________________</span></span></div>
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<span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><b style="font-family: "times new roman"; font-size: medium; white-space: normal;"><span style="background-color: black; color: white; font-family: "arial"; vertical-align: baseline; white-space: pre;">1945 - História de Óbidos</span></b></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkpeO5du4jdFBp6IKNxp8lzjyYEasrSOMe2cHQTOGiVZhxOTmQrJjdcKNEmI5CHHf7YFWM-tB-lw2XovUS80JYw9Y0T0D4Srk7HwOqYWe8HPtmB3eqeN6V4C9QW5lmcKdBOBuCxblgGOg/s1600/Arthur+Cezar+Ferreira+Reis++Historia+de+obidos+1+ed++1945.JPG" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="873" data-original-width="563" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkpeO5du4jdFBp6IKNxp8lzjyYEasrSOMe2cHQTOGiVZhxOTmQrJjdcKNEmI5CHHf7YFWM-tB-lw2XovUS80JYw9Y0T0D4Srk7HwOqYWe8HPtmB3eqeN6V4C9QW5lmcKdBOBuCxblgGOg/s400/Arthur+Cezar+Ferreira+Reis++Historia+de+obidos+1+ed++1945.JPG" width="257" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 11pt; text-align: left; vertical-align: baseline; white-space: pre;">Arthur Cézar Ferreira Reis. História de Óbidos. </span><span style="font-family: "arial"; font-size: 14.6667px; text-align: left; white-space: pre;">Revista do Instituto Histórico e Geográfico Brasileiro : Rio de Janeiro, v. 185, 1945.</span></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguNldxTEADkIo-RcczZln8wIF8px5rjCCQipiGHcIN5RDMWHFoj0uNjuA4Cb2D6BEcxc5-6cfsTiV7BpqR3iQHsxzSQDqnkVRwL27e4kWSWEaD7akdHkxm5AlwBuvB5LPDQJC_B-d8tZc/s1600/Arthur+Cezar+Ferreira+Reis++Historia+de+obidos+2+ed++1979.JPG" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="408" data-original-width="269" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguNldxTEADkIo-RcczZln8wIF8px5rjCCQipiGHcIN5RDMWHFoj0uNjuA4Cb2D6BEcxc5-6cfsTiV7BpqR3iQHsxzSQDqnkVRwL27e4kWSWEaD7akdHkxm5AlwBuvB5LPDQJC_B-d8tZc/s400/Arthur+Cezar+Ferreira+Reis++Historia+de+obidos+2+ed++1979.JPG" width="262" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white;">Arthur Cézar Ferreira Reis. História de Óbidos. 2 ed. Rio de Janeiro: Civilização Brasileira; Brasília: INL; Belém: Governo do Estado do Pará, 144 p. 1979. Coleção Retratos do Brasil., v. 123</span></td></tr>
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<span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 11pt; vertical-align: baseline; white-space: pre;"><br /></span><span style="font-family: "arial"; font-size: 11pt; vertical-align: baseline; white-space: pre;">__________________________________________________________</span></span><br />
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<span style="font-family: "arial"; font-size: 11pt; vertical-align: baseline; white-space: pre;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify; white-space: normal;"> 1947 Limites e Demarcação na Amazônia Brasileira, RJ, 1947, 3 vols</span></span></div>
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<span style="background-color: black; color: white;">(Publicações da Comissão Brasileira Demarcadora de Limites) . Conteúdo: v. 1. A fronteira colonial com a Guiana Francesa. v. 2. A fronteira com as colônias espanhola.</span><br />
<span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 11pt; vertical-align: baseline; white-space: pre;"></span><br /></span>
<span style="background-color: black; color: white;">ISBN <span style="font-family: "swis721 cn bt"; font-size: 14px;">978-85-338-0530-9</span></span><br />
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">___________________________________________________________</span><br />
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">(1948) "Estadistas Portugueses na Amazônia." Rio de Janeiro: Dois Mundos, 202 p.</span></div>
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<span style="background-color: black; color: white;">
Estadistas portugueses na Amazônia</span></h1>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">(1948) "História da Imigração e Colonização do Continente Americano." Rio de Janeiro.</span></div>
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<span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify; white-space: normal;">História da Imigração e Colonização do Continente Americano, RJ, 1948</span></span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">_______________________________________________________________</span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">(1949) Território do Amapá - Perfil Histórico. Rio de Janeiro: Imprensa Nacional, Rio de Janeiro. 182 p. il.</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtsb9k73sAMgbEDsXXN7znj0umFlY35Gw5Vy1qEqdQqEWlrSX3coxunrmuj7xR9Y6Cb3PUnvZKST82uQu7tSPkuqH3KBkJQ9G9Da-ixu5y_lORWkS9YaS6qW8HKaOZaTWESBWsoF2Er50/s1600/Arthur+Cezar+Ferreira+Reis+Territorio+do+Amapa+1949.jpg" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="839" data-original-width="544" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtsb9k73sAMgbEDsXXN7znj0umFlY35Gw5Vy1qEqdQqEWlrSX3coxunrmuj7xR9Y6Cb3PUnvZKST82uQu7tSPkuqH3KBkJQ9G9Da-ixu5y_lORWkS9YaS6qW8HKaOZaTWESBWsoF2Er50/s400/Arthur+Cezar+Ferreira+Reis+Territorio+do+Amapa+1949.jpg" width="258" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white; font-family: "arial"; font-size: 14.6667px; text-align: left; white-space: pre;">Arthur Cézar Ferreira Reis. Território do Amapá: perfil histórico. Imprensa Nacional: Rio de Janeiro. 1949.182 p. il.</span></td></tr>
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<span style="background-color: black; color: white;"><br /><span style="font-family: arial; font-size: 14.6667px; white-space: pre;">(1950) O Estado do Maranhão - Catequese do gentio - Rebeliões - Pacificação : Imprensa Nacional, Rio de Janeiro. xp. il.</span><br /><br /><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDx6B621d-nyBaiD7Lg6PraeEecJ-mV41z4qmPx-50uAgtCeBn0LoQJacEuElf6gZnjX-5gAAAoAIpdgS1FRCwEIukTAulKObyzEqVXlQCDPEZb1afrDZazbPwUsvrdL7blP9CDVGCwsE/s646/Arthur+Cezar+Ferreira+Reis+Maranhao+1950.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="646" data-original-width="446" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDx6B621d-nyBaiD7Lg6PraeEecJ-mV41z4qmPx-50uAgtCeBn0LoQJacEuElf6gZnjX-5gAAAoAIpdgS1FRCwEIukTAulKObyzEqVXlQCDPEZb1afrDZazbPwUsvrdL7blP9CDVGCwsE/s320/Arthur+Cezar+Ferreira+Reis+Maranhao+1950.JPG" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div></div><br /></span>
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<b><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify;">1950 - Monte Alegre. Aspectos de sua Formação</span></b><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg3uRVCXG5ET1z6h6LO5NdNiZdQDxh9rtKP1whrgWNyn_MJPx55wwRg9i42B7pQBGkf0pTmwuY1RpXtPqjVpERgKVFljvHE5kUdG2XmRvBblAJuIfsc1qdFHgj5XAvxOSPJax2t2TuApQ/s1600/Arthur+Cezar+Ferreira+Reis+Monte+Alegre+1949+inpa.JPG" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="242" data-original-width="186" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg3uRVCXG5ET1z6h6LO5NdNiZdQDxh9rtKP1whrgWNyn_MJPx55wwRg9i42B7pQBGkf0pTmwuY1RpXtPqjVpERgKVFljvHE5kUdG2XmRvBblAJuIfsc1qdFHgj5XAvxOSPJax2t2TuApQ/s400/Arthur+Cezar+Ferreira+Reis+Monte+Alegre+1949+inpa.JPG" width="307" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><b style="font-size: medium; text-align: left;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify;">Arthur Cézar Ferreira Reis. Monte Alegre: aspectos de sua formação. 1950.</span></b></td></tr>
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<span style="background-color: black; color: white; text-align: left;">____________________________________________________</span><br />
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<span style="color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;"><b style="background-color: black;">1953 - Seringal e o Seringueiro: Tentativa de Interpretação</b></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPA0QcGg3K1q9U8_Oa3_0vVPe924T0DWa3tJmY1JKyyAvzTgGYUgDqfASUVHd9KeEDMdtBzo3lTV0jmsd8BMVM9i8-v-zFQnO92_2wSd0W32S5_YcHOKfHh3tKfmaZ65NPbgWocJ-aMBU/s1600/Arthur+Cezar+Ferreira+Reis+Seringal+e+o+seringueiro+1+ed+1953.JPG" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="813" data-original-width="557" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPA0QcGg3K1q9U8_Oa3_0vVPe924T0DWa3tJmY1JKyyAvzTgGYUgDqfASUVHd9KeEDMdtBzo3lTV0jmsd8BMVM9i8-v-zFQnO92_2wSd0W32S5_YcHOKfHh3tKfmaZ65NPbgWocJ-aMBU/s400/Arthur+Cezar+Ferreira+Reis+Seringal+e+o+seringueiro+1+ed+1953.JPG" width="273" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white;">Arthur Cézar Ferreira Reis. O Seringal e o Seringueiro: Tentativa de Interpretação. 1 ed. Serviço de Informação Agrícola : Rio de Janeiro, 1953. 149 p. (Documentário da Vida Rural, n.5). Ilustrações de Percy Lau. Prefácio de José Irineu Cabral </span></td></tr>
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<span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 11pt; vertical-align: baseline; white-space: pre;">(1997) 2 ed. Editora da Universidade do Amazonas. 293 p. ISBN: </span><span face=""arial unicode ms" , "arial" , "verdana" , sans-serif" style="font-size: 13px;"> </span><span face=""arial unicode ms" , "arial" , "verdana" , sans-serif" style="font-size: 13px;">9788574010014</span></span></div>
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__________________________________________</span><br />
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">(1953) "O Ensino da História do Brasil". México (parceria).</span></div>
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<span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify; white-space: normal;">O ensino da História do Brasil, México, 1953 (em colaboração com Virgílio Correia Filho, Hélio Viana e Eremildo Luiz Viana)</span></span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">________________________________________________________________</span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">(1953) "A Viagem Filosófica e as Expedições Científicas na Ibero - América no século XVIII." Rio de Janeiro.</span></div>
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<span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">____________________________________________________________________________</span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOj7rzYe5F4SEwCCyg3mDoCljp0g6s1IPeuHydt_071Up6imMDdoCmcaUQJLYOeKPZZfV6Vv343321DIOYmizDMaG7sdalZUX06omeGpofkoxRBXdeRFD8uMvYTgJ6tBLMPPkSs3kiS_s/s1600/Arthur+Cezar+Ferreira+Reis+Portugueses+e+braslierios+na+Guina+31+pCadernos+de+Cultura+Servi%25C3%25A7o+de+Documenta%25C3%25A7%25C3%25A3o+-+MEC+1953.JPG" style="font-family: "Times New Roman"; font-size: medium; margin-left: auto; margin-right: auto; text-align: center; white-space: normal;"><span style="background-color: black; color: white;"><img border="0" data-original-height="663" data-original-width="450" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOj7rzYe5F4SEwCCyg3mDoCljp0g6s1IPeuHydt_071Up6imMDdoCmcaUQJLYOeKPZZfV6Vv343321DIOYmizDMaG7sdalZUX06omeGpofkoxRBXdeRFD8uMvYTgJ6tBLMPPkSs3kiS_s/s320/Arthur+Cezar+Ferreira+Reis+Portugueses+e+braslierios+na+Guina+31+pCadernos+de+Cultura+Servi%25C3%25A7o+de+Documenta%25C3%25A7%25C3%25A3o+-+MEC+1953.JPG" width="217" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white;">Arthur Cézar Ferreira Reis. Portugueses e Brasileiros na Guina Francesa. Ministério da Educação e Saúde. 1 ed. 1953. 31 p. Os Cadernos de Cultura, v. 52</span><br />
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<span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"></span><br /></span>
<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">____________________________________________________________________</span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">(1954) "Experiências do Planejamento Regional no Brasil." Rio de Janeiro: SPVEA.</span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">________________________________________________________________________</span><br />
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<span style="background-color: black; color: white; font-family: "arial"; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">1957 - A Amazônia que os portugueses revelaram ao mundo</span><br />
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<tr><td style="text-align: center;"><img border="0" data-original-height="725" data-original-width="444" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGVRy5KoqpE-JeA6D3Md-Mj24HV8AHki7hjcN6mpzaGPgbWkFF80kJmIFd2FPMlHFNifGEWftCqmkJjyCWqdDYYBlzkmCifg3eB1WQFpDRIuC8i-m-WJjSU7tOLwJElHPXlF09vMoyKps/s400/Arthur+Cezar+Ferreira+Reis+A+Amazonia+que+os+portugueses+1956.JPG" style="margin-left: auto; margin-right: auto;" width="243" /></td></tr>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; vertical-align: baseline; white-space: pre;">Arthur Cézar Ferreira Reis. A Amazônia que os portugueses revelaram ao mundo.</span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; vertical-align: baseline; white-space: pre;"> Ministério da Educação e Cultura: Rio de Janeiro. </span><span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; white-space: pre;">1957. 128 p. </span></div>
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<tr id="bib-publisher-row"><td id="bib-publisher-cell" style="margin: 0px; padding: 0px 0px 8px; vertical-align: top;"><span style="background-color: black; color: white;">2 ed. Belém, Pará : Secretaria de Estado da Cultura, 1994. Serei Lendo o Pará, v.17. 128 p. Fac-sim ed.: Rio de Janeiro : Ministério da Educação e Cultura, Serviço de Documentação, 1957</span></td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGVRy5KoqpE-JeA6D3Md-Mj24HV8AHki7hjcN6mpzaGPgbWkFF80kJmIFd2FPMlHFNifGEWftCqmkJjyCWqdDYYBlzkmCifg3eB1WQFpDRIuC8i-m-WJjSU7tOLwJElHPXlF09vMoyKps/s1600/Arthur+Cezar+Ferreira+Reis+A+Amazonia+que+os+portugueses+1956.JPG" style="margin-left: 1em; margin-right: 1em;"><span style="background-color: black; color: white;"></span></a></div>
<span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><br /></span>
<span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">______________________________________________________</span></span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">(1957) "A Questão do Acre." Manaus.</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtbDArzlb2RPSRPqHBNv3i3X8odCW83bpPZnJsRwJo-EpxkqSea3rw2Nt0jJMUp3-ICaAjBh5LQR4EqDAoK32Mo-R69Rdn8Ah5jVhqeezCJ100PxsZ4fLoDKs-RTZSF8kBZvPu7VSVbso/s1600/A+questao+do+Acre.jpg" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="266" data-original-width="190" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtbDArzlb2RPSRPqHBNv3i3X8odCW83bpPZnJsRwJo-EpxkqSea3rw2Nt0jJMUp3-ICaAjBh5LQR4EqDAoK32Mo-R69Rdn8Ah5jVhqeezCJ100PxsZ4fLoDKs-RTZSF8kBZvPu7VSVbso/s400/A+questao+do+Acre.jpg" width="285" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white;">Arthur Cézar Ferreira Reis. A Questão do Acre. 1 ed. Manaus. 1957</span></td></tr>
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<span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><br /></span><span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><br /></span><span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">____________________________________________________________</span></span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">(1957) "A Amazônia vista pelo Dr. Alexandre Rodrigues Ferreira." Lisboa.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDtrc7G0EMnZJR5uH8Ut9y6k83b1NECsVoMDRk3G2rYeWb78PiE3SEpN3yXxtuwngzWpaWVV6KuI4d8nbmyzgkNnISO3xnykr7igBTCfecZBIEBBEFvzupgWpllAVbu072M6xfmUgEE20/s1600/Arthur+Cesar+Ferreira+Reis+A+amazonia+vista+pelo+Dr.+Alexandre+R+Ferreira+1957.JPG" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="793" data-original-width="560" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDtrc7G0EMnZJR5uH8Ut9y6k83b1NECsVoMDRk3G2rYeWb78PiE3SEpN3yXxtuwngzWpaWVV6KuI4d8nbmyzgkNnISO3xnykr7igBTCfecZBIEBBEFvzupgWpllAVbu072M6xfmUgEE20/s320/Arthur+Cesar+Ferreira+Reis+A+amazonia+vista+pelo+Dr.+Alexandre+R+Ferreira+1957.JPG" width="225" /></span></a></td></tr>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; vertical-align: baseline; white-space: pre;">Arthur Cézar Ferreira Reis. A Amazônia vista pelo Dr. Alexandre Rodrigues Ferreira. 1 ed. </span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; vertical-align: baseline; white-space: pre;">Boletim da Sociedade de Geografia de Lisboa: Lisboa. 1957. 23 p. </span></div>
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<span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><br /></span>
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<span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><a href="http://bv.cultura.am.gov.br/#/item/25805" target="_blank">A Amazônia vista pelo Dr. Alexandre Rodrigues Ferreira</a></span></span></div>
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<span style="font-family: "arial";"><span style="background-color: black; color: white; font-size: 14.6667px; white-space: pre;">____________________________________________________________</span></span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">(1957) "O Índio da Amazônia." Manaus.</span><br />
<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">_______________________________________</span><br />
<span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify; white-space: normal;">Guia Histórico dos Municípios do Pará, RJ, 1958</span></span><br />
<span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="font-size: 14px; text-align: justify; white-space: normal;"><br /></span></span>
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<span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="font-size: 14px; text-align: justify; white-space: normal;"><br /></span></span>
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<span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify;"><b>1958 - Das origens da cultura cafeeira na Amazônia</b> </span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie8gAbO9LnU3g9HvVKdz9r66TPUa05g7oZyt7z_KgqUyOcuW9OOItdmmqEcFQ1o4rqDREDmBFnY8gVi1AcrsYYp11JQgOxnV7UCT_0yz4B1ZWwmcGrJAd94dmGDP0tJ7058H-djocuPc4/s1600/Arthur+Cezar+Ferreira+Reis+Cultura+Cafeeira+1959.JPG" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="565" data-original-width="366" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie8gAbO9LnU3g9HvVKdz9r66TPUa05g7oZyt7z_KgqUyOcuW9OOItdmmqEcFQ1o4rqDREDmBFnY8gVi1AcrsYYp11JQgOxnV7UCT_0yz4B1ZWwmcGrJAd94dmGDP0tJ7058H-djocuPc4/s400/Arthur+Cezar+Ferreira+Reis+Cultura+Cafeeira+1959.JPG" width="258" /></span></a></td></tr>
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<span style="background-color: black; color: white;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="color: #4c4c4c;"><span style="font-size: 14px;">Arthur Cézar Ferreira Reis. Revista Ocidente: Lisboa. 1958. 1 ed. </span></span><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="font-size: 14px;">pg. [175]-192</span></span></div>
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<span style="background-color: black; color: white;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="font-size: 14px; text-align: justify;">2002 Das origens da cultura cafeeira na Amazônia. 2 ed.</span><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="font-size: 14px; text-align: justify;"> Edições Governo do Estado do Amazonas : Manaus. </span></span><br />
<span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify; white-space: normal;">_______________________________________________</span></span></div>
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<b style="font-family: arial; white-space: pre;"><span style="background-color: black; color: white;">1959 - A Expansão Portuguesa na Amazônia nos séculos XVII e XVII</span></b></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZet87EVpTJBZkUBhUpE3N4YibZ7dx9YUIsJcr7Vo9757tupNrx5x-mSQ3dO9hMx-0yefTYxmFexMH57D9doXhczYsNs2Sd_Rjlh2yjfGwoe32iESYLCuuGLYgz9900nLIUilBZ4ymkRA/s1600/Arthur+Cezar+Ferreira+Reis+A+expansao+portuguesa+na+Amazonia+nos+seculos+XVII+e+XVIII+SPVEA+1959+38+p+Colecao+Pedro+Teixeira+14+x+21+cm+.JPG" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="709" data-original-width="438" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZet87EVpTJBZkUBhUpE3N4YibZ7dx9YUIsJcr7Vo9757tupNrx5x-mSQ3dO9hMx-0yefTYxmFexMH57D9doXhczYsNs2Sd_Rjlh2yjfGwoe32iESYLCuuGLYgz9900nLIUilBZ4ymkRA/s400/Arthur+Cezar+Ferreira+Reis+A+expansao+portuguesa+na+Amazonia+nos+seculos+XVII+e+XVIII+SPVEA+1959+38+p+Colecao+Pedro+Teixeira+14+x+21+cm+.JPG" width="246" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white;">Arthur Cézar Ferreira Reis. A Expansão Portuguesa na Amazônia nos séculos XVII e XVII. 1 ed. SPVEA: Rio de Janeiro. 38 p. Coleção Pedro Teixeira</span></td></tr>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">________________________________</span><br />
<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><br /></span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">(1959) "Experiências do Planejamento Regional no Brasil (2 ed.)." Rio de Janeiro: SPVEA.</span><br />
<span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><br /></span>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">___________________________________________________________</span><br />
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<span style="color: white; font-family: "arial"; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;"><b style="background-color: black;">1960 - A Amazônia e a Cobiça Internacional </b></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjR1kmDo4gfSurgK3hXgtT90cPQ5bReKvVIU8AVM91T8TVZDw_P-ymvhdQMCWQcValJyMlpVOo3T0Z0Tz4cFtoArD3fdXsU_ICzL5XxvbS3X6zm8SffLfVe8nFeVTu3f4UUHAnNr3ShPw/s1600/Amazonia+e+a+cobi%25C3%25A7a+internacional+1960.jpg" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="269" data-original-width="185" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjR1kmDo4gfSurgK3hXgtT90cPQ5bReKvVIU8AVM91T8TVZDw_P-ymvhdQMCWQcValJyMlpVOo3T0Z0Tz4cFtoArD3fdXsU_ICzL5XxvbS3X6zm8SffLfVe8nFeVTu3f4UUHAnNr3ShPw/s400/Amazonia+e+a+cobi%25C3%25A7a+internacional+1960.jpg" width="275" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white; font-family: "times" , "times new roman" , serif; font-size: x-small;">Arthur César Ferreira Reis. A Amazônia e a cobiça internacional. 1 ed. Companhia Editora Nacional. Rio de Janeiro. 1965. 260 p. </span><br />
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgN1digM7q3QJZp_AKDggcCIRWaIbeCFwmJzNeU6dVCQdOrpX5gFiJdVOEHKKryB2KpG6s6R5J2E5xyBOGuf4UKp1tY0YPDTItDacvx04lhpc3OXfVwL3TaMs1Z-zr5-_L9ots04LdB8-I/s1600/ACFR+Amazonia+e+a+cobi%25C3%25A7a+internacional+2+ed.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="156" data-original-width="106" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgN1digM7q3QJZp_AKDggcCIRWaIbeCFwmJzNeU6dVCQdOrpX5gFiJdVOEHKKryB2KpG6s6R5J2E5xyBOGuf4UKp1tY0YPDTItDacvx04lhpc3OXfVwL3TaMs1Z-zr5-_L9ots04LdB8-I/s400/ACFR+Amazonia+e+a+cobi%25C3%25A7a+internacional+2+ed.jpg" width="271" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 12.8px;"><span style="background-color: black; color: white; font-family: arial; font-size: 14.6667px; text-align: left; white-space: pre-wrap;">Arthur César Ferreira Reis. A Amazônia e a cobiça internacional. 1965. 2. ed. Edinova: Rio de Janeiro. 242 p
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<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white; font-family: "arial"; font-size: 14.6667px; text-align: left; white-space: pre-wrap;">Arthur César Ferreira Reis. A Amazônia e a cobiça internacional. 1968. 3 ed. rev. aum. Gráfica Editora Record: Rio de Janeiro. 242 p. 14 x 21</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgodJ7J2cTnoBUL1YgOxHBfjJVGnbXgG51cQaz7POvkxE3Nboh5fJ1-_3Zif0L0bduBLBOa0ea5Y-pAinPyPJRa6dRNFdDzFuQyC5jXl9iMzc0f2fMJR8Bl6tTFvBoA1YQd4H6P1SU-lDg/s1600/Arthur+Cezar+Ferreira+Reis+Amazonia+e+a+cobica+internacional+4+ed+1972+242+p+companhia+Editora+Americana.JPG" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="707" data-original-width="472" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgodJ7J2cTnoBUL1YgOxHBfjJVGnbXgG51cQaz7POvkxE3Nboh5fJ1-_3Zif0L0bduBLBOa0ea5Y-pAinPyPJRa6dRNFdDzFuQyC5jXl9iMzc0f2fMJR8Bl6tTFvBoA1YQd4H6P1SU-lDg/s400/Arthur+Cezar+Ferreira+Reis+Amazonia+e+a+cobica+internacional+4+ed+1972+242+p+companhia+Editora+Americana.JPG" width="266" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white; font-family: "arial"; font-size: 14.6667px; text-align: left; white-space: pre-wrap;">Arthur César Ferreira Reis. A Amazônia e a cobiça internacional. 1968. 4 ed. Companhia Editora Americana: Rio de Janeiro. 242 p. </span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGAYyM4CglAFNIsmxksXxyxTCqekgwoqq7Gz1wTceCxTgAyn9Q6q_2QVpzNEGHMWaIalXgJ6RtpMObtA4kgy0yJADNIgml4P2p61rIC1PLH4YvAY6fY1guccCdxNDE2styDj0Lo60Rzvg/s1600/Arthur+Cezar+Ferreira+Reis+A+Amazonia+e+a+cobi%25C3%25A7a+internacional+Cviilza%25C3%25A7ao+brasileira++1982++5+ed.JPG" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="1600" data-original-width="1066" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGAYyM4CglAFNIsmxksXxyxTCqekgwoqq7Gz1wTceCxTgAyn9Q6q_2QVpzNEGHMWaIalXgJ6RtpMObtA4kgy0yJADNIgml4P2p61rIC1PLH4YvAY6fY1guccCdxNDE2styDj0Lo60Rzvg/s400/Arthur+Cezar+Ferreira+Reis+A+Amazonia+e+a+cobi%25C3%25A7a+internacional+Cviilza%25C3%25A7ao+brasileira++1982++5+ed.JPG" width="266" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white;"><span style="font-family: "times new roman";">Arthur César Ferreira Reis. A Amazônia e a cobiça internacional. 1982. 5 ed. Civilização Brasileira: Rio de Janeiro - Suframa: Manaus. 213 p. Coleção Retratos do Brasil, v. 161</span></span></td></tr>
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<span style="font-family: "arial";"><span style="background-color: black; color: white; font-size: 14.6667px; white-space: pre-wrap;">-----------------------------------------------------</span></span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">(1961) "O Domínio luso-brasileiro da Guiana Francesa." São Paulo.</span><br />
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">______________________________________________________________</span><br />
<span style="background-color: black; color: white; text-align: center;">(1961) A Empresa colonial portuguesa na revelação da Amazônia</span><br />
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<b style="font-family: arial; font-size: 11pt; white-space: pre;"><span style="background-color: black; color: white;">1965 - Súmula de história do Amazonas</span></b><br />
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; white-space: pre;">1965. Súmula de história do Amazonas. 1 ed. Manaus. Série Monteiro de Souza, v. 2. 101 p</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnqIYkYY4PZkx1tyfB_-wWiP6WDHwEk8oGn8VYd6Sb_Fj2DaSdfRrIhohLEQ5hRaII5YBkuB0kh-WRzWEDWWGbCJeomqb9Grdbnm1c5UkdEP4I227DAU1RfXnA7Xo63fQdCQ1HYz9wXnI/s1600/sumula+da+historia.jpg" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="696" data-original-width="461" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnqIYkYY4PZkx1tyfB_-wWiP6WDHwEk8oGn8VYd6Sb_Fj2DaSdfRrIhohLEQ5hRaII5YBkuB0kh-WRzWEDWWGbCJeomqb9Grdbnm1c5UkdEP4I227DAU1RfXnA7Xo63fQdCQ1HYz9wXnI/s400/sumula+da+historia.jpg" width="263" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white; font-family: "arial"; font-size: 14.6667px; text-align: left; white-space: pre;">Arthur Cézar Ferreira Reis. Súmula de história do Amazonas. 3 ed. Valer: Manaus. Coleção Poranduba, v. 9. 2001. 95 p.</span></td></tr>
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<span style="font-family: "arial"; font-size: 11pt; vertical-align: baseline; white-space: pre;">_____________________________________________</span>
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<span style="font-family: "arial"; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; text-align: justify; white-space: normal;"><b>1965 - Tempo e Vida na Amazônia</b> </span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwVBE6CKNYWRxMrfLo9QZtXvpzXWoI2yu5m-yHT8hTdbBSL5CJehe3Wm_TdwnMOjRP17CWQ2sEL9KptVuEja0_9mONhnFPxIGFscONFhCp0sGaM22TJxC6ska6YzXFF16wclQjRzY1-Tk/s1600/Tempo+e+vida+na+Amazonia.jpg" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="398" data-original-width="270" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwVBE6CKNYWRxMrfLo9QZtXvpzXWoI2yu5m-yHT8hTdbBSL5CJehe3Wm_TdwnMOjRP17CWQ2sEL9KptVuEja0_9mONhnFPxIGFscONFhCp0sGaM22TJxC6ska6YzXFF16wclQjRzY1-Tk/s320/Tempo+e+vida+na+Amazonia.jpg" width="217" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white;"><span style="font-family: "times new roman";">Arthur César Ferreira Reis. Tempo e vida na Amazônia. </span><span style="font-family: "arial"; font-size: 14.6667px; text-align: left; white-space: pre-wrap;">1965. 1 ed. Edições do Governo do Estado do Amazonas: Manaus. 213 p. Serie Alberto Torres</span></span></td></tr>
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<span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="font-size: 14px; text-align: justify; white-space: normal;"><br /></span></span>
<span style="font-family: "arial"; font-size: 11pt; white-space: pre;">____________________________________________________</span></span></div>
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<span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify; white-space: normal;">1965 - Aspectos da Experiência Portuguesa na Amazônia</span></span><br />
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<span style="font-family: "arial"; font-size: 11pt; white-space: pre;">(1965) Aspectos da experiência portuguesa na Amazônia. Manaus: Edições Governo do Estado do </span></span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">Amazonas, 324 p.</span><br />
<span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><br /></span>
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<span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;"><b>__________________________________________________</b></span></span></div>
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<span style="background-color: black; color: white; font-family: "arial"; vertical-align: baseline;"><b style="font-size: 11pt; font-style: normal; font-variant-caps: normal; font-variant-ligatures: normal; text-decoration-line: none; white-space: pre;">1965 - A </b><span style="font-size: 14.6667px; white-space: pre;"><b>Amazônia</b></span><b style="font-size: 11pt; font-style: normal; font-variant-caps: normal; font-variant-ligatures: normal; text-decoration-line: none; white-space: pre;"> e a integridade do Brasil </b></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiwDcOwP-Rz-w4pNX4fhpuI6lgXazIzgq7OHbV-RsChjas0_XQXrMizUxNbYiASghyN8dCL_A6HAy_YuPGNWBJfxPXpIY4uVoG1B_nA-h3ns-iUTi0whKcIcKvAhCbRl4yNkFeOXrfi-c/s1600/Arthur+Cezar+Ferreira+Reis+A++Amazonia+e+a+integridade+do+Brasil+1+ed++Governo+do+Amazonas.jpg" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="360" data-original-width="240" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiwDcOwP-Rz-w4pNX4fhpuI6lgXazIzgq7OHbV-RsChjas0_XQXrMizUxNbYiASghyN8dCL_A6HAy_YuPGNWBJfxPXpIY4uVoG1B_nA-h3ns-iUTi0whKcIcKvAhCbRl4yNkFeOXrfi-c/s400/Arthur+Cezar+Ferreira+Reis+A++Amazonia+e+a+integridade+do+Brasil+1+ed++Governo+do+Amazonas.jpg" width="266" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 14.6667px; text-align: left; white-space: pre-wrap;">Arthur Cézar Ferreira Reis. A Amazônia e a integridade do Brasil. 1 ed. </span>Edições Governo do Estado do Amazonas: Manaus. 309 p.</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3GBboFpt_ck5T2xto0mVtVuWJqveXtsipXoVYquBWL-ESjCUIWc66QyjdckaTcydE-VICNNnsuWyVwlnBO8NWZK9qmXiwmHpLYyN3Dtmt-PGKkvGHtq07wBeMh5fvcwRpZY0UHOZ7UxY/s1600/Arthur+Ferreira+Reis+a+Amazonia+e+integridade+do+Brasil+2+ed+Senado+Federal+2001.JPG" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="532" data-original-width="373" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3GBboFpt_ck5T2xto0mVtVuWJqveXtsipXoVYquBWL-ESjCUIWc66QyjdckaTcydE-VICNNnsuWyVwlnBO8NWZK9qmXiwmHpLYyN3Dtmt-PGKkvGHtq07wBeMh5fvcwRpZY0UHOZ7UxY/s320/Arthur+Ferreira+Reis+a+Amazonia+e+integridade+do+Brasil+2+ed+Senado+Federal+2001.JPG" width="224" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white; font-family: "arial"; font-size: 14.6667px; text-align: left; white-space: pre-wrap;">Arthur Cézar Ferreira Reis. A Amazônia e a integridade do Brasil. 2 ed. Senado Federal: Brasilia. Coleção Brasil 500 anos. 255 p</span></td></tr>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; vertical-align: baseline; white-space: pre;">1965 - Integraçao da Amazônia na Civilização Brasileira. Edigraf: Rio de Janeiro. 1965. 18 p. </span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeIDq_1HoV0woqbfvvrM9SFEaQANPbppCPDS01mQZxtv1N_WENGULMV0-vI3Upii5kDs64k8SzdhG8WXZvrasAc0NH_GL5M3BLb2JPbO7Py9WOoqIpDwjHCiv4ELJKUZnYzL7TdQC1JWU/s1600/ACFR+A+Integra%25C3%25A7ao+da+Amazonia+na+Civilizacao+Brasileira+Edigraf+RJ+18+p+1965.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="815" data-original-width="545" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeIDq_1HoV0woqbfvvrM9SFEaQANPbppCPDS01mQZxtv1N_WENGULMV0-vI3Upii5kDs64k8SzdhG8WXZvrasAc0NH_GL5M3BLb2JPbO7Py9WOoqIpDwjHCiv4ELJKUZnYzL7TdQC1JWU/s400/ACFR+A+Integra%25C3%25A7ao+da+Amazonia+na+Civilizacao+Brasileira+Edigraf+RJ+18+p+1965.JPG" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><span style="color: white;">Arthur Cézar Ferreira Reis. Integração da Amazônia na Civilização Brasileira. Edigraf: Rio de Janeiro . 1965. 18 p</span></span></td></tr>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; vertical-align: baseline; white-space: pre;"><a href="https://issuu.com/bibliovirtualsec/docs/integra____o_da_amazonia_na_civiliz?fbclid=IwAR2fHYRfdccoh2iuHj5bT9dqlIaZLf_zCc74e3ZJXuh2pwOfC75V5x47IU8" target="_blank">Link para o livro Integração da Amazônia </a></span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">_________________________________</span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">1966 - Roteiro Histórico das Fortificações no Amazonas. Manaus: Governo do Estado do </span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">Amazonas; Secretaria de Imprensa e Divulgação, 1966. 55 p.</span><br />
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<span style="background-color: black; color: white;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="font-size: 14px; text-align: justify;"><br /></span><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="font-size: 14px; text-align: justify;"><b>1968 - A Amazônia e o mundo atual </b></span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh85r0fLoUmJ3DgjmWFOil2z3u9UKtZZnX7ILs7BU1piakuBYTBFDcDGiNpjygjYbFnUVwhJWFY2qNYS-eSJRhR06Iyhht1QOcNUkrCxfEhfjPW9_AkSeWQEaFQw2fRseSaRPSR2HoHkXw/s1600/Arthur+Cezar+Ferreira+Amazonia+e+o+mundo+atual.png" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="130" data-original-width="100" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh85r0fLoUmJ3DgjmWFOil2z3u9UKtZZnX7ILs7BU1piakuBYTBFDcDGiNpjygjYbFnUVwhJWFY2qNYS-eSJRhR06Iyhht1QOcNUkrCxfEhfjPW9_AkSeWQEaFQw2fRseSaRPSR2HoHkXw/s400/Arthur+Cezar+Ferreira+Amazonia+e+o+mundo+atual.png" width="307" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><b style="font-family: "helvetica neue", helvetica, arial, sans-serif; font-size: 14px; text-align: justify;"><span style="background-color: black; color: white;">Arthur Cézar Ferreira Reis. Amazônia e o mundo atual. RJ. 1 ed. 1968</span></b></td></tr>
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<span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">____________________________________________</span></span><br />
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<span style="font-family: "arial"; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;"><b>1972 - O impacto Amazônico na civilização brasileira: a Transamazônica e o desafio dos trópicos</b></span></span></div>
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<tr><td style="text-align: center;"><img border="0" data-original-height="798" data-original-width="482" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPnDQXa2wxIwp3MtCseu4Q2ssUgdh97m1Xg1EpcOYgoTiLikFCgvllvjT5idt7QBSQlch9ur-DpV3wTd5dRFIke_eBFHucHbhrtka6VLSIs-R_JLTAi1cKUeJwO40kZWL6ISh5Mgoys2I/s640/Arthur+Cezar+Ferreira+Reis+O+Impacto+Amaz%25C3%25B4nico+Capa+Editora+Paralelo++1972.jpg" style="margin-left: auto; margin-right: auto;" width="385" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Arthur Cézar Ferreira Reis. O impacto Amazônico na civilização Brasileira. Editora Paralelo - MEC: Rio de Janeiro. 2 ed. 1972. p.</td></tr>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; white-space: pre;">___________________________________________________</span></div>
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<span style="color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;"><b style="background-color: black;">1978 - Aspectos da Formação Brasileira. Rio de Janeiro.</b></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFmmRnRlOf7eqych402W-oh5htQSI3jIVNUjPzWzXzlXx8oxhAuHmNzMWKql9I3LDGHI-VAFlTJF8oMalmb1zu01gUJc34SI2MqS7b8Gr01dBlHrtDdOpi-g43OvRmtMZ-2PvExJZMQkA/s1600/ACFR+Aspectos+economicao+da+forma%25C3%25A7ao+brasileira.jpg" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="600" data-original-width="260" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFmmRnRlOf7eqych402W-oh5htQSI3jIVNUjPzWzXzlXx8oxhAuHmNzMWKql9I3LDGHI-VAFlTJF8oMalmb1zu01gUJc34SI2MqS7b8Gr01dBlHrtDdOpi-g43OvRmtMZ-2PvExJZMQkA/s400/ACFR+Aspectos+economicao+da+forma%25C3%25A7ao+brasileira.jpg" width="172" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white; font-family: "arial"; font-size: 14.6667px; text-align: left; white-space: pre;">Arthur Cézar Ferreira Reis. Aspectos da Formação Brasileira. Ed. Rio de Janeiro. 1972. x p.</span></td></tr>
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<span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><br /></span>
<span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">______________________________________________________</span></span><br />
<span style="font-family: "arial"; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="color: white; text-align: justify; white-space: normal;"><b style="background-color: black;">1978 - Santarém: Seu desenvolvimento histórico</b></span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9s7O0h-vrd_0r3r0kyIOcgjYn5TnIOBfriycXz3_jPpEELNPyjwGvU9NG5Vpr_-HlDiRbtabVwbzCraKBdskZgoIMuwiVk1et6c5QSll2KhX6uNsbMXaer2iEivV_I0dMcpvaL_9sSkc/s1600/Santarem.jpg" style="margin-left: auto; margin-right: auto;"><span style="background-color: black; color: white;"><img border="0" data-original-height="403" data-original-width="270" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9s7O0h-vrd_0r3r0kyIOcgjYn5TnIOBfriycXz3_jPpEELNPyjwGvU9NG5Vpr_-HlDiRbtabVwbzCraKBdskZgoIMuwiVk1et6c5QSll2KhX6uNsbMXaer2iEivV_I0dMcpvaL_9sSkc/s320/Santarem.jpg" width="214" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white; font-family: "arial"; font-size: 14.6667px; text-align: left; white-space: pre-wrap;">Arthur César Ferreira Reis. Santarém: seu desenvolvimento histórico. 1978. 1 ed. Civilização Brasileira. x p.</span><br />
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<span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">_______________________________________________</span></span><br />
<span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><br /></span>
<span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">(1983) Aspectos da Formação Brasileira (2 ed.). Rio de Janeiro.</span>
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<span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">________________________________________________________</span></span><br />
<span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify; white-space: normal;"> 1979 O Estado do Amazonas, RJ, 1979 – </span></span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">____________________________________________</span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">(1983) Temas Amazônicos. Manaus.</span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">____________________________________________</span><br />
<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><br /></span></div>
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<span style="background-color: black; color: white; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">(1984) Um Mundo em Mudança. São Paulo.</span></div>
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<tr><td style="text-align: center;"><span style="background-color: black; color: white;">á<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIyXh6fjfi0OWcQQ8cDBtFDWg1vkzcK_ntmPFR1I3S-Ng1XT8ONsNCE5CXftJTVjrq8iskfqryBbz6lG44lvUFfj5i3_w6mvsVwvc9HGN8F3ATZOLOuEDkrNx7rUeqqOFUoQruBn-X3AQ/s1600/um-mundo-em-mudancas-arthur-cezar-ferreira-reis_MLB-O-46802748_3166.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="500" data-original-width="320" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIyXh6fjfi0OWcQQ8cDBtFDWg1vkzcK_ntmPFR1I3S-Ng1XT8ONsNCE5CXftJTVjrq8iskfqryBbz6lG44lvUFfj5i3_w6mvsVwvc9HGN8F3ATZOLOuEDkrNx7rUeqqOFUoQruBn-X3AQ/s400/um-mundo-em-mudancas-arthur-cezar-ferreira-reis_MLB-O-46802748_3166.jpg" width="255" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: white; font-family: "arial"; font-size: 14.6667px; text-align: left; white-space: pre;">Arthur Cézar Ferreira Reis. Um Mundo em Mudança. 1 ed. Hucitec: São Paulo. 198x. x p.</span></td></tr>
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<span style="background-color: black; color: white;"><span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="font-size: 14px; text-align: justify; white-space: normal;"><br /></span></span>
<span style="font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="font-size: 14px; text-align: justify; white-space: normal;"><br /></span></span><span style="font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="font-size: large; text-align: justify;"><u><b>Prefácios</b><b style="font-family: arial; font-style: normal; font-variant-caps: normal; font-variant-ligatures: normal; white-space: normal;"> de Arthur Cézar Ferreira Reis </b></u></span></span></span><br />
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<span style="vertical-align: baseline;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="font-size: 14px; text-align: justify;">Arthur Cézar Ferreira Reis, foi um profícuo prefaciador de livros. Em especial da Series Publicadas nas Edições do Governo do Estado do Amazonas - EGEA (1964-1967)</span></span></span><br />
<span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify;">O Sermão da Selva - Max Carpentier </span><br />
<span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify;">O dilema da Amazônia - </span><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify;"> Manoel José de Miranda Neto</span><br />
<span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px;">Formação histórica do Acre - </span><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px;"> Leandro Tocantins</span></span><br />
<span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify;">Renata - Moacir Marques da Silva. EGEA. 1965 </span><br />
<span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify;"><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px;">Estrutura Geo-Social e Econômica da Amazonia - Samuel Benchimol. EGEA. 1966</span></span><br />
<span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify;"></span><br />
<span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify;">Seleta Literária do Amazonas - José dos Santos Lins. EGEA. 1966. </span><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="color: white; font-size: 14px; text-align: justify;">rica do Acre - </span><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="color: white; font-size: 14px; text-align: justify;"> Leandro Tocantins</span><br />
<span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify;">Fronteiras do desenvolvimento - Cosme Ferreira Filho. EGEA. 1967 </span><br />
<span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify;">Amazônida: história e administradores do Amazonas. Antônio Monteiro de Souza. EGEA. 1966. </span><span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="color: white; font-size: 14px; text-align: justify;">do Are </span><br />
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<span face=""helvetica neue" , "helvetica" , "arial" , sans-serif" style="background-color: black; color: white; font-size: 14px; text-align: justify;">Ciclos das águas - Elson Farias. EGEA. 1966 </span></div>
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com0tag:blogger.com,1999:blog-6800349290165781826.post-57652443636858133652020-03-28T15:04:00.000-07:002020-04-03T17:17:36.243-07:00Cândido Mariano Rocha - O escritor de Mosqueiro<div dir="ltr" style="text-align: left;" trbidi="on">
Cândido Marinho Rocha, nascido (14 de Junho de 1907) e falecido (15 de Novembro de 1985) em Belém do Pará, filho do potiguar João Cândido da Rocha e da cearense Maria Marinho da Rocha. Foi escritor e cronista paraense, tendo como grande fonte de inspiração a Ilha do Mosqueiro, cujo cotidiano da capital deixou registrado, sendo considerado um precursor do "paraensismo".<br />
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Formou-se em contabilidade, foi oficial do Exército, e professor do SENAC e diretor administrativo da Faculdade de Ciências Contábeis e Atuariais do Pará. Publicou seus primeiros contos e crônicas em jornais de Belém aos 15 anos (1922). Foi colaborador em revistas e diários de Belém, entre as quais nas revistas: A Colônia, A Phênix, A Revista Amazônia. Publica contos e crônicas nos jornais: O Estado do Pará, A Província do Pará, Folha do Norte e O Liberal.<br />
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Em 1958 é eleito membro do Instituto Histórico e Geográfico do Pará, lançando em 1959 seu livro de contos, "Terra Molhada". Participou do grupo de intelectuais que fundou o Norte Teatro Escola do Pará. Foi membro e presidente da Academia Paraense de Letras, ocupando a cadeira n°1. Foi homenageado com o seu nome dado a Biblioteca Municipal Cândido Marinho Rocha, em Vila do Mosqueiro.<br />
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Principais obras<br />
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Terra Molhada - contos (1959)<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfEWJfa2jyEcJrF2Z3VNFDI0tOAQxkg2XcfAQM8ob85566o2fz-s3PzYA3lu-oPypflBHHnqH67WI518m099TBeOkpprIbmbTYmBDwMnN2D_mi_BSV4kPSoOdaK-ITdtVY1My4CjmPIMo/s1600/Candido+Marinho+Rocha+-Terra+Molhada+1959+Falangola+1+ed.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="813" data-original-width="539" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfEWJfa2jyEcJrF2Z3VNFDI0tOAQxkg2XcfAQM8ob85566o2fz-s3PzYA3lu-oPypflBHHnqH67WI518m099TBeOkpprIbmbTYmBDwMnN2D_mi_BSV4kPSoOdaK-ITdtVY1My4CjmPIMo/s400/Candido+Marinho+Rocha+-Terra+Molhada+1959+Falangola+1+ed.jpg" width="265" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cândido Mariano Rocha. Terra Molhada. 1 ed. Falangola. Belém. 1959. n p.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilDycc3OXIdBmvk-2mbAXVJOA4klaoc91PmCS1DY1IDQaLW-9vzQTUTmfym1Lt7_63bWqZd59cFAKunOhgCB-uafAkvYA7DVFqjRnpDxXbgVejtdxkZlSub1PBv7flyHyqdkvOBDshDYU/s1600/Candido+Marinho+Rocha+-Terra+Molhada+1959+Falangola+x+ed.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="237" data-original-width="213" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilDycc3OXIdBmvk-2mbAXVJOA4klaoc91PmCS1DY1IDQaLW-9vzQTUTmfym1Lt7_63bWqZd59cFAKunOhgCB-uafAkvYA7DVFqjRnpDxXbgVejtdxkZlSub1PBv7flyHyqdkvOBDshDYU/s400/Candido+Marinho+Rocha+-Terra+Molhada+1959+Falangola+x+ed.jpg" width="359" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cândido Mariano Rocha. Terra Molhada. 2 ed. Livraria Dom Quixote. Belém. 1964. 69 p.</td></tr>
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Vila Podrona - romance (1964), este romance é renomeado na segunda edição como o Menino do Marajó (1976)<br />
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Vila Podrona. Luzes Gráfica Editora. 1964. 1ed. 230 p.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgso_SnZhF0R58lYZM3xs5LP3V7BALORh5ruY5rGCb8iiuMk9rZuPGggYo3qOVhAXNYgGGbXSmfakb19JVVaLbGxcod4NLMVFASkjqKjfHcq5-ZSEXDo0-Z1k2T4Y7jBG8JUOI6htaFOwY/s1600/Candido+Marinho+Rocha+-menindo+do+marajo+1976+circulo+do+livro.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="265" data-original-width="190" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgso_SnZhF0R58lYZM3xs5LP3V7BALORh5ruY5rGCb8iiuMk9rZuPGggYo3qOVhAXNYgGGbXSmfakb19JVVaLbGxcod4NLMVFASkjqKjfHcq5-ZSEXDo0-Z1k2T4Y7jBG8JUOI6htaFOwY/s400/Candido+Marinho+Rocha+-menindo+do+marajo+1976+circulo+do+livro.jpg" width="286" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td class="tr-caption" style="font-size: 16px;">Cândido Mariano Rocha. Menino do Marajó. 2 ed. Clube do Livro. São Paulo. 1976. 157 p.</td></tr>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: xx-small;">Resenha: COM ESTE LIVRO, O AUTOR PRETENDE APRESENTAR O INÍCIO DE UMA SÉRIE DE ACONTECIMENTOS, OCORRIDOS A PARTIR DE 1919. TOMANDO POR MEDIDA A QUEDA DAS OPERAÇÕES COMERCIAIS NA REGIÃO, DENOMINADA DAS ILHAS, A NOROESTE DA ILHA DE MARAJÓ, CUJOS RIOS SINGRADOS POR LUXUOSOS NAVIOS CONHECIDOS COMO GAIOLAS...</span></td></tr>
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O Defunto homem - (1968)<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrkjW0-nq9BXbe3mmFlVFesezpmCJiECxwGbLHxUUduSQN4Q4SySoHomG-OK31mAR-3d_sQ07tduIuhv_WasCh6UpmM91IICfcIUM9h9eBLEMtvtSf7Eiccttq7tXtJV9RKIMVoDMrfWg/s1600/Candido+Marinho+Rocha+-+O+defunto+Homem.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="818" data-original-width="600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrkjW0-nq9BXbe3mmFlVFesezpmCJiECxwGbLHxUUduSQN4Q4SySoHomG-OK31mAR-3d_sQ07tduIuhv_WasCh6UpmM91IICfcIUM9h9eBLEMtvtSf7Eiccttq7tXtJV9RKIMVoDMrfWg/s400/Candido+Marinho+Rocha+-+O+defunto+Homem.jpg" width="292" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td class="tr-caption" style="font-size: 16px;">Cândido Mariano Rocha. O defunto - homem: história e estórias regionais. 1 ed. Autor ?. Belém. 1968. 174 p. Ilustrações: Augusto Bastos Morbach<br />
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Resenha: Continuação da Vila Podrona. </td></tr>
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Ilha, Capital Vila: histórias e estórias de uma ilha cercada de amor por todos os lados (1973)<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNB58k5TQR8SJlzz2dIgeAEiyGI2vSqQZt5HCvjNJHjPkDtaozZWgGplHpvsI6Y_lz4kBBNgwuTuRETgSpU88F_jlaxYt5A1CtFBZ4xOMKbbe0i4SVvd76HvHyvGsmwOkbW6tsA2XpVX0/s1600/Candido+Marinho+Rocha+-Ilha+Capital+Vila.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="427" data-original-width="336" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNB58k5TQR8SJlzz2dIgeAEiyGI2vSqQZt5HCvjNJHjPkDtaozZWgGplHpvsI6Y_lz4kBBNgwuTuRETgSpU88F_jlaxYt5A1CtFBZ4xOMKbbe0i4SVvd76HvHyvGsmwOkbW6tsA2XpVX0/s400/Candido+Marinho+Rocha+-Ilha+Capital+Vila.jpg" width="313" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cândido Mariano Rocha. Ilha, Capital Vila. 1 ed. Falangola. Belém. 1973. n p.</td></tr>
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Biografias Maçônicas Paraenses (1978)<br />
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Tijuco, Leito de Amores: a inocente sabedoria (1975)<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ6Rg5XvoFku2GufQNiBnjxEtt7dlK_cJ8bBmDdoM7G2_NrnUjr7FbhzDQYz-lA7f7lRcnya1hHQS4u2IApFedoGgn5EOooIJXqQ6UVsbbOw7nVtuBf8PXE5lqQvrSMZFz2EX-K_YvN2Y/s1600/Candido+Marinho+Rocha+-Tijuci+1975+Falangola.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="878" data-original-width="600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ6Rg5XvoFku2GufQNiBnjxEtt7dlK_cJ8bBmDdoM7G2_NrnUjr7FbhzDQYz-lA7f7lRcnya1hHQS4u2IApFedoGgn5EOooIJXqQ6UVsbbOw7nVtuBf8PXE5lqQvrSMZFz2EX-K_YvN2Y/s400/Candido+Marinho+Rocha+-Tijuci+1975+Falangola.jpg" width="272" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cândido Mariano Rocha. Tijuco, leito de amores . 1 ed. Falangola. Belém. 1975. 165 p.</td></tr>
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As Viúvas: pensamentos secretos de mulher solitária (1979)<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-BHsMXZ3H94f_JkiIO1rlYPwu6-WBLwoB9DFX3tqZjKSQA1zcoPvpOd4_W8YCrmrJxt22WoA2lce0d0vvsbl_fjnE-yFNSl_UGGE3M36YQjOClfJKZa6CUN2ADvz-f0q6kDJ_Wc9SlTo/s1600/Candido+Marinho+Rocha+-As+viuvas++1+ed++1979+Falangola.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="864" data-original-width="600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-BHsMXZ3H94f_JkiIO1rlYPwu6-WBLwoB9DFX3tqZjKSQA1zcoPvpOd4_W8YCrmrJxt22WoA2lce0d0vvsbl_fjnE-yFNSl_UGGE3M36YQjOClfJKZa6CUN2ADvz-f0q6kDJ_Wc9SlTo/s400/Candido+Marinho+Rocha+-As+viuvas++1+ed++1979+Falangola.jpg" width="277" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cândido Mariano Rocha. As viúvas . 1 ed. Falangola. Belém. 1979. 215 p.</td></tr>
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Fonte: Wikipedia<br />
Fonte:<a href="http://mosqueirando.blogspot.com/search?q=Marinho+Rocha" target="_blank">Blog Mosqueirando - Informações sobre Cândido Marinho Rocha</a><br />
Fotos: -Capas dos livro - <a href="https://www.icbsena.com.br/">https://www.icbsena.com.br/</a><br />
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Biografia, in: Pedro Tupinambá (1997). Revista da Academia Paraense de Letras, Vol. 39-41, artigo "Cândido Marinho Rocha". [S.l.]: APL. p. 59<br />
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Paraguassu Éleres (s/d). Teatro de Vanguarda: O Norte Teatro Escola do Pará. Paka-Tatu. 204 páginas. ISBN 978-85-7803-016-2<br />
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Resenhas sobre o autor<br />
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<span style="background-color: white; color: #666666; text-align: justify;"><span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;"><b>* Salomão Laredo, no texto escrito em julho de 2004, denominado “FEIRA DO LIVRO, LEANDRO E DALCÍDIO”, cita Cândido Marinho da Rocha como um dos expoentes da literatura paraense, com produção de qualidade, ao lado de Sílvio Meira, Ignácio Moura, Bruno de Menezes, Eustachio de Azevedo, Clóvis e Cécil Meira, Rodrigues Pinagé, Lindanor Celina, Ruy Barata, Victor Tamer, Georgenor Franco, Silvio e Levy Hall de Moura, Ernesto Cruz, Domingos Antônio Raiol, José Guilherme de Campos Ribeiro, Osvaldo Orico, Carlos Rocque, e tantos outros de grande importância na literatura paraense.</b></span></span><br />
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com0tag:blogger.com,1999:blog-6800349290165781826.post-73845032727985871402020-03-14T12:40:00.000-07:002020-03-15T15:59:46.202-07:00A voragem - La vorágine - José Eustasio Rivera <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: white; font-family: sans-serif;"><span style="background-color: black; font-size: 14px;"><b>José Eustasio Rivera Salas (San Mateo-Rivera, Huila, 19 de Fevereiro de 1888 – Nova Iorque, 1 de dezembro de 1928) foi um escritor colombiano, destacado pelo romance La vorágine, que é considerada um dos maiores livros da literatura hispanoamericana.</b></span></span></h3>
<span style="background-color: black; color: white;"><span style="font-family: sans-serif;"><span style="font-size: 14px;"><b>Em 1922, estava vivendo em Sogamoso</b></span></span><span style="font-family: sans-serif;"><span style="font-size: 14px;"><b>, Colombia, quando iniciou os escritos de La vorágine que finalizou quanto trabalhava na Comisión Limítrofe Colombo-Venezolana. </b></span></span><span style="font-family: sans-serif;"><span style="font-size: 14px;"><b>La vorágine foi publicada en 1924, em Bogotá. Em 1926 foi lançada a segunda edição, corrigida, quando Rivera iniciou a escrever seu segundo Romance, La mancha negra, que foi perdido em Nova Iorque. </b></span></span><span style="font-family: sans-serif;"><span style="font-size: 14px;"><b><br /></b></span></span><span style="font-family: sans-serif;"><b><br /></b></span></span><br />
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<span style="background-color: black; color: white;"><span style="font-family: sans-serif;"><b><b><span style="font-size: large;">La vorágine </span></b></b></span></span></div>
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<span style="color: white; font-family: sans-serif;"><span style="background-color: black; font-size: 14px;">Descreve em primeira pessoa a aventura de Arturo Cova e sua companheira Alicia as ações da sociedade colombiana no início do século XX. A busca por Alicia o leva a floresta amazônica colombiana onde Arturo testemunha a escravidão dos seringueiros que que trabalham para o seringalista Arana. A descrição da floresta, suas lendas e ritos e a luta pela sobrevivência são o cenário deste romance. </span></span></h2>
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<span style="color: white; font-family: sans-serif;"><span style="background-color: black; font-size: 14px;">La vorágine foi traduzido para o português por Reinaldo Guarani e publicado pela Editora Francisco Alves (Rio de Janeiro) em 1982. </span></span><br />
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<span style="color: white; font-family: sans-serif;"><span style="background-color: black; font-size: 14px;">Há informações esparsas sobre algumas edições anteriores em Português, uma de 1935, quando obter um exemplar ou informações confiáveis vou adicionando</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsP5n8Sg89yDV8A4nCn78MiEEJd7QiUamnm3n6SeoROloR7i7PSQMXQaU87Ce4ZTHc5QyfaVZuya2mSmW-hhLwPrS9sZiKak8hZjyQD_eDwknPKNw4Amrz_RKoYCwHSyLuWeEDDoZbnl8/s1600/A_VORAGEM+1+ed+1935.jpg" imageanchor="1" style="font-family: "Times New Roman"; font-size: medium; margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="278" data-original-width="200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsP5n8Sg89yDV8A4nCn78MiEEJd7QiUamnm3n6SeoROloR7i7PSQMXQaU87Ce4ZTHc5QyfaVZuya2mSmW-hhLwPrS9sZiKak8hZjyQD_eDwknPKNw4Amrz_RKoYCwHSyLuWeEDDoZbnl8/s400/A_VORAGEM+1+ed+1935.jpg" width="287" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">JOSÉ EUSTASIO RIVERA. A voragem. 1 ed. Editora X, 1935 x p. Tradutor: xx</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilKqvXox2PWbXJS8hQJ7sozlZCvw2pOi0yQncSLPwUMZ6E0xCcwLumWPYWq2TOzt5Rrp72xjBcJBnEzt48vD1CyxWyZplYK9jnooZBbqBxVIY3qAZxtHxVUNPUxXszYr19MDkJ-JWgHfo/s1600/A+voragem+Francisco+Alves.jpg" imageanchor="1" style="font-size: medium; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="412" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilKqvXox2PWbXJS8hQJ7sozlZCvw2pOi0yQncSLPwUMZ6E0xCcwLumWPYWq2TOzt5Rrp72xjBcJBnEzt48vD1CyxWyZplYK9jnooZBbqBxVIY3qAZxtHxVUNPUxXszYr19MDkJ-JWgHfo/s400/A+voragem+Francisco+Alves.jpg" width="273" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">JOSÉ EUSTASIO RIVERA. A voragem. Rio de Janeiro: Francisco Alves, 1982. 237 p. Tradutor: Reinaldo Guarani.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6HeEQMg4vMSjmKwZAaGTjCrQnMprSShgjlCbOQz_-_UBtO68rKTRpj54-UVzFGhtMpXlNJjPfo7CQ9-ChMY_XGJf86q76m3OrzJk_lGiytD7W3MPAplzV7liccd8ZmviryALCm0M6Cx0/s1600/A+voragem+Vozes+da+America+Latina+1981+222+p+tra%25C3%25A7a.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="500" data-original-width="312" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6HeEQMg4vMSjmKwZAaGTjCrQnMprSShgjlCbOQz_-_UBtO68rKTRpj54-UVzFGhtMpXlNJjPfo7CQ9-ChMY_XGJf86q76m3OrzJk_lGiytD7W3MPAplzV7liccd8ZmviryALCm0M6Cx0/s400/A+voragem+Vozes+da+America+Latina+1981+222+p+tra%25C3%25A7a.jpg" width="248" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">JOSÉ EUSTASIO RIVERA. A voragem. Edições 70. Coleção Vozes da América Latina, 1971. 222 p. Tradutor: Franco de Souza.<br />
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<span style="color: #222222; font-family: sans-serif;"><span style="font-size: 14px;">EDIÇÃO EM PORTUGUÊS - PORTUGAL </span></span><br />
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<span style="color: #222222; font-family: sans-serif; font-size: 14px;">EDIÇÕES EM ESPANHOL</span><br />
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<span style="color: #222222; font-family: sans-serif; font-size: 14px;">EDIÇÕES EM INGLÊS - The vortex </span><br />
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com0tag:blogger.com,1999:blog-6800349290165781826.post-1967195503299819642020-03-08T04:05:00.000-07:002020-03-15T14:42:25.241-07:00A Jangada - Livro sobre a Amazônia de Julio Verne<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: small;"><u>A Jangada</u> (originalmente publicado em francês: La jangada - Huit cents lieues sur l'Amazone, 1 ed. 1880 por Jules Gabriel Vernes) é um livro de Jules Gabriel Verne, ambientado na Amazônia no ano de1852.<br /><br /><span style="background-color: white; color: #555555; font-family: "source sans pro" , "arial" , sans-serif;">Conhecido em português como </span><span style="background-color: white; box-sizing: border-box; color: #555555; font-family: "source sans pro" , "arial" , sans-serif; font-weight: 600; list-style: none; margin: 0px; padding: 0px; vertical-align: baseline;">Júlio Verne</span><span style="background-color: white;"><span style="color: #555555; font-family: "source sans pro" , "arial" , sans-serif;">, o francês foi um dos pioneiro na literatura de ficção científica. Nascido em 1828, escreveu sobre aventuras ao redor do mundo, mesmo sem ter feito muitas viagens. Parte da infância e juventude na cidade portuária de Nantes serviu de inspiração para suas histórias, que chegaram a prever evoluções tecnológicas como máquinas voadoras, submarinos e ida do homem à lua. Entre seus inúmeros livros publicados, a Jangada é dos menos conhecidos</span></span><span style="background-color: white; color: #555555; font-family: "source sans pro" , "arial" , sans-serif;">. </span></span></h2>
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<b>As edições em português </b><br />
<b>A Jangada - Júlio Verne</b><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8jK86a7VOBoCVA6jtjoV-TWeHXp-ze_2j-rxsKpSj28JrQ4M199vViNYIbBJ_7xuLSdYrL7RtH2lnb7mWtZrdDjO9qgOcMMTm71eVh9YJuE6YIju5xXj-g-iQfOYdlg4sJ8AB4d3nAoI/s1600/A+Jangada+Julio+Verne.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="652" data-original-width="931" height="448" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8jK86a7VOBoCVA6jtjoV-TWeHXp-ze_2j-rxsKpSj28JrQ4M199vViNYIbBJ_7xuLSdYrL7RtH2lnb7mWtZrdDjO9qgOcMMTm71eVh9YJuE6YIju5xXj-g-iQfOYdlg4sJ8AB4d3nAoI/s640/A+Jangada+Julio+Verne.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Julio Verne. A Jangada. Oitocentas Léguas pelo Amazonas. Primeira parte: O Segredo Terrível & Segunda parte: A Justificação (2 vol.). Ilustrações de Léon Benett. Tradutor: Pompeu Garrido. Primeira edição em português. Biblioteca Ilustrada de Instrução e Recreio. Ed. Davi Corrazi. Lisboa. 1881. 237 p + 1 f; 252 p + 1f. 22 x 15 x 4 cm. </td></tr>
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<b>EDIÇÕES BRASILEIRAS</b><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEUey2F9V7e7IHbO1babo_gjceM8t4XjMa1MosvP1eelDCA_SVjg4mG6Veyw3-ezNXWbKb9wTDr-Cx1abVQtmmDkY6a7nx94e0OlXR6N3x63mNYXymeycMpjAbme_Ii_skN_BLB9SXBWI/s1600/A+jangada+edicao+brasileira+saraiva+196x.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="640" data-original-width="401" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEUey2F9V7e7IHbO1babo_gjceM8t4XjMa1MosvP1eelDCA_SVjg4mG6Veyw3-ezNXWbKb9wTDr-Cx1abVQtmmDkY6a7nx94e0OlXR6N3x63mNYXymeycMpjAbme_Ii_skN_BLB9SXBWI/s640/A+jangada+edicao+brasileira+saraiva+196x.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Julio Verne. A Jangada. Oitocentas Léguas pelo Amazonas. (2 vol.). Tradutor: Augusto de Souza. Coleção Saraiva, v. 262 e 263. Saraiva. São Paulo. 196x. 1-156 p. ; 157-312 p.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQj6rAHFaqSEULJLcu9AjpGeZSmO2NwfjJHwn4xT2PtnHSFOthLp6mrdeM5DcAiEXpKyJ8LVpSB0aGTUhNtDwOBQm58jlatOqqY0j7iInq7o4JqEvkJytvhL7y92UUoht-1QzzzGrqWxM/s1600/Julio+Verne+A+Jangada+1966+263++Ilust+Salambo+Ed+Matos+Peixoto+trad+Vieira+Neto+Col+Julio+Verne+capas+diferente.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="622" data-original-width="478" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQj6rAHFaqSEULJLcu9AjpGeZSmO2NwfjJHwn4xT2PtnHSFOthLp6mrdeM5DcAiEXpKyJ8LVpSB0aGTUhNtDwOBQm58jlatOqqY0j7iInq7o4JqEvkJytvhL7y92UUoht-1QzzzGrqWxM/s640/Julio+Verne+A+Jangada+1966+263++Ilust+Salambo+Ed+Matos+Peixoto+trad+Vieira+Neto+Col+Julio+Verne+capas+diferente.JPG" width="488" /></a></td></tr>
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<tr><td class="tr-caption" style="font-size: 16px;">Julio Verne. A Jangada. Tradutor: Vieira Neto. Editora Matos Peixoto S. A. Guanabara. Ilustrações: Salombô. Coleção Júlio Verne. 1966. 263 p </td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnFWW49sVobuZDUfTnZYpnZGMGk03cG5SuVBBRn5q79c4ceFBXmbnnvtgYcMmSRwjLAo_4t6ZXfJJpqngQBHUi1HrJ9wuluk9FD9ItNH9KsoAITrCCkDrvIgajZ7j0kMFFzBvec30wYxg/s1600/julio-verne-a-jangada-D_NQ_NP_607774-MLB29462879884_022019-F.webp" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="820" data-original-width="1044" height="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnFWW49sVobuZDUfTnZYpnZGMGk03cG5SuVBBRn5q79c4ceFBXmbnnvtgYcMmSRwjLAo_4t6ZXfJJpqngQBHUi1HrJ9wuluk9FD9ItNH9KsoAITrCCkDrvIgajZ7j0kMFFzBvec30wYxg/s640/julio-verne-a-jangada-D_NQ_NP_607774-MLB29462879884_022019-F.webp" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Julio Verne. A Jangada. Tradutor: Vieira Neto. Editora Matos Peixoto S. A. Guanabara. Ilustrações: Salombô. Coleção Júlio Verne. 1966. 263 p.</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Ilustrações Salombô</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Julio Verne. A Jangada. Oitocentas Léguas pelo Amazonas. Tradutor: xx . Matos Peixoto. Coleção Júlio Verne, v. 28. São Paulo. 1966. 263 p </td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsXZ4Kufdsf1ss13KRcf6fyQH3Nf-SUq5zhyphenhyphenq87kB8RlxKa-z8B_t543HJDpJ9U_tvzXpUOGPX5hzi-2hrAb1dwfDym4rqvMY2P6TDf-K6N9TfviPOPQs6e-W2GoCoiNOHgeUV2xAJoeg/s1600/Julio+Verne+A+Jangada+Ed+Planeta+2003.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="360" data-original-width="246" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsXZ4Kufdsf1ss13KRcf6fyQH3Nf-SUq5zhyphenhyphenq87kB8RlxKa-z8B_t543HJDpJ9U_tvzXpUOGPX5hzi-2hrAb1dwfDym4rqvMY2P6TDf-K6N9TfviPOPQs6e-W2GoCoiNOHgeUV2xAJoeg/s640/Julio+Verne+A+Jangada+Ed+Planeta+2003.jpg" width="435" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Julio Verne. A Jangada. Oitocentas léguas pelo Amazonas. Ilustrações de Léon Benett. Tradutor: Maria Alice Araripe de Sampaio Dória. Planeta, São Paulo. 2003. 371 p. ISBN 8574795569</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8fhZdCKEprIIheJtm4wDdl16j1pr-I5S6ygLl8mQ5-pdrlSbmth69BPohcqdbv4hM0EHLGXogpa6diJ4Z3seeTQ_1gpLRW1Tgot-_hyphenhyphenb5Tbkww0yJjLGuZamMVIYsVAOoucfg5kuiOmU/s1600/A+jangada+Julio+Verne+LPM+edicao+de+bolso.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="499" data-original-width="301" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8fhZdCKEprIIheJtm4wDdl16j1pr-I5S6ygLl8mQ5-pdrlSbmth69BPohcqdbv4hM0EHLGXogpa6diJ4Z3seeTQ_1gpLRW1Tgot-_hyphenhyphenb5Tbkww0yJjLGuZamMVIYsVAOoucfg5kuiOmU/s640/A+jangada+Julio+Verne+LPM+edicao+de+bolso.jpg" width="385" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Julio Verne. A Jangada. Oitocentas léguas pelo Amazonas. Ilustrações de Léon Benett. Tradutoras: Elisa Rodrigues e Julia Fervenza. LP & M. Porto Alegre. 2020. 336 p. 18 x 11 x 1,4 cm. <br />
ISBN 9788525437983<br />
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<u><span style="background-color: black; color: white;">RESENHA</span></u></td></tr>
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<span style="color: #333333; font-family: "arial" , sans-serif;"><span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;">Júlio Verne, sem ter visitado a Amazônia, escreveu este romance publicado originalmente em 1881 (La jangada - Huit cents lieues sur l'Amazone) . O romance narra a estória da família de João Garral, um próspero fazendeiro de Iquitos - Peru, que precisa levar sua filha a Belém do Pará, onde ela ira se casar. Com isto eles precisam fazer uma longa viagem pelo Rio Amazonas numa jangada, que é de fato uma cidade flutuante. Que reproduz a sociedade da região e da época, com uma família rica e branca de origem europeia acompanhada de escravos negros em suas cabanas e trabalhadores índios em suas malocas. Até uma capela com sino é construída na jangada. Entretanto, um crime do passado assombra João Garral ...</span></span></div>
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<span style="background-color: black; color: white; font-size: xx-small;">Data: Março 2020</span></div>
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com0tag:blogger.com,1999:blog-6800349290165781826.post-12479189562091217682020-01-19T06:48:00.002-08:002020-01-19T07:53:18.622-08:00Mini curiososo descobrem a Amazônia - Série literatura infanto-juvenil sobre a Amazônia<div dir="ltr" style="text-align: left;" trbidi="on">
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Mini curiosos descobrem a Amazônia faz parte de uma coleção da Editora Lume para os jovens leitores. Com ilustrações encantadoras, delicadas e supercoloridas, de Lorota, ele é perfeito para explorar junto com as crianças os segredos da Amazônia. Aqui eles vão descobrir que o bicho preguiça é tão devagar que crescem algas no pelo dele, que os sapos-ponta-de-flecha são lindos mas muito venenosos, que os botos-rosas são espertos e brincalhões e que a floresta amazônica é cheia de mistérios e muito importante para nós, e para o planeta. Com um texto leve e bem humorado, de leitura simples e informações interessantes e atualizadas da autora Clarice Uba: Mini curiosos descobrem a Amazônia trabalha o olhar inquisidor dos pequenos, mostrando um pouco da incrível diversidade da maior floresta tropical do planeta, e sua enorme importância para o presente e o futuro<br />
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A Amazônia é a maior floresta do mundo, e nesta imensidão verde existem tantos bichos e plantas diferentes que estamos sempre descobrindo algo novo. Conheça alguns dos moradores da Amazônia, como a enorme harpia, o simpático bicho preguiça e a feroz formiga-legionário, e descubra porque temos que proteger essa região tão frágil e cheia de vida.<br />
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Clarice Uba. Mini curiosos descobrem a Amazônia. São Paulo: Luma. 2018. 36 p. Ilustrações - Lorota<br />
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Clarice Uba. Mini curiosos descobrem a Amazônia. São Paulo: Luma. 2018. 36 p. Ilustrações - Lorota. ISBN: 9788553136001</td></tr>
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PS - Este livro tem várias informações questionáveis. Vou listar brevemente algumas aqui. Oxalá numa próxima edição ele passe por uma revisão.<br />
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com0tag:blogger.com,1999:blog-6800349290165781826.post-29636208287394570332020-01-11T14:16:00.001-08:002020-03-14T12:41:20.437-07:00Os livros de e sobre Ermano Stradelli <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: #222222; font-family: sans-serif;"><span style="font-size: 14px;">Ermanno Stradelli (Borgo Val di Taro - Piacenza - Emilia-Romagna - Italia, 8 de dezembro de 1852 — Leprosário Umirizal em Manaus, 21 de março de 1926) foi um conde, folclorista, explorador, fotógrafo e etnógrafo ítalo-brasileiro.</span></span><br />
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<span style="color: #222222; font-family: sans-serif; font-size: 14px;">Stradelli realizou expedições à Amazônia, recolhendo relatos de mitos dos povos indígenas, dentre os quais os uananas.[2] Vários relatos foram publicados no final do século XIX nos boletins da Società Geographica Italiana.</span><br />
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<span style="color: #222222; font-family: sans-serif;"><span style="font-size: 14px;"><b>As navegações na bacia amazônica e as viagens</b></span></span><br />
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<span style="color: #222222; font-family: sans-serif;"><span style="font-size: 14px;">Chegando em Manaus em 1879, passa alguns meses junto aos missionários franciscanos, para aperfeiçoar o português. Já em 1880 viaja pelo Rio Purus e seus afluentes; depois, sobe o Rio do Amazonas até Fonte Boa e Loreto, onde encontra outro conde, Alessandro Sabatini, que lhe transmite a paixão pela “língua boa”, o nheengatu, que o acompanhará durante a vida toda. No Rio Juruá, assiste à extração da borracha e estuda de perto o trabalho dos seringueiros. Acometido pela malária, volta a Manaus para se restabelecer.</span></span><br />
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<span style="color: #222222; font-family: sans-serif;"><span style="font-size: 14px;">Em 1881, navega no rio Uaupés, rico em lendas e histórias, e conhece os estudiosos João Barbosa Rodrigues, Antonio Brandão de Amorim, e Maximiano José Roberto, que faziam pesquisa etnográfica na região. Interessado pela cultura dos índios Tariana e Tucano, Ermanno começa a estudar os idiomas e a tradição oral destas tribos. Interessa-se, particularmente, pela controversa figura de Jurupari: diabo, herói ou deus segundo as diferentes versões, e decide descobrir a verdade sobre este mito.</span></span><br />
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<span style="color: #222222; font-family: sans-serif;"><span style="font-size: 14px;">Em 1882, participa da Comissão Brasileira para as Fronteiras com a Venezuela e percorre o Rio Padauiri. Logo depois volta a navegar no Uaupés, subindo-o até Jauareté-cachoeira. Percorre o afluente Apapori, até que nova crise de malária obriga-o a parar. Em 1883, passa uma temporada em Itacoatiara, onde começa a organizar seus registros de viagem e as muitas definições das palavras em nheengatu que tinha coletado, com o objetivo de realizar um vocabulário. Colabora com João Barbosa Rodrigues na fundação do Museu Botânico de Manaus. Apesar de suas precárias condições físicas, em 1884, aceita o convite para participar da expedição de pacificação dos índios Crichanás (Waimiri – Atroari) do rio Jauaperi comandada pelo próprio Rodrigues. Será uma viagem fundamental para Ermanno, pois confirma-lhe toda a violência e a estupidez da prática dos brancos, que pretendiam civilizar os índios impondo unilateralmente a própria visão de mundo, destruindo e matando.</span></span><br />
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<span style="color: #222222; font-family: sans-serif;"><span style="font-size: 14px;">No mesmo ano volta à Itália para terminar os estudos universitários; começa a advogar em Gênova e publica, junto ao editor de Piacenza, Vincenzo Porta, “Eiara: leggenda Tupi-Guarani, e La confederazione dei Tamoi. Poema épico”, tradução da obra indianista de Domingo José Gonçalves de Magalhães. Em 1886 participa do VI Congresso Internacional de Americanistas em Turim.</span></span><br />
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<span style="color: #222222; font-family: sans-serif;"><span style="font-size: 14px;">Porém, tem o forte desejo de voltar para a Amazônia e, ao mesmo tempo, realizar uma verdadeira empreitada de geógrafo. Junto com o amigo </span></span><span style="color: #222222; font-family: sans-serif; font-size: 14px;">Augusto Serra, decide ir em busca da nascente do rio Orenoco. Com o apoio da Società Geografica, mas contando somente com recursos próprios, em fevereiro de 1887, parte do porto de Marselha rumo à Venezuela. Em Caracas è recebido pelo Presidente da República, que oferece auxílio para a expedição. Enquanto espera a chegada de Serra, é informado que Chaffanjon já teria individuado as nascentes. Stradelli, porém, desconfia, e decide, apesar da renuncia do amigo e sem o equipamento que este devia trazer, seguir viagem. Da ilha de Trinidad chega em Puerto d’España; de Ciudad Bolivar prossegue para Porto Samuro, Maipures, e, através do baixo Vichada, afluente do Orinoco, chega em S. Fernando de Atabapo. Neste lugar abandona a empreitada. No início de 1888, passa a fronteira e transcorre um mês em Cucuí, posto militar de fronteira. Retoma, então, a viagem rumo a Vista Alegre. Em fevereiro já está em Manaus. Desta longa jornada restaram-nos os detalhados relatos que enviou pontualmente para a Società Geografica e que foram publicados no Boletim. Em 1890 e 1891 volta pela terceira e última vez a viajar por seu amado Uaupés, deixando brilhantes descrições da natureza, dos homens e dos costumes.</span><br />
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<span style="color: #222222; font-family: sans-serif;"><span style="font-size: 14px;">Vida de juiz e pesquisador</span></span><br />
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<span style="color: #222222; font-family: sans-serif;"><span style="font-size: 14px;">Em 1893 naturaliza-se brasileiro e entra na magistratura. Nomeado Promotor público, presta serviço em Manaus e depois em Lábrea, no Rio Purus. O projeto de realizar um trust ítalo-brasileiro para combater o monopólio anglo-americano na extração e no comércio da borracha o faz voltar para a Itália, em 1897, para propor o negócio ao industrial Giovanni Battista Pirelli, que não aceita.</span></span><br />
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<span style="color: #222222; font-family: sans-serif;"><span style="font-size: 14px;">Frustrado, Stradelli volta a Manaus e ao trabalho de juiz. Conduz uma existência simples, operosa e reservada, organizando as anotações recolhidas nas viagens e revisando os inúmeros verbetes do vocabulário, sua obra mais trabalhosa e ambiciosa, que sonha ver um dia publicada. Em 1901 faz uma última viagem breve à Itália, da qual temos indícios porque proferiu uma conferência no Collegio Romano, sede da Società Geografica.</span></span><br />
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<span style="color: #222222; font-family: sans-serif;"><span style="font-size: 14px;">Em 1912 é transferido para Tefé. Com os anos se manifestam os primeiros sinais da doença de Hansen. Em 1923 é exonerado do cargo e internado no leprosário de Umirizal, onde morre em 1926, numa pequena cabana, na companhia, apenas, dos diários, dos mapas geográficos e das muitas lembranças.</span></span></div>
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Fonte: Wikipedia</div>
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Fonte: http://www.memorial.org.br/2013/04/ermanno-stradelli-1852-1926/</div>
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Sua vida foi publicada em livro por <a class="mw-redirect" href="https://pt.wikipedia.org/wiki/Lu%C3%ADs_da_C%C3%A2mara_Cascudo" style="background: none; color: #0b0080; text-decoration-line: none;" title="Luís da Câmara Cascudo">Luís da Câmara Cascudo</a>, intitulado <i>Em Memória de Stradelli</i>,<sup class="reference" id="cite_ref-ita_1-2" style="font-size: 11.2px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://pt.wikipedia.org/wiki/Ermanno_Stradelli#cite_note-ita-1" style="background: none; color: #0b0080; text-decoration-line: none;"><span style="pointer-events: none;">[</span>1<span style="pointer-events: none;">]</span></a></sup> onde o autor principia se queixando da falta de dados então encontrada: "<i>Quase nada se sabia dele. Morrera em 1926 e seu nome se diluíra na sombra, como uma inutilidade. Raras citações. Raríssimos informadores. Percentagem altíssima em erros, enganos, omissões</i>”; o livro foi publicado em 1936.<sup class="reference" id="cite_ref-vozes_3-0" style="font-size: 11.2px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://pt.wikipedia.org/wiki/Ermanno_Stradelli#cite_note-vozes-3" style="background: none; color: #0b0080; text-decoration-line: none;"><span style="background: none; color: #0b0080;">[</span><span style="color: #0b0080;"><span style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial;">3</span></span><span style="background: none; color: #0b0080;">]</span></a></sup></div>
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<span class="mw-headline" id="Bibliografia">Bibliografia</span></h3>
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de autoria de Stradelli:</div>
<ul style="background-color: white; color: #222222; font-family: sans-serif; font-size: 14px; list-style-image: url("/w/skins/Vector/images/bullet-icon.svg?872f1"); margin: 0.3em 0px 0px 1.6em; padding: 0px;">
<li style="margin-bottom: 0.1em;">1876, <i>Una gita a Rocca d'Olgisio</i>, Tipografia V. Porta, Piacenza</li>
<li style="margin-bottom: 0.1em;">1877, <i>Tempo sciupato</i>, Tipografia Marchesotti</li>
<li style="margin-bottom: 0.1em;">1885, <i>La confederazione dei Tamoi</i> (tradução para o italiano da obra de Magalhães), Tipografia V. Porta, Piacenza</li>
<li style="margin-bottom: 0.1em;">1890, <i>Il Vaupes e gli Vaupes</i>. Boletim da <i>Società Geografica Italiana</i>, 3a. serie, vol. 3, 425-453. </li>
<li style="margin-bottom: 0.1em;">1898, <i>Ajuricaba</i>, poema publicado no jornal brasileiro "O Correio do Purus"</li>
<li style="margin-bottom: 0.1em;">1900, <i>Due legende amazzoniche</i>, Tipografia V. Porta, Piacenza</li>
<li style="margin-bottom: 0.1em;">1900, <i>Pitiapo</i>, editora desconhecida</li>
<li style="margin-bottom: 0.1em;">1910, <i>Vocabulários de Línguas Faladas no Rio Branco</i>, in Relatório Geral do Congresso Cientifico Latino-americano. Vol. VI, Rio de Janeiro</li>
<li style="margin-bottom: 0.1em;">1928, <i>Vocabulário Nheengatu-Português e Português-Nheengatu</i>, Revista do <a href="https://pt.wikipedia.org/wiki/Instituto_Hist%C3%B3rico_e_Geogr%C3%A1fico_Brasileiro" style="background: none; color: #0b0080; text-decoration-line: none;" title="Instituto Histórico e Geográfico Brasileiro">Instituto Histórico e Geográfico Brasileiro</a>, Rio de Janeiro</li>
<li style="margin-bottom: 0.1em;">Tradutor do poema épico de Gonçalves Dias </li>
</ul>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_sNquLkaqah3FrPKmMwyUXvuTNvnyicI_-_fos6wmRljAonp8rBHtqQkFmMXtHgwiOof6_2BHrVHp9FiuFBQaLw9DOoBiwf5vfW5xHM0_MILkjcSJRcArRu0UH1rn1M1So4-BDP_0XRw/s1600/stradelli+goncalves+dias.PNG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="442" data-original-width="279" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_sNquLkaqah3FrPKmMwyUXvuTNvnyicI_-_fos6wmRljAonp8rBHtqQkFmMXtHgwiOof6_2BHrVHp9FiuFBQaLw9DOoBiwf5vfW5xHM0_MILkjcSJRcArRu0UH1rn1M1So4-BDP_0XRw/s400/stradelli+goncalves+dias.PNG" width="251" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">La Confederazione dei Tamoi. Poema Epico
di D.J.G. de Magalhaens, publicada em 1885 por Vincenzo Porta Libraio-Editore, em
Piacenza, Itália. Versione del Conte Ermano Stradelli.</td></tr>
</tbody></table>
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<span style="color: #222222; font-family: sans-serif;"><span style="font-size: 14px;">Fonte: Vera Lúcia Bianco, 1995. </span></span></div>
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<span class="mw-headline" id="Bibliografia">Bibliografia</span></h3>
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sobre Stradelli:</div>
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<ul style="background-color: white; color: #222222; font-family: sans-serif; font-size: 14px; list-style-image: url("/w/skins/Vector/images/bullet-icon.svg?872f1"); margin: 0.3em 0px 0px 1.6em; padding: 0px;">
<li style="margin-bottom: 0.1em;">BERNARDINI, Aurora Fornoni. <i>Introdução</i>. In STRADELLI, Ermanno. <i>Lendas e notas de viagem – A Amazônia de Ermanno Stradelli</i>. São Paulo: Martins, 2009</li>
<li style="margin-bottom: 0.1em;">FONTANA, Riccardo. <i>A Amazônia de Ermanno Stradelli</i>. Brasília, 2006</li>
<li style="margin-bottom: 0.1em;">NAVARRO, Eduardo de Almeida. <i>O Conde Italiano Ermanno Stradelli: um mestre do nheengatu no século XX</i></li>
<li style="margin-bottom: 0.1em;"><i><br /></i></li>
<li style="margin-bottom: 0.1em;">STRADELLI, Ermanno. <i>Lendas e notas de viagem – A Amazônia de Ermanno Stradelli</i>. São Paulo: Martins, 2009</li>
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com0tag:blogger.com,1999:blog-6800349290165781826.post-48593934553181795052020-01-04T09:30:00.001-08:002020-01-16T16:22:07.227-08:00No fundo do Rio Amazonas - Glorinha de Moura Novaes <div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqJz_4azj4rLJXwDrQAxncH_6XwWF5QnOBreofywbqCFlpJQdP3F0wPfgpbZfzQxgHojoLiG4AITYnU7uLPsdzUgRLhpSCGAZvkyao4WY9kFMRPbFn-kDu_o5CFTSgT6u3rsIQY3NJRCI/s1600/livro-no-fundo-do-rio-amazonas-glorinha-de-moura-novaes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="999" data-original-width="819" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqJz_4azj4rLJXwDrQAxncH_6XwWF5QnOBreofywbqCFlpJQdP3F0wPfgpbZfzQxgHojoLiG4AITYnU7uLPsdzUgRLhpSCGAZvkyao4WY9kFMRPbFn-kDu_o5CFTSgT6u3rsIQY3NJRCI/s640/livro-no-fundo-do-rio-amazonas-glorinha-de-moura-novaes.jpg" width="523" /></a></div>
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No fundo do Rio Amazonas. Glorinha de Moura Novaes, Editora Melhoramentos, 1953, 1 ed. 80 p.<br />
Ilustrações de Oswaldo Storni.<br />
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Toda a magia das lendas brasileiras estão neste livro, onde dois meninos vivem incríveis aventuras com as entidades marítimas do rio e do mar: a iara, o curupira, o boitatá e muitas outras. [Fonte: contracapa do livro]<br />
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Os personagens principais são os meninos Guaci (índio) e Joãozinho (branco). Inicialmente a narrativa apresenta os costumes dos índios que vivem na tribo de Guaci: os índios guerreiros, as índias que cuidam dos indiozinhos, o Pajé e o Cacique (pai de Guaci). Após isso são apresentados os seres mitológicos da floresta amazônica como o Anhangá e o Curupira, e os seres que vivem no fundo do rio Amazonas: a rainha Iara, o ministro Boto, o cientista Pirarucu, o general Jururá-Açu (uma tartaruga) e o Boitatá, além de outros peixes e tartarugas, que estão em guerra com as Sereias do Mar, montadas em cavalos-marinhos.<br />
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Capítulos: (1) Introdução, (2) Encontro com o menino branco, (3) O gênio da floresta, (4) A árvore que badala, (5) A caminho da maloca, (6) Cururu, a dança indígena, (7) A estranha profecia, (8) Uma igara desce o grande rio, (9) A flor gigante do Amazonas, (10) O Curupira entra em cena, (11) Viagem numa vitória-régia, (12) As sereias querem destronar a Iara, (13) No reino verde da Iara, (14) A Iara e seu ministro, o Boto, (15) Plano de ataque, (16) Dr. Pirarucu, o grande sábio, (17) Palpites do general Jururá-Açu, (18) A onda grande, (19) Guaci, prisioneiro das sereias, (20) O Boitatá, cobra de fogo, (21) As sereias abandonam o rio Amazonas, (22) Termina a grande aventura.<br />
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No fundo do Rio Amazonas (Glorinha de Moura Novaes, Editora Melhoramentos, 1965- 1967, 3 ed. 80 p. Ilustrações de Oswaldo Storni.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfwnCE6S0fYp68qCuGKoDM62K1Rx3PT_ktOdVw2kj0u6Z4PcpwAR-iFr_kO9OwMHEf2hyphenhyphenwuizzsmZlwixWw2oM1uHoa-gRGX-Iwauw7IzGKnLFWRTmZ7LuCYDyMOFvif5smREHTPatTas/s1600/Glorinha+de+Moura+Novaes+No+Fundo+do+Rio+Amazonas++melhoramentos+x+ed+19xx.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="604" data-original-width="440" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfwnCE6S0fYp68qCuGKoDM62K1Rx3PT_ktOdVw2kj0u6Z4PcpwAR-iFr_kO9OwMHEf2hyphenhyphenwuizzsmZlwixWw2oM1uHoa-gRGX-Iwauw7IzGKnLFWRTmZ7LuCYDyMOFvif5smREHTPatTas/s640/Glorinha+de+Moura+Novaes+No+Fundo+do+Rio+Amazonas++melhoramentos+x+ed+19xx.JPG" width="466" /></a></div>
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No fundo do Rio Amazonas .Glorinha Novaes, Editora Melhoramentos, Coleção Tempo de Ler, 1979/1981, 63 p. Ilustrações de Oswaldo Storni.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQCDH9cCX_ZdEJ4vajh6QNh9-6vkXogUNxGWFi199pihSaAUfK_4Dx7mah91Q8YQTH9S9hyPpt5hMhYfNOjalx5XcFxFg1pC7RrFsjOhmmf0or0pJL2ScHzkFJ1ehwFI6UflHbR2cBck0/s1600/Glorinha+de+Moura+Novaes+No+Fundo+do+Rio+Amazonas++melhoramentos+8+ed+1994.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="310" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQCDH9cCX_ZdEJ4vajh6QNh9-6vkXogUNxGWFi199pihSaAUfK_4Dx7mah91Q8YQTH9S9hyPpt5hMhYfNOjalx5XcFxFg1pC7RrFsjOhmmf0or0pJL2ScHzkFJ1ehwFI6UflHbR2cBck0/s640/Glorinha+de+Moura+Novaes+No+Fundo+do+Rio+Amazonas++melhoramentos+8+ed+1994.jpg" width="412" /></a></div>
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No fundo do Rio Amazonas. Glorinha de Moura Novaes, Editora Melhoramentos, Coleção Leituras Preferidas, 1983/1986/1989/1990/1994, 62 p. 8 - 11 ed. Capa de Eliana Brandão. Ilustrações de Oswaldo Storni.<br />
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com0tag:blogger.com,1999:blog-6800349290165781826.post-52684727222167733922019-12-22T03:21:00.003-08:002022-03-12T07:20:33.427-08:00COBRA NORATO - RAUL BOPP<div dir="ltr" style="text-align: left;" trbidi="on">
As edições de Cobra Norato de Raul Bopp<br />
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Cobra Norato. Raul Bopp. 1931. 1 ed. Irmãos Ferraz. São Paulo. 75 p. Capa de Flávio de Carvalho. Dedicado a Tarsila do Amaral. Capa de Flavio de Carvalho. <br />
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Cobra Norato. Raul Bopp. 1937. 2 ed. 1937. São Paulo. 75 p. Ilustrações de Oswaldo Goeldi. 150 exemplares numerados.<br />
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BOPP, Raul. "COBRA NORATO." Tem xilogravuras em madeiras d eautoria de Oswaldo Goeldi numerados e assinados pelo artista. "A edição foi dirigida e ilustrada por Oswaldo Goeldi, sendo todas as ilustrações, inclusive as guarnições do texto e as folhas da guarda, impressas com as matrizes originais por Armindo Di Monaco (Machina Victoria), ficando a composição a cargo de Matheus Di Monaco. As ilustrações foram impressas em cartolina "Bensberg" e o texto, em papel "Neureuth", fornecidos ambos por Axel Wilhelmi. Da encadernação foi feita por Leopoldo Berger, havendo sido a gravação da capa executada nos "Ateliers Reunidos" Rhode Gaelzer & Cia. Ltda., segundo madeira original do ilustrador." (Texto do Colofon). 36 p. Tamanho: 36 x 29cm.<br />
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<span face="sans-serif" style="background-color: white; color: #202122; font-size: 14px;">Depois da primeira publicação, "Cobra Norato" teve novas edições em vida do autor que, a cada uma delas, fazia alterações no texto original.</span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span face="sans-serif" style="background-color: white; color: #202122; font-size: 14px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span face="sans-serif" style="background-color: white; color: #202122; font-size: 14px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span face="sans-serif" style="background-color: white; color: #202122; font-size: 14px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span face="sans-serif" style="background-color: white; color: #202122; font-size: 14px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span face="sans-serif" style="background-color: white; color: #202122; font-size: 14px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span face="sans-serif" style="background-color: white; color: #202122; font-size: 14px;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgEnM61Yy-KUa_76rJLZDJPb32NDycaRfGhlT3qe5arTnXL0Pq_0RC4Vb4ugye8SVMl38fACLXWusADPBAeyRtmqvK04l5Qh-oou52BKDNMoINSR8qGpnSwKMOjvf-mzoAAULIbJIHqq75vowjfMI8HMT_orKNGTZbj7MCFZdU-RYOsPz8_WYEgsSKZ" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="308" data-original-width="200" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgEnM61Yy-KUa_76rJLZDJPb32NDycaRfGhlT3qe5arTnXL0Pq_0RC4Vb4ugye8SVMl38fACLXWusADPBAeyRtmqvK04l5Qh-oou52BKDNMoINSR8qGpnSwKMOjvf-mzoAAULIbJIHqq75vowjfMI8HMT_orKNGTZbj7MCFZdU-RYOsPz8_WYEgsSKZ=w416-h640" width="416" /></a></div><br /><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span face="sans-serif" style="background-color: white; color: #202122; font-size: 14px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;">ISBN-13: </span><span style="color: #666666; font-family: arial; font-size: 11px;">9788503005289</span><br style="color: #666666; font-family: arial; font-size: 11px;" /><span style="color: #666666; font-family: arial; font-size: 11px;">ISBN-10: </span><span style="color: #666666; font-family: arial; font-size: 11px;">850300528X</span><br style="color: #666666; font-family: arial; font-size: 11px;" /><span style="color: #666666; font-family: arial; font-size: 11px;">Ano: 1978 / Páginas: 150</span><br style="color: #666666; font-family: arial; font-size: 11px;" /><span style="color: #666666; font-family: arial; font-size: 11px;">Idioma: português</span><br style="color: #666666; font-family: arial; font-size: 11px;" /><span style="color: #666666; font-family: arial; font-size: 11px;">Editora: Civilização Brasileira</span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgTfTGinKURB5PG8MJdcni_TbPQG6TUMyxtdFT8KhE8RlYP7-FMXhKnpQ7RnDfhj5VTDt9mqJDjTY4MLv3-1M1Z6n9V0iz_bCBsEThfUcxPoY0rsffcncfV6F6AgmhFwTkF40oI9SuHMiDggsx8QpDJSeTs8Vo0ib294DhkD5f7pk-WpwlVMyAMnG0B" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgTfTGinKURB5PG8MJdcni_TbPQG6TUMyxtdFT8KhE8RlYP7-FMXhKnpQ7RnDfhj5VTDt9mqJDjTY4MLv3-1M1Z6n9V0iz_bCBsEThfUcxPoY0rsffcncfV6F6AgmhFwTkF40oI9SuHMiDggsx8QpDJSeTs8Vo0ib294DhkD5f7pk-WpwlVMyAMnG0B=w461-h640" width="461" /></a></div><br /><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><div dir="ltr" style="color: black; font-family: "Times New Roman"; font-size: medium;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><span style="color: black; font-family: "Times New Roman"; font-size: medium;">Raul Bopp. Cobra Norato. 1956. 6 ed. Livraria São José. Rio de Janeiro . 129 p. ISBN:</span></span><span style="background-color: white; color: #6c6c6c; font-family: archivo, sans-serif; font-size: 13px; font-weight: 700; letter-spacing: 0.3px;">850300528x</span></div><div><span style="background-color: white; color: #6c6c6c; font-family: archivo, sans-serif; font-size: 13px; font-weight: 700; letter-spacing: 0.3px;"><br /></span></div></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgSsyLzJkpZPgFNfCjcyeXj6HYoRLT0jBKE7k1-fnzxF0p_tA2Blf5803qhTGBTCdRu8hPxRr48frzaBEYMRdS3kBpOfg8ayksXYDSvURxfzjr52TWml-r8apkqZInWUciHksOC3sBRShAiYG7b7UeJsghDNFHad86rHGG14Emz2d-BTObEn3EC_oCP" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="556" data-original-width="378" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEgSsyLzJkpZPgFNfCjcyeXj6HYoRLT0jBKE7k1-fnzxF0p_tA2Blf5803qhTGBTCdRu8hPxRr48frzaBEYMRdS3kBpOfg8ayksXYDSvURxfzjr52TWml-r8apkqZInWUciHksOC3sBRShAiYG7b7UeJsghDNFHad86rHGG14Emz2d-BTObEn3EC_oCP" width="163" /></a></div><br /><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;">0000000000000000000000000000</span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEihmXJV0ICD7proek5QoNDNoBgmx68Xjx80S9gusB3ir71YhtU9HiwOSXBeQFaDT3QeipYP5AoMZzSwuKGYW5-tmCHcn7-hhjipuQ4PKTLZlGJ-Ei0y6zDl7WAf8iBCuW8gmsy022VGvZWxbQMFMeUhsAVlNn9mMNY0dBFlOuNjpFyqoc2nypsKl2-G" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEihmXJV0ICD7proek5QoNDNoBgmx68Xjx80S9gusB3ir71YhtU9HiwOSXBeQFaDT3QeipYP5AoMZzSwuKGYW5-tmCHcn7-hhjipuQ4PKTLZlGJ-Ei0y6zDl7WAf8iBCuW8gmsy022VGvZWxbQMFMeUhsAVlNn9mMNY0dBFlOuNjpFyqoc2nypsKl2-G=w461-h640" width="461" /></a></div><br /><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;">17 ed. - 1994.</span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><br style="color: black; font-family: "Times New Roman"; font-size: medium;" /><span style="color: black; font-family: "Times New Roman"; font-size: medium;">Raul Bopp. Cobra Norato. 2000. 22 ed. José Olympio. São Paulo. 57 p. ISBN:</span></span><span style="background-color: white; color: #6c6c6c; font-family: archivo, sans-serif; font-size: 13px; font-weight: 700; letter-spacing: 0.3px;">850300528x</span></div><div dir="ltr" style="text-align: left;" trbidi="on">_________________________________</div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div dir="ltr" style="text-align: left;" trbidi="on"><br /></div><div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgdayquCAhTsWlfVJ03UddTTNxBLGD-ki1vwsTVQ9jlKb0h49PQnvOIc15Sa9Tr49oV3_dgEoj1VLYzEvofmYHbshQNidMuMeP5A_1pCPnpXoLd-wof0RNl2Le-hHDk4b7rRBu-BcogTdA4lLyzZ-fQiGr_RVXrkzchncjyvdWlMODwIP7coD_5mI7g" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEgdayquCAhTsWlfVJ03UddTTNxBLGD-ki1vwsTVQ9jlKb0h49PQnvOIc15Sa9Tr49oV3_dgEoj1VLYzEvofmYHbshQNidMuMeP5A_1pCPnpXoLd-wof0RNl2Le-hHDk4b7rRBu-BcogTdA4lLyzZ-fQiGr_RVXrkzchncjyvdWlMODwIP7coD_5mI7g=w461-h640" width="461" /></a></div><br /><br /></div><div dir="ltr" style="text-align: left;" trbidi="on">29 ed . 2010</div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><br /></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><span style="color: black; font-family: "Times New Roman"; font-size: medium;">Raul Bopp. Cobra Norato. 2006. 23 ed. José Olympio. São Paulo. 57 p. ISBN: </span></span><span style="background-color: white; color: #6c6c6c; font-family: archivo, sans-serif; font-size: 13px; font-weight: 700; letter-spacing: 0.3px;">9788503005289</span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><div><span style="color: #666666; font-family: arial; font-size: 11px;"><span style="color: black; font-family: "Times New Roman"; font-size: medium;"><br /></span></span></div><div><span style="color: #666666; font-family: arial; font-size: 11px;"><span style="color: black; font-family: "Times New Roman"; font-size: medium;"><br /></span></span></div><div><span style="color: #666666; font-family: arial; font-size: 11px;"><span style="color: black; font-family: "Times New Roman"; font-size: medium;"><br /></span></span></div><div><span style="color: #666666; font-family: arial; font-size: 11px;"><span style="color: black; font-family: "Times New Roman"; font-size: medium;"><br /></span></span></div></span></div><div dir="ltr" style="text-align: left;" trbidi="on"><span style="color: #666666; font-family: arial; font-size: 11px;"><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;">-------------------------------</span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEha9Iu5xJfa9uSTnr1ecHNEMGeKUONgSsI3RaKXPzou265yh_kGivKzxxMZAluDqkiV0spe4RtiYm-4DVlhFWRN5iBFJq6kL6DadMhWCdXYUkyGmWhnDlDZDIfRT1gkRZsv70qNo4xBArI4TzN-iMjH7KUuAk85pGK2T_KUzSylKdnML-b_6X-gPUFY" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1816" data-original-width="1115" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEha9Iu5xJfa9uSTnr1ecHNEMGeKUONgSsI3RaKXPzou265yh_kGivKzxxMZAluDqkiV0spe4RtiYm-4DVlhFWRN5iBFJq6kL6DadMhWCdXYUkyGmWhnDlDZDIfRT1gkRZsv70qNo4xBArI4TzN-iMjH7KUuAk85pGK2T_KUzSylKdnML-b_6X-gPUFY=w392-h640" width="392" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;">''</span><span style="color: #666666; font-family: arial; text-align: left;"><span style="color: black; font-family: "Times New Roman"; font-size: medium;">Raul Bopp. Cobra Norato. 2016. 30 ed. José Olympio. São Paulo. 93 p. </span></span><span style="text-align: left;">'</span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><br /></span></div></span><span face=""Amazon Ember", Arial, sans-serif" style="background-color: white; color: #0f1111; font-size: 14px; text-align: start;">Cobra Norato situa o autor como um dos maiores escritores de nosso país, que influencia até hoje, os caminhos da cultura nacional Obra emblemática do movimento modernista no Brasil, Cobra Norato reconta a lenda amazônica cujo mote é a história de uma índia que engravida do Cobra Grande ao se banhar entre o rio Amazonas e o Trombetas. Um livro essencial da primeira fase do modernismo, poema cativante e já inserido no conjunto de clássicos da literatura nacional</span><span style="text-align: left;"><br /><br /></span></div><br /><br /></span></div>
Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com0tag:blogger.com,1999:blog-6800349290165781826.post-37597733596712164952019-08-30T13:49:00.000-07:002019-08-30T13:59:18.543-07:00SíNODO DA AMAZONIA - Sínodo dos Bispos - Sinodo dei Vescovi - Synod of Bishops - Synode des Évêques - Sínodo de los Obispos - <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: black; color: white;">Em outubro de 2019, realizar-se a em Roma o Sínodo da Amazônia, que é uma</span></div>
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<span style="background-color: black; color: white;">assembleia de bispos, presidida pelo papa, que ser reunirá para tratar de assuntos ou problemas concernentes à atuação da Igreja na Amazônia.</span></div>
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<span style="background-color: black; color: white;">Este Sínodo vem sendo preparado desde 2017 quando o Papa Francisco convocou o Sínodo específico para tratar da Amazônia. Após várias consultas as comunidades amazônicas, foi lançado o documento preparatório : </span></div>
<span style="background-color: black; color: white; font-family: "arial" , sans-serif; font-size: x-small;">Amazonía: nuevos caminos para la Iglesia y para una ecología integral. Instrumentum laboris</span></div>
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<span style="background-color: black; color: white;"><br /><b style="font-family: tahoma, verdana, segoe, sans-serif; font-size: 14.6667px; text-align: center;">AMAZÔNIA: NOVOS CAMINHOS PARA A IGREJA E PARA UMA ECOLOGIA INTEGRAL</b><b style="font-family: tahoma, verdana, segoe, sans-serif; font-size: 14.6667px; text-align: center;">AMAZONÍA: NUEVOS CAMINOS PARA LA IGLESIA Y PARA UNA ECOLOGÍA INTEGRAL</b><b style="font-family: tahoma, verdana, segoe, sans-serif; font-size: 14.6667px; text-align: center;">AMAZONIA: NEW PATHS FOR THE CHURCH AND FOR AN INTEGRAL ECOLOGY</b><b style="font-family: tahoma, verdana, segoe, sans-serif; font-size: 14.6667px; text-align: center;">AMAZZONIA: NUOVI CAMMINI PER LA CHIESA E PER UNA ECOLOGIA INTEGRALE</b><b style="font-family: tahoma, verdana, segoe, sans-serif; font-size: 14.6667px; text-align: center;">AMAZONIE: NOUVEAUX CHEMINS POUR L’ÉGLISE ET POUR UNE ÉCOLOGIE INTÉGRALE</b></span></h2>
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<span style="background-color: black; color: white; font-family: "arial" , sans-serif; font-size: x-small;">OBISPOS, S. D. L. Amazonía: nuevos caminos para la Iglesia y para una ecología integral. Instrumentum laboris. 1. Cidad de Vaticano: Libreriia Editrica Vaticana, 2019. 139 ISBN 978826603148.</span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="text-align: left;"><span style="background-color: black; color: white;"><span style="font-family: "arial" , sans-serif; font-size: x-small;">OBISPOS, S. D. L. Amazonía: nuevos caminos para la Iglesia y para una ecología integral. Instrumentum laboris. 1. Cidad de Vaticano: Libreriia Editrica Vaticana, 2019. 139 ISBN 978826603148.</span></span><br /></span><br />
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<span style="background-color: black; color: white;">Este livro descreve e compila os encontros prévios, os documentos e as orientações para a atuação da Igreja Católica na Amazônia. Faz um resumo das discussões aponta orientações não somente religiosas, mas também práticas para uma Amazônia preocupada com o futuros dos povos que lá habitam. O Sínodo da Amazônia foi convocado pelo Papa Francisco em Outubro de 2017.</span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><span style="color: white;">HUMMES, C. O sínodo para a Amazônia. 1. São Paulo: Paulus, 2019. 95 ISBN 9788534949002. </span></span></td></tr>
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<span style="font-family: "arial" , sans-serif; font-size: 14px;">Aproxima-se o Sínodo Especial dos Bispos para a Amazônia, a ser realizado em Roma, em outubro de 2019. Seu objetivo, definido pelo Papa Francisco, é "encontrar novos caminhos para a evangelização daquela porção de Povo de Deus, sobretudo dos indígenas, muitas vezes esquecidos e sem perspectiva de um futuro sereno, também por causa da crise da floresta amazônica, pulmão de importância fundamental para o nosso planeta". Este livro surgiu da vontade de querer divulgar ao máximo esse sínodo e expor o processo sinodal e sua temática. Com certeza, esse evento eclesial iluminará não apenas a Igreja da Amazônia com seus povos, mas também toda a Igreja universal. "Tudo está interligado", diz o Papa Francisco.</span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: white;">GRONCHI, M. Amazzonia: nuovi cammini per la Chiesa e per una ecologia integrale. Instrumentum laboris. 1. Milano: San Paolo - 2019. 173 ISBN 9788892220102</span></td></tr>
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In accordo con l’annuncio di Papa Francesco del 15 ottobre 2017, l’Assemblea Speciale del Sinodo dei Vescovi avrà luogo nell’ottobre 2019 per riflettere sul tema <i>Amazzonia: nuovi cammini per la Chiesa e per una ecologia integrale</i>. Questi cammini di evangelizzazione devono essere pensati per e con il Popolo di Dio che abita in quella regione: abitanti di comunità e zone rurali, di città e grandi metropoli, popolazioni che vivono sulle rive dei fiumi, migranti e profughi e, specialmente, per e con i popoli indigeni<a href="https://www.blogger.com/null" name="_ftnref1"></a><sup>1</sup>. Nella foresta amazzonica, di vitale importanza per il pianeta, si è scatenata una profonda crisi causata da una prolungata ingerenza umana, in cui predomina una «cultura dello scarto» (LS 16) e una mentalità estrattivista. L’Amazzonia è una regione con una ricca biodiversità; è multi-etnica, pluri-culturale e pluri-religiosa, uno specchio di tutta l’umanità che, a difesa della vita, esige cambiamenti strutturali e personali di tutti gli esseri umani, degli Stati e della Chiesa.</div>
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Le riflessioni del Sinodo Speciale superano l’ambito strettamente ecclesiale amazzonico, protendendosi verso la Chiesa universale e anche verso il futuro di tutto il pianeta. Partiamo da un territorio specifico, per gettare a partire da esso un ponte verso altri biomi essenziali del mondo: il bacino del Congo, il corridoio biologico mesoamericano, i boschi tropicali del Pacifico asiatico, il bacino acquifero Guaranì, fra gli altri.</div>
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Ascoltare i popoli indigeni e tutte le comunità che vivono in Amazzonia, come primi interlocutori di questo Sinodo, è di vitale importanza anche per la Chiesa universale. Per fare questo abbiamo bisogno di avvicinarci di più ad essi. Desideriamo sapere: come immaginano il “futuro sereno” e il “buon vivere” delle future generazioni? Come possiamo collaborare alla costruzione di un mondo capace di rompere con le strutture che uccidono la vita e con le mentalità di colonizzazione per costruire reti di solidarietà e di inter-culturalità? E soprattutto, qual è la missione particolare della Chiesa oggi di fronte a questa realtà? Questo Documento Preparatorio è diviso in tre parti che corrispondono al metodo “vedere, giudicare (discernere) e agire”. Alla fine del testo si presentano delle domande che permettono di entrare in dialogo e di accostarsi progressivamente alla realtà e al desiderio di una «cultura dell’incontro» all’interno della regione (EG 220). I nuovi cammini per l’evangelizzazione e per forgiare una Chiesa dal volto amazzonico passano attraverso questa «cultura dell’incontro» nella vita quotidiana, «in una armonia multiforme» (EG 220) e in una «felice sobrietà» (LS 224-225), come contributo per la costruzione del Regno.</div>
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<span style="background-color: white; font-family: "arial" , sans-serif; font-size: x-small;"> </span><span style="background-color: white; font-family: "arial" , sans-serif; font-size: x-small;"><br /></span><span style="background-color: white; font-family: "arial" , sans-serif; font-size: x-small;">No site da Editora do Vaticano o Instrumentum Laborum pode ser baixado em várias </span><span style="background-color: white; font-family: "arial" , sans-serif; font-size: x-small;">línguas. Clique no link abaixo para ser redirecionado.</span><span style="background-color: white; font-family: "arial" , sans-serif; font-size: x-small;"><br /></span></h2>
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<span style="background-color: white;"><span style="color: blue;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><b style="text-align: center;">AMAZÔNIA: NOVOS CAMINHOS PARA A IGREJA E PARA UMA ECOLOGIA INTEGRAL</b></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><span style="font-family: arial, sans-serif; font-size: xx-small;"><a href="https://press.vatican.va/content/salastampa/it/bollettino/pubblico/2018/06/08/0422/00914.html#po" target="_blank"><span style="color: #222222;">Instrument Laboris - Sínodo da Amazônia - </span>Português<span style="color: #222222;"> </span></a></span></span></span></span></h3>
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<span style="background-color: white;"><span style="color: blue;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><span style="font-family: arial, sans-serif; font-size: xx-small;"><a href="https://press.vatican.va/content/salastampa/it/bollettino/pubblico/2018/06/08/0422/00914.html#po" target="_blank"><span style="color: #222222;"><br /></span></a></span></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><b style="text-align: center;">AMAZZONIA: NUOVI CAMMINI PER LA CHIESA E PER UNA ECOLOGIA INTEGRALE</b></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><a href="https://press.vatican.va/content/salastampa/it/bollettino/pubblico/2018/06/08/0422/00914.html#in" target="_blank">Instrument Laboris - Sínodo da Amazônia - Inglês</a></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><b style="text-align: center;"><br /></b></span></span></span></h3>
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<span style="background-color: white;"><span style="color: blue;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><b style="text-align: center;">AMAZONIA: NEW PATHS FOR THE CHURCH AND FOR AN INTEGRAL ECOLOGY</b></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><a href="https://press.vatican.va/content/salastampa/it/bollettino/pubblico/2018/06/08/0422/00914.html#ita" target="_blank">Instrument Laboris - Sinodo da Amazonia - Italiano</a></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><b style="text-align: center;"><br /></b></span></span></span></h3>
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<span style="background-color: white;"><span style="color: blue;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><b style="text-align: center;">AMAZONÍA: NUEVOS CAMINOS PARA LA IGLESIA Y PARA UNA ECOLOGÍA INTEGRAL</b></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><a href="https://press.vatican.va/content/salastampa/it/bollettino/pubblico/2018/06/08/0422/00914.html#es" target="_blank">Instrument Laboris - Sínodo da Amazonia - Espanhol</a></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><b style="text-align: center;"><br /></b></span></span></span></h3>
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<span style="background-color: white;"><span style="color: blue;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><b style="text-align: center;">AMAZONIE: NOUVEAUX CHEMINS POUR L’ÉGLISE ET POUR UNE ÉCOLOGIE INTÉGRALE</b></span><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><a href="https://press.vatican.va/content/salastampa/it/bollettino/pubblico/2018/06/08/0422/00914.html#fr" target="_blank">Instrument Laboris - Sínodo da Amazônia</a></span></span></span></h3>
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Stanislawshttp://www.blogger.com/profile/03907673993755216451noreply@blogger.com1tag:blogger.com,1999:blog-6800349290165781826.post-35354387693361735852019-07-31T05:33:00.001-07:002019-07-31T05:33:26.583-07:00Miranda Neto - Marajó: desafio da Amazônia<div dir="ltr" style="text-align: left;" trbidi="on">
Miranda Neto, economista formado pela Universidade Federal do Rio de Janeiro, pós-graduado em Economia Rural (Stanford University), Desenvolvimento Econômico (CEPAL), Planejamento Urbano e Regional (IBAM) e Desenvolvimento Agrícola (Fundação Getúlio Vargas), exerceu o magistério superior e o jornalismo especializado. Professor convidado pela Universidade Livre de Berlim. Articulista de O Liberal, Belém e da Gazeta Mercantil, Rio de Janeiro. Membro da Academia Paraense de Letras, do Instituto Histórico e Geográfico Brasileiro e do Instituto Histórico e Geográfico do Pará. Foi bolsita Fulbright, DAAD/Goethe Institut, pesquisador do CNPq e do IDESP. Participou de vários Congressos e Simpósios dentro da sua especialidade, Planejamento Regional, Globalização, Cidadania e Qualidade de Vida.<br />
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Fonte: IHGB<br />
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Bibliografia do autor:<br />
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A Foz do Rio Mar: Subsídios ao Desenvolvimento de Marajó. Rio de Janeiro: Record, 1968. O Dilema da Amazônia. Petrópolis: Vozes, 1979 (1ªed.) Belém: Cejup, 1986 (2ªed.). A Crise do Planejamento. Rio de Janeiro: Nórdica, 1981. Os Lucros da Fome: O Mito da Escassez de Alimentos. Rio de Janeiro: Achiamé, 1982 (1ªed.) Rio de Janeiro: Dois Pontos, 1985 (2ªed.).A Expropriação dos Alimentos. Rio de Janeiro: Achiamé, 1985. O Colapso do Sistema. Rio de Janeiro: Achiamé, 1985. Dominação pela Fome: Economia Política do Abastecimento. Rio de Janeiro: Forense-Universitária, 1988. A Síndrome do Caos: Origem e Desdobramentos. Rio de Janeiro: Freitas Bastos, 1989. O Enigma Amazônia: Desafio ao Futuro. Belém: Cejup, 1991.A Opção Agroambiental. Belém/São Paulo: Cejup, 1996. A Conquista da Cidadania. Belém: Grapel, 1997. O Caos Fabricado: Globalização x Sustentabilidade. Belém: Sebrae, 1997. Quinto Poder: Desafio à Cidadania. Belém: Grafisa, 1998. Desafio Global: Rupturas & Tendências. Belém: Grafisa, 1999. A Desordem Intencional: A Reconstrução Ética da Sociedade Brasileira. Rio de Janeiro: Destaque, 2000. Furacão Global: Transformações Cruciais na Era do Conhecimento. Belém: Grafisa, 2001. O Poder da Cidadania: Globalização x Qualidade de Vida. Belém: Universitária, 2002(1ªed.). Belém: universitária, 2003(2ªed.). Marajó, Desafio da Amazônia. Rio de Janeiro: Record, 1976 (1ª ed.) Belém: Cejup, 1993 (2ª ed.). Belém: Universitária, 2005 (3ª ed.). Pesquisa para o Planejamento: métodos & técnicas. Rio de Janeiro: Fundação Getúlio Vargas, 2005. Reimpressão, 2007. A Utopia Possível: Missões jesuíticas em Guairá, Itatim e Tape, 1609-1767, e seu suporte econômico - ecológico. Brasília: Fundação Alexandre de Gusmão, 2012<br />
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Marajó: desafio da Amazônia<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDFbBg382gV2e4OQVwdmZqrRKLbKo6BUCIozHC5CNLBNFRxpRnPQyXzxnixXk5P5d9zVxE2rLvLGbGnrb2dujLGeqtNUm34zqYELBDAKIu0pJdzf4WX73VxGmZZnDW3o2PqoqZRScjhU8/s1600/Miranda+Neto+Desafio+da+Amazonia+1+ed+Record+1976.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="500" data-original-width="332" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDFbBg382gV2e4OQVwdmZqrRKLbKo6BUCIozHC5CNLBNFRxpRnPQyXzxnixXk5P5d9zVxE2rLvLGbGnrb2dujLGeqtNUm34zqYELBDAKIu0pJdzf4WX73VxGmZZnDW3o2PqoqZRScjhU8/s640/Miranda+Neto+Desafio+da+Amazonia+1+ed+Record+1976.jpg" width="424" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">NETO, M. Marajó: desafio da Amazônia - aspectos da reação a modelos exógenos de desenvolvimento. 1.ed. Rio de Janeiro, Record, 1976. 180p.</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3tJPYFWZdS53yfbZeVpmGN7HBQWrpkByZ88L63lw_s6VOW88DcLiD7YmQ7AUqsgeV6H2X2GYESoo6x6X0rTTf49PS92n8fUjXFEGstZhV1drdwIOuezEBv-rnvFb_ypWHOaXNMdzGs4I/s1600/Miranda+Neto+Desafio+da+Amazonia+2ed+CEJUP+1993.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="499" data-original-width="328" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3tJPYFWZdS53yfbZeVpmGN7HBQWrpkByZ88L63lw_s6VOW88DcLiD7YmQ7AUqsgeV6H2X2GYESoo6x6X0rTTf49PS92n8fUjXFEGstZhV1drdwIOuezEBv-rnvFb_ypWHOaXNMdzGs4I/s640/Miranda+Neto+Desafio+da+Amazonia+2ed+CEJUP+1993.jpg" width="419" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">NETO, M. Marajó: desafio da Amazônia - aspectos da reação a modelos exógenos de desenvolvimento. 2.ed. Belém, Cejup, 1993. 190p.</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigGIO1e1RCw2pouME7p1HtcNdH9nXAsFTDk_oRxX4EnA7ww7xPh3w0zjwmrXzhjCQb40zPwS5kC5UlbUIh68qRZzeJkDhBTOLrcxjjAgW-oRKaisTwRjqg-c6qUUzmbwVLZ_5bxBUQfPc/s1600/Miranda+Neto+Desafio+da+Amazonia+3+ed+UFPA+2005+ed.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="694" data-original-width="515" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigGIO1e1RCw2pouME7p1HtcNdH9nXAsFTDk_oRxX4EnA7ww7xPh3w0zjwmrXzhjCQb40zPwS5kC5UlbUIh68qRZzeJkDhBTOLrcxjjAgW-oRKaisTwRjqg-c6qUUzmbwVLZ_5bxBUQfPc/s640/Miranda+Neto+Desafio+da+Amazonia+3+ed+UFPA+2005+ed.JPG" width="473" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">NETO, M. Marajó: desafio da Amazônia - aspectos da reação a modelos exógenos de desenvolvimento. 3.ed, Editora Universitária - UFPA, 2005. 218p.</td></tr>
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com0tag:blogger.com,1999:blog-6800349290165781826.post-2928314466891542312019-06-22T14:36:00.002-07:002019-06-22T14:39:05.725-07:00AYAHUASCA - SANTO DAIME <div dir="ltr" style="text-align: left;" trbidi="on">
Auahuasca - Santo Daime<br />
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<span style="font-family: "courier new" , "courier" , monospace;">Ayahuasca (do quíchua aya, que significa 'morto, defunto, espírito', e waska, 'cipó', podendo ser traduzido como "cipó do morto" ou "cipó do espírito"), também conhecida como hoasca, daime, iagê, santo-daime e vegetal, é uma bebida enteógena produzida a partir da combinação da videira Banisteriopsis caapi com várias plantas, em particular a Psychotria viridis e a Diplopterys cabrerana.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">A produção e o consumo da bebida são difundidos no mundo todo, em especial nos países ocidentais. A ayahuasca é, frequentemente, associada a rituais de diferentes grupos sociais e religiões, além de fazer parte da medicina tradicional dos povos da Amazônia. </span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">Ayahuasca (UK: /ˌaɪ(j)əˈwæskə/, US: /-ˈwɑːskə/) or ayaguasca (in Hispanicized spellings) from Quechua Ayawaska (aya: soul, waska: vine), or yagé (/jɑːˈheɪ, jæ-/), is an entheogenic brew made out of Banisteriopsis caapi vine and other ingredients.[3] The brew is used as a traditional spiritual medicine in ceremonies among the indigenous peoples of the Amazon basin and is known by a number of different names (see below).</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">B. caapi contains several alkaloids that act as monoamine oxidase inhibitors (MAOIs). Another common ingredient in ayahuasca is the shrub Psychotria viridis which contains the primary psychoactive, dimethyltryptamine (DMT). MAOIs are required for DMT to be orally active.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">Ayahuasca, Yagé [jaˈhe], Yajé [jaˈhe], Natem, Cipó, Daime, Hoasca (und andere) sind Namen für einen psychedelisch wirkenden Pflanzensud aus der Liane Banisteriopsis caapi und N,N-Dimethyltryptamin-haltigen Blättern des Kaffeestrauchgewächses Psychotria viridis. In manchen Fällen ist mit der Bezeichnung Ayahuasca auch nur die Liane Banisteriopsis caapi gemeint. Der Sud enthält Harman-Alkaloide, die als Monoaminooxidase-Hemmer wirken und so den Abbau des Halluzinogens N,N-Dimethyltryptamin (DMT) verlangsamen. Die Angehörigen diverser Amazonas-Ethnien gebrauchen Ayahuasca in rituellen religiösen Zeremonien, um sich in einen Trance-Zustand zu versetzen. Der Gebrauch ist im amazonischen Brasilien, Bolivien, Peru, im Orinocodelta von Venezuela bis an die Pazifikküste von Kolumbien und Ecuador verbreitet.[Zudem sind im 20. Jahrhundert in Brasilien diverse Ayahuasca-Religionen entstanden, darunter União do Vegetal, Barquinha und Santo Daime, die in den Städten von der Mittelschicht frequentiert werden und inzwischen auch international präsent sind. Der religiöse Gebrauch ist in Brasilien rechtlich garantiert und in den USA durch eine Entscheidung des Supreme Court seit 2006 legalisiert. </span><br />
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Fonte: Wikipedia<br />
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<img alt="The Time Is Now: The Teachings of: Mea, Isa" src="https://pictures.abebooks.com/isbn/9781480862586-us-300.jpg" /></div>
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The Time Is Now: The Teachings of Ayahuasca</div>
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Mea, Isa</div>
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Published by ArchwayPublishing (2019)</div>
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ISBN 10: 1480862584 ISBN 13: 9781480862586</div>
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<span style="color: #222222; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif;"><span style="font-size: 18px;">Ayahuasca: Mother of Rebirth</span></span></div>
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<span style="color: #222222; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif;"><span style="font-size: 18px;">Ankhara</span></span></div>
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<span style="color: #222222; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 18px;">Published by CreateSpace Independent Publis (2019)</span></div>
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<span style="color: #222222; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 18px;">ISBN 10: 1532783825 ISBN 13: 9781532783821</span></div>
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<img alt="Ayahuasca: Soul Medicine of the Amazon Jungle: Regueiro, Mr. Javier" src="https://pictures.abebooks.com/isbn/9781946697394-us-300.jpg" /></div>
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Ayahuasca: Soul Medicine of the Amazon Jungle</div>
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Regueiro, Mr. Javier Regueiro Mr.</div>
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Published by Lifestyle Entrepreneurs Press (2019)</div>
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ISBN 10: 1946697397 ISBN 13: 9781946697394</div>
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<img alt="Transformation and Healing by Ayahuasca Spirit in: Karel Hlobil" src="https://pictures.abebooks.com/isbn/9781434993434-us-300.jpg" /></div>
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Transformation and Healing by Ayahuasca Spirit in the Amazonian Rainforest</div>
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Karel Hlobil</div>
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Published by RoseDog Books (2009)</div>
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ISBN 10: 1434993434 ISBN 13: 9781434993434</div>
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<img alt="Ayahuasca Shamanism in the Amazon and Beyond" src="https://pictures.abebooks.com/isbn/9780199341191-us-300.jpg" /></div>
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<h2 itemprop="offers" itemscope="" itemtype="http://schema.org/Offer" style="background-color: white; border: 0px; box-sizing: border-box; line-height: 1.25; margin: 0px 0px 10px; padding: 0px; vertical-align: baseline;">
<span style="color: #222222; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif;"><span style="font-size: 18px; font-weight: normal;">Ayahuasca Shamanism in the Amazon and Beyond (Oxford Ritual Studies)</span></span></h2>
<h2 itemprop="offers" itemscope="" itemtype="http://schema.org/Offer" style="background-color: white; border: 0px; box-sizing: border-box; line-height: 1.25; margin: 0px 0px 10px; padding: 0px; vertical-align: baseline;">
<span style="color: #222222; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 18px; font-weight: normal;">Published by Oxford University Press (2014)</span></h2>
<h2 itemprop="offers" itemscope="" itemtype="http://schema.org/Offer" style="background-color: white; border: 0px; box-sizing: border-box; line-height: 1.25; margin: 0px 0px 10px; padding: 0px; vertical-align: baseline;">
<span style="color: #222222; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 18px; font-weight: normal;">ISBN 10: 0199341192 ISBN 13: 9780199341191</span></h2>
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<img alt="The Antipodes of the Mind Charting the: Shanon, Benny" src="https://pictures.abebooks.com/isbn/9780199252923-us-300.jpg" /></div>
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<div>
The Antipodes of the Mind Charting the Phenomenology of the Ayahuasca Experience (Hardback)</div>
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Shanon, Benny</div>
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ISBN 10: 0199252920 ISBN 13: 9780199252923</div>
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<img alt="Ayahuasca. Medicina del alma [Paperback] by Varios" src="https://pictures.abebooks.com/isbn/9789507869846-us-300.jpg" /></div>
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<h2 itemprop="offers" itemscope="" itemtype="http://schema.org/Offer" style="background-color: white; border: 0px; box-sizing: border-box; color: #222222; font-family: "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 18px; line-height: 1.25; margin: 0px 0px 10px; padding: 0px; vertical-align: baseline;">
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Ayahuasca. Medicina del alma [Paperback] by Varios</div>
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ISBN 10: 9507869840 ISBN 13: 9789507869846</div>
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<img alt="Ayahuasca entre dos mundos: Suárez Ãlvarez, Carlos" src="https://pictures.abebooks.com/isbn/9788409022854-us-300.jpg" /></div>
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Ayahuasca entre dos mundos</div>
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Suárez Álvarez, Carlos</div>
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ISBN 10: 8409022850 ISBN 13: 9788409022854</div>
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<img alt="Ayahuasca Analogues Pangean Entheogens: Ott, Jonathan" src="https://pictures.abebooks.com/isbn/9780961423452-us-300.jpg" /></div>
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Ayahuasca Analogues Pangean Entheogens</div>
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Ott, Jonathan</div>
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Published by Jonathan Ott Books (1994)</div>
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iSBN 10: 0961423455 ISBN 13: 9780961423452</div>
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<img alt="The Therapeutic Use of Ayahuasca (Hardback)" src="https://pictures.abebooks.com/isbn/9783642404252-us-300.jpg" /></div>
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<h2 itemprop="offers" itemscope="" itemtype="http://schema.org/Offer" style="background-color: white; border: 0px; box-sizing: border-box; line-height: 1.25; margin: 0px 0px 10px; padding: 0px; vertical-align: baseline;">
<span style="color: #222222; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif;"><span style="font-size: 18px;">The Therapeutic Use of Ayahuasca (Hardback)</span></span></h2>
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<span style="color: #222222; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 18px;">Published by Springer-Verlag Berlin and Heidelberg GmbH & Co. KG, Germany (2013)</span></h2>
<h2 itemprop="offers" itemscope="" itemtype="http://schema.org/Offer" style="background-color: white; border: 0px; box-sizing: border-box; line-height: 1.25; margin: 0px 0px 10px; padding: 0px; vertical-align: baseline;">
<span style="color: #222222; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 18px;">ISBN 10: 3642404251 ISBN 13: 9783642404252</span></h2>
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com1tag:blogger.com,1999:blog-6800349290165781826.post-79967260524070821532019-06-22T13:57:00.002-07:002019-06-22T14:03:03.707-07:00AKAKOR<div dir="ltr" style="text-align: left;" trbidi="on">
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<img alt="Cronaca di Akakor. Mito e saga di un antico popolo dell'Amazzonia (9788827211366) by Karl. Brugger" src="https://pictures.abebooks.com/isbn/9788827211366-us-300.jpg" /><br />
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<a href="https://www.bookfinder.com/dir/i/Cronaca_di_Akakor._Mito_e_saga_di_un_antico_popolo_dellAmazzonia/9788827211366/" style="background-color: white; box-sizing: border-box; color: #330066; font-family: Arial, Helvetica, Verdana, sans-serif; font-size: 13px;"><cite style="box-sizing: border-box; font-size: 15.08px; font-style: normal; font-weight: bold;" title="Cronaca di Akakor. Mito e saga di un antico popolo dell'Amazzonia (9788827211366 / 9788827211366) by Karl Brugger">Cronaca di Akakor. Mito e saga di un antico popolo dell'Amazzonia</cite></a><span style="background-color: white; font-family: "arial" , "helvetica" , "verdana" , sans-serif; font-size: 13px;"></span><br />
<div style="background-color: white; box-sizing: border-box; font-family: Arial, Helvetica, Verdana, sans-serif; font-size: 13px; margin: 5px 0px 0px; padding: 0px;">
ISBN 9788827211366 (978-88-272-1136-6)<br />
<span class="discreet" style="box-sizing: border-box;">Softcover, Edizioni Mediterranee, 1996</span></div>
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<img alt="The Chronicle of Akakor (9780440014355) by Karl Brugger" src="https://pictures.abebooks.com/isbn/9780440014355-us-300.jpg" /><br />
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<a href="https://www.bookfinder.com/dir/i/The_Chronicle_of_Akakor/9780440014355/" style="background-color: white; box-sizing: border-box; color: #330066; font-family: Arial, Helvetica, Verdana, sans-serif; font-size: 13px;"><cite style="box-sizing: border-box; font-size: 15.08px; font-style: normal; font-weight: bold;" title="The Chronicle of Akakor (9780440014355 / 9780440014355) by Karl Brugger">The Chronicle of Akakor</cite> </a><span style="background-color: white; font-family: "arial" , "helvetica" , "verdana" , sans-serif; font-size: 13px;"></span><br />
<div style="background-color: white; box-sizing: border-box; font-family: Arial, Helvetica, Verdana, sans-serif; font-size: 13px; margin: 0px; padding: 5px 0px 0px;">
<span class="discreet" style="box-sizing: border-box;"><strong style="box-sizing: border-box;">by Karl Brugger</strong></span></div>
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ISBN 9780440014355 (978-0-440-01435-5)<br />
<span class="discreet" style="box-sizing: border-box;">Hardcover, Delacorte Press, 1977</span></div>
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<img alt="Die Chronik von Akakor. (9783930219285) by Karl Brugger" src="https://pictures.abebooks.com/isbn/9783930219285-us-300.jpg" /><br />
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<a href="https://www.bookfinder.com/dir/i/Die_Chronik_von_Akakor./9783930219285/" style="background-color: white; box-sizing: border-box; color: #330066; font-family: Arial, Helvetica, Verdana, sans-serif; font-size: 13px;"><cite style="box-sizing: border-box; font-size: 15.08px; font-style: normal; font-weight: bold;" title="Die Chronik von Akakor. (9783930219285 / 9783930219285) by Karl Brugger">Die Chronik von Akakor.</cite> </a><span style="background-color: white; font-family: "arial" , "helvetica" , "verdana" , sans-serif; font-size: 13px;"></span><br />
<div style="background-color: white; box-sizing: border-box; font-family: Arial, Helvetica, Verdana, sans-serif; font-size: 13px; margin: 0px; padding: 5px 0px 0px;">
<span class="discreet" style="box-sizing: border-box;"><strong style="box-sizing: border-box;">by Karl Brugger</strong></span></div>
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ISBN 9783930219285 (978-3-930219-28-5)<br />
<span class="discreet" style="box-sizing: border-box;">Softcover, Kopp Verlag, 2000</span></div>
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<span class="discreet" style="box-sizing: border-box;"><img alt="Akakor: Und Die Zeit Des Erwachens (Paperback): Porter Thomson" src="https://pictures.abebooks.com/isbn/9781535040792-us-300.jpg" /></span></div>
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<span class="discreet" style="box-sizing: border-box; font-size: 13px;"><span style="font-family: "arial" , "helvetica" , "verdana" , sans-serif;"></span></span><br />
<div style="box-sizing: border-box; margin: 5px 0px 0px; padding: 0px;">
<span class="discreet" style="box-sizing: border-box; font-size: 13px;"><span style="font-family: "arial" , "helvetica" , "verdana" , sans-serif;">Akakor: Und Die Zeit Des Erwachens (Paperback)</span></span></div>
<span class="discreet" style="box-sizing: border-box; font-size: 13px;"><span style="font-family: "arial" , "helvetica" , "verdana" , sans-serif;">
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Porter Thomson</div>
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Published by Createspace Independent Publishing Platform, United States (2016)</div>
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ISBN 10: 1535040793 ISBN 13: 9781535040792</div>
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<span class="discreet" style="box-sizing: border-box;"><img alt="AKAKOR (Spanish Edition): Jesus M. EGIDO" src="https://pictures.abebooks.com/isbn/9781365202629-us-300.jpg" /></span></div>
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Akakor (Paperback)</div>
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<span class="discreet" style="box-sizing: border-box; font-size: 13px;"><span style="font-family: "arial" , "helvetica" , "verdana" , sans-serif;"></span></span><br />
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<span class="discreet" style="box-sizing: border-box; font-size: 13px;"><span style="font-family: "arial" , "helvetica" , "verdana" , sans-serif;">Jesus M. Egido</span></span></div>
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Published by Lulu.com, United States (2016)</div>
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ISBN 10: 1365202623 ISBN 13: 9781365202629</div>
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<span class="discreet" style="box-sizing: border-box;"><img alt="Die Chronik von Akakor. Erzählt von Tatunca Nara, dem Häuptling der Ugha Mongulala: Karl Brugger" src="https://pictures.abebooks.com/isbn/9783426041611-us.jpg" /></span></div>
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<span class="main-heading" style="border: 0px; box-sizing: border-box; margin: 0px; padding: 0px; vertical-align: baseline;">Die Chronik von Akakor. Erzählt von Tatunca Nara, dem Häuptling der Ugha Mongulala</span></span></h1>
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<h2 id="book-author" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: 0px 0px; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; color: #222222; font-family: "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 1.25; margin: 0px 0px 6px; padding: 0px; vertical-align: baseline;">
<a href="https://www.abebooks.com/servlet/SearchResults?an=Karl%20Brugger&cm_sp=det-_-bdp-_-author" style="background: 0px 0px; box-sizing: border-box; color: #003399; margin: 0px; padding: 0px; text-decoration-line: none; vertical-align: baseline;" title="Karl Brugger"><span class="large" style="border: 0px; box-sizing: border-box; margin: 0px; padding: 0px; vertical-align: baseline;">Karl Brugger</span></a></h2>
<div id="isbn" style="border: 0px; box-sizing: border-box; color: #333333; font-family: "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; margin: 3px 0px 0px; padding: 0px; vertical-align: baseline;">
ISBN 10: <a href="https://www.abebooks.com/products/isbn/9783426041611?cm_sp=bdp-_-ISBN10-_-PLP" style="background: 0px 0px; box-sizing: border-box; color: #003399; margin: 0px; padding: 0px; text-decoration-line: none; vertical-align: baseline;" title="ISBN 10: 3426041618">3426041618</a> <span class="muted" style="border: 0px; box-sizing: border-box; color: #666666; margin: 0px; padding: 0px; vertical-align: baseline;">/</span> ISBN 13: <span style="background: 0px 0px; border: 0px; box-sizing: border-box; color: #003399; margin: 0px; padding: 0px; vertical-align: baseline;"><a href="https://www.abebooks.com/products/isbn/9783426041611?cm_sp=bdp-_-ISBN13-_-PLP" style="background: 0px 0px; box-sizing: border-box; color: #003399; margin: 0px; padding: 0px; text-decoration-line: none; vertical-align: baseline;" title="ISBN 13: 9783426041611">9783426041611</a></span></div>
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<img alt="Die Chronik von Akakor. Erzählt von Tatunca: Karl Brugger" src="https://pictures.abebooks.com/isbn/9783430115889-us-300.jpg" /></div>
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<span style="color: #333333; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif;"><span style="font-size: 13px;">Die Chronik von Akakor. Erzählt von Tatunca Nara, dem Häuptling der Ugha Mongulala</span></span></div>
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<span style="color: #333333; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif;"><span style="font-size: 13px;">Karl Brugger</span></span></div>
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<span style="color: #333333; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 13px;">Published by Econ, München (1976)</span></div>
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<span style="color: #333333; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 13px;">ISBN 10: 3430115884 ISBN 13: 9783430115889</span></div>
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<img alt="Die Wahrheit über die Chronik von Akakor: Wolfgang Siebenhaar" src="https://pictures.abebooks.com/isbn/9783938516218-us-300.jpg" /></div>
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Die Wahrheit über die Chronik von Akakor: Und andere Geheimnisse Südamerikas</div>
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Wolfgang Siebenhaar</div>
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Published by Kopp Verlag (2006)</div>
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ISBN 10: 3938516216 ISBN 13: 9783938516218</div>
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<img alt="â Zweisam" oder "Die Sache mit Akakor": jon, -" src="https://pictures.abebooks.com/isbn/9783849584221-us-300.jpg" /></div>
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<span style="color: #333333; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif;"><span style="font-size: 13px;">Zweisam" oder "Die Sache mit Akakor"</span></span></div>
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<span style="color: #333333; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 13px;">Published by tredition (2017)</span></div>
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<span style="color: #333333; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 13px;">ISBN 10: 3849584224 ISBN 13: 9783849584221</span></div>
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<img alt="LA CRONICA DE AKAKOR (ENVIO PENINSULAR POR: KARL BRUGGER" src="https://pictures.abebooks.com/isbn/9788428602518-us-300.jpg" /></div>
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<span style="color: #333333; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif;"><span style="font-size: 13px;">LA CRONICA DE AKAKOR </span></span></div>
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<span style="color: #333333; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif;"><span style="font-size: 13px;">KARL BRUGGER</span></span></div>
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<span style="color: #333333; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 13px;">Published by EDIT POMAIRE (1978)</span></div>
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<span style="color: #333333; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 13px;">ISBN 10: 8428602514 ISBN 13: 9788428602518</span></div>
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<img alt="The chronicle of Akakor: Tatunca Nara" height="304" src="https://pictures.abebooks.com/isbn/9780964224308-us.jpg" width="320" /></div>
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<div id="isbn" style="border: 0px; box-sizing: border-box; margin: 3px 0px 0px; padding: 0px; vertical-align: baseline;">
The chronicle of Akakor</div>
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Tatunca Nara</div>
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ISBN 10: 0964224305 / ISBN 13: 9780964224308</div>
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Published by Phoenix Antiquities Research, 1995</div>
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<b>1.7.2003 an der Grenze zu Guyana: </b><b>Nach intensivem Training bei den Waiapí seilt Rüdiger Nehberg, 68, sich vom Helikopter fünfzig Meter tief in das Dickicht des Regenwalds ab – ohne Kompaß, Karte, GPS oder Funk, ohne Waffe, Trinkwasser und Lebensmittel, ausgerüstet nur mit seiner Survival-Erfahrung. Fünfundzwanzig Tage ist Nehberg mutterseelenallein unterwegs, zuletzt gilt er als verschollen, und als er dann doch dem Dschungel entkommt, wird er polizeilich gesucht. Wie er angriffslustigen Kaimanen und Piranhas begegnete, wie er Schmerzen, Hunger und Ängste überwand und sich schließlich retten konnte, schildert Nehberg hier mitreißend und ehrlich. Im zweiten Teil enthüllt er das blutige Drama um den deutschen »Häuptling« Tatunca Nara ( Die Chronik von Akakor ) , Hüter einer angeblichen indianischen Hochkultur, der bis heute für seine grausamen Machenschaften nicht zur Rechenschaft gezogen wurde.</b></div>
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Buch in deutsch ca. 368 Seiten . Originalausgabe vom Malik Verlag 2004 , - gebraucht - eine Seite ist an der Ecke etwas beschädigt ansonsten sehr guter Zustand </div>
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Aufbruch der Götter. Die Chronik von Akakor<br />
Karl Brugger<br />
Published by Heyne Verlag (1984)<br />
ISBN 10: 3453013158 ISBN 13: 9783453013155<br />
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com0tag:blogger.com,1999:blog-6800349290165781826.post-38314059412894387782019-06-02T10:00:00.003-07:002019-06-02T10:20:06.720-07:00João de Jesus Paes Loureiro - Poeta, ensaista, dramaturgo da Amazônia<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="background-color: black;"><span style="color: white;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small; text-align: justify;">Poeta, folclorista, ensaísta e dramaturgo. Nascido em Abaetetuba, no Estado do Pará, em 26 de junho, viveu a infância e adolescência às margens do rio Tocantins e atualmente vive em Belém. O contato íntimo com o ambiente amazônico desde tenra idade foi responsável por fazer florescer o dom da poesia no autor que se revelaria um dos maiores destaques da literatura paraense. F</span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small; text-align: justify;">ormado em Direito, Letras, Artes e Comunicação Social pela Universidade Federal do Pará e é professor de Educação Artística, Filosofia e Comunicação na mesma instituição. Possui títulos de Mestre em Teorias Literárias e Semiologia e de Doutor em Sociologia da Cultura. Já atuou na Secretaria Municipal de Educação e Cultura de Belém, na Secretaria de Cultura do Pará e na Secretaria de Educação do Pará. Foi superintendente e criador da Fundação Cultural do Pará - Tancredo Neves, bem como fundador e presidente do Instituto de Artes do Pará (IAP).</span></span></span><br />
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</span> <span style="font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small; text-align: justify;">Dentre a vasta obra de Loureiro, destacam-se Porantin (1979), Deslendário (1981), Cantares amazônicos (1985), Altar em chamas (1989), Elemento de estética (1989) e "Cultura amazônica - uma poética do imaginário" (1991), a qual consiste na tese de doutorado do escritor elaborada, em 1990, em Sorbonne, Paris, França. A poesia de João Paes Loureiro revela uma visão de mundo marcada por intenso humanismo e por uma capacidade compreensiva da realidade que o cerca acima dos padrões do normal e fora do âmbito da simples experimentação.</span></span></span><br />
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<span style="background-color: black; color: white; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small; text-align: justify;">Além do universo mítico, da cultura e história social da Amazônia, o poeta também se interessa por temáticas que tratam do mundo como um todo e da própria poesia (metalinguagem). Suas experiências de vanguarda lhe renderam a prisões, perseguições e até tortura, durante o regime militar, no período de 1964 a 1976. No entanto, a poética de João de Jesus Paes Loureiro se sobressaiu com a introdução da modernidade na literatura paraense.</span><br />
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<span style="background-color: black; color: white; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small; text-align: justify;">A qualidade da produção literária de Paes Loureiro lhe proporcionou várias premiações como o Primeiro Prêmio do Serviço Nacional de Teatro (1976) pela peça Ilha da Ira, o Prêmio INACEN/MEC (1977) por Procissão do Sayrê, o Prêmio de Poesia (1994) da Associação Paulista de Críticos de Artes (APCA) pela obra Altar em chamas e o Prêmio Jabuti (1998) por Romance das três flautas ou de como as mulheres perderam o domínio sobre os homens (1987).</span><br />
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<span style="background-color: black; color: white; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small; text-align: justify;">A consciência social e o moderno apelo ecológico que João Paes Loureiro demonstra em sua obra são frutos de um amor incondicional pela Amazônia. Loureiro "come, bebe e respira" a Amazônia, em suas veias corre o sangue do orgulho nativo que pulsa ao ritmo da correnteza dos rios da região. Sua imaginação, povoada pelas criaturas fantásticas do folclore amazônico, flutua sobre a mata verde e virgem do Norte brasileiro e faz surgir a sofisticada e infindável epopéia que declara o amor do escritor pela misteriosa região onde plantou suas raízes.</span><br />
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<span style="background-color: black;"><span style="color: yellow;">Fonte: <a href="http://jornaldamargarida.blogspot.com/2011/05/paes-loureiro-lanca-hoje-o-seu-primeiro.html">http://jornaldamargarida.blogspot.com/2011/05/paes-loureiro-lanca-hoje-o-seu-primeiro.html</a></span></span><br />
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<b style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Obras Literárias:</span></b></div>
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<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· Tarefa: Pará: Falângola, 1964.</span></div>
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· Cantigas de amar de amor e de paz – poesia. Belém: Graf. Globo, 1966. Livro inonsútil, folhas soltas (Fonte: </span></div>
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">http://www.antoniomiranda.com.br/poesia_brasis/para/joao_de_jesus_paes_loureiro.html)</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWCOkQsCPUPsWJ4GJpa9EhRO_qYBbksfEXuEHv2iAxq2xkcLgMRv1hOeouM9RvfTLnDWoOpLweJj5hFUH_SNhLTSifRP-WkTSHoDC4WcEk0Ff41XqtytNBmR0Z4YaY2LK0pR79R1z-Tnk/s1600/joao+de+jesus+paes+loureiro++cantigas+de+amor+e+paz.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"><span style="color: white;"><img border="0" data-original-height="1376" data-original-width="983" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWCOkQsCPUPsWJ4GJpa9EhRO_qYBbksfEXuEHv2iAxq2xkcLgMRv1hOeouM9RvfTLnDWoOpLweJj5hFUH_SNhLTSifRP-WkTSHoDC4WcEk0Ff41XqtytNBmR0Z4YaY2LK0pR79R1z-Tnk/s320/joao+de+jesus+paes+loureiro++cantigas+de+amor+e+paz.jpg" width="228" /></span></a></div>
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<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<div style="font-family: arial, helvetica, sans-serif; font-size: 13.2px;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· Epístolas e Baladas – poesia. Belém: Grafisa, 1968.</span></div>
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<span style="background-color: black;"><span style="color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Fonte: </span><span style="font-size: xx-small; text-align: left;">https://www.icbsena.com.br/</span></span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="background-color: black;"><span style="color: white;"><img height="400" src="https://www.icbsena.com.br/livros/Ep_stolas%20e%20baladas.jpg" style="margin-left: auto; margin-right: auto;" width="270" /></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><span style="color: white;">Adicionar legenda</span></span></td></tr>
</tbody></table>
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<span style="background-color: black;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"></span></span></div>
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<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></div>
</div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· Remo Mágico – poesia. Belém: Graf. Sagrada Família, 1975.</span><br />
<span style="background-color: black;"><span style="color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span> <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span> <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></span></span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· Enchente amazônica – poesia. Separata publicada pelo Conselho de Cultura do Pará, 1976.</span><br />
<span style="background-color: black;"><span style="color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span> <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></span></span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· Porantin: poesia, Rio de Janeiro: Civilização Brasileira, 1979.</span></div>
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<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4Th9Bg4LgJ_E_UN7YzTeHH6ivDcToCbhdjW2jQhaxSW3eS1gPAWn7rv4-bcpiGbSW6OqrtHrjcYgoIYIBX87-j-lD-7SjnuV0wgusb50omxAd8IVgPU5b7vLjXpFdUqi51wRtdAywI3o/s1600/joao_de_jesus_pais_loureiro+Porantin.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"><span style="color: white;"><img border="0" data-original-height="908" data-original-width="575" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4Th9Bg4LgJ_E_UN7YzTeHH6ivDcToCbhdjW2jQhaxSW3eS1gPAWn7rv4-bcpiGbSW6OqrtHrjcYgoIYIBX87-j-lD-7SjnuV0wgusb50omxAd8IVgPU5b7vLjXpFdUqi51wRtdAywI3o/s320/joao_de_jesus_pais_loureiro+Porantin.jpg" width="202" /></span></a></div>
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<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· Deslendário: poesia, Rio de Janeiro: Civilização Brasileira, 1981.</span><br />
<span style="background-color: black;"><span style="color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span> <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span> <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></span></span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· Pentacantos: poesias. São Paulo: Roswitha Kempf, 1984</span><br />
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</span> </span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2pMqHSNW8xmgJ6eFV6munLQFnuGJEaBgxEFqY0cugc8QvmLAi-RQSzG8tiFrg5OrMlKiRouygewzSL5d6jHqpkBSCoz6kjWX6GKoxy3iAGosRI-zkXsvIumlLHJQVsxDJ7kiSt4-hmck/s1600/joao+de+jesus+paes+loureiro++pentacantos+ii.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"><span style="color: white;"><img border="0" data-original-height="405" data-original-width="268" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2pMqHSNW8xmgJ6eFV6munLQFnuGJEaBgxEFqY0cugc8QvmLAi-RQSzG8tiFrg5OrMlKiRouygewzSL5d6jHqpkBSCoz6kjWX6GKoxy3iAGosRI-zkXsvIumlLHJQVsxDJ7kiSt4-hmck/s320/joao+de+jesus+paes+loureiro++pentacantos+ii.jpg" width="211" /></span></a></div>
<span style="background-color: black;"><span style="color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span> <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></span></span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· Cantares Amazônicos: poesia. São Paulo: Roswitha Kempf, 1985.</span><br />
<span style="background-color: black;"><span style="color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
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</span> <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha87qvVAhI7Ie4SalBypCL0lUufF6TBpbh5JZ_4Jb_YGj9UF_caVu6pcnkMq0XZuqpun3DnrktSHVzcHUCSjayswNkyHcpOKNbqoIMp7XIeICTqINptQJ8gOA42QyKJJfsDNCAvUR4UXo/s1600/joao+de+jesus+paes+loureiro++cantares+amazonicos+cortado.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"><span style="color: white;"><img border="0" data-original-height="575" data-original-width="375" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha87qvVAhI7Ie4SalBypCL0lUufF6TBpbh5JZ_4Jb_YGj9UF_caVu6pcnkMq0XZuqpun3DnrktSHVzcHUCSjayswNkyHcpOKNbqoIMp7XIeICTqINptQJ8gOA42QyKJJfsDNCAvUR4UXo/s320/joao+de+jesus+paes+loureiro++cantares+amazonicos+cortado.jpg" width="208" /></span></a></div>
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<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">“O Ser Aberto”. Belém: Cejup, 1987.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO7jbncMDPiOC1NB55qXwZ28h5tdTwjCdr5VlqzXGgTrwp1aAAdxWPrYX_qIYrhN-plLr_F4HXtaikXBqfG8DD3VxDSCqC0eXnVgjyjZWSDPE9re3xY4WSJozwAaa4VB6m4o-NKf_O-1g/s1600/joao+de+jesus+paes+loureiro+o+ser+aberto.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"><span style="color: white;"><img border="0" data-original-height="247" data-original-width="187" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO7jbncMDPiOC1NB55qXwZ28h5tdTwjCdr5VlqzXGgTrwp1aAAdxWPrYX_qIYrhN-plLr_F4HXtaikXBqfG8DD3VxDSCqC0eXnVgjyjZWSDPE9re3xY4WSJozwAaa4VB6m4o-NKf_O-1g/s1600/joao+de+jesus+paes+loureiro+o+ser+aberto.jpg" /></span></a></div>
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
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<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">"Romance das três flautas ou de como as mulheres perderam o domínio sobre os homens: poesia. Tradução para o alemão de Hildegard Fauser-Werle. Ed. Bilíngüe. São Paulo: Roswitha Kempf, 1987.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhybkwpOjYft1QT-k_9lz0jv49e1zXaXmA554HApo-HOyYJMYsvAw45QgqwV18VSRk1lnnJ4IuFKEgsn65xQqhEEavI7H-7BrRXIYioxYpOz2AhVqqwcl67g_nb9AntlFNdIynxI_HhDv4/s1600/joao_de_jesus_paes_loureiro+romance+das+tres+flautas.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"><span style="color: white;"><img border="0" data-original-height="252" data-original-width="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhybkwpOjYft1QT-k_9lz0jv49e1zXaXmA554HApo-HOyYJMYsvAw45QgqwV18VSRk1lnnJ4IuFKEgsn65xQqhEEavI7H-7BrRXIYioxYpOz2AhVqqwcl67g_nb9AntlFNdIynxI_HhDv4/s1600/joao_de_jesus_paes_loureiro+romance+das+tres+flautas.jpg" /></span></a></div>
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<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· O Poeta Wang Wei ( 699 – 759 AD ) Na visão de Sun Chin e João de Jesus Paes Loureiro: poesia. Ed.Bilíngüe. São Paulo: Roswitha Kempf, 1988.</span><br />
<span style="background-color: black;"><span style="color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
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<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· “Artesão das Águas”. Belém: Cejup/Universidade Federal do Pará, 1989.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8M7617Q0_jE8-5CHzED4NqRgOzaH-CiFjKGRfiWE-1EPjDNcziaKZESBg7-3OtzAMq0YodlqGk8gORX2ZmIJm0xmXFLERu9-24Cngi807dcvq9oIBvQCn3g-SmaPFsYKO3_YwmV2zTR4/s1600/joao+de+jesus+paes+loureiro++artesao+das+aguas+-+Copia.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"><span style="color: white;"><img border="0" data-original-height="312" data-original-width="202" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8M7617Q0_jE8-5CHzED4NqRgOzaH-CiFjKGRfiWE-1EPjDNcziaKZESBg7-3OtzAMq0YodlqGk8gORX2ZmIJm0xmXFLERu9-24Cngi807dcvq9oIBvQCn3g-SmaPFsYKO3_YwmV2zTR4/s1600/joao+de+jesus+paes+loureiro++artesao+das+aguas+-+Copia.jpg" /></span></a></div>
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<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
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<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· Iluminações/Iluminuras: poesia. Tradução para o japonês Kikuo Furuno. Ed.Bilíngüe Roswitha Kempf, 1988.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsoqpBnmyv4nZsrxsA1e6FgYneFrZwV0AH1jTuRTgItg8S80YBmnvEfqAgR6-QbEh-_UXy7RowHRrunbCmLulAEa7pehwP_j7CqXVyjfDnUeM6BSdJi3-6uzxsSUAoHqTDtCrCl8hccvA/s1600/joao_de_jesus_paes_loureiro+Iluminacoes+iluminuras.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"><span style="color: white;"><img border="0" data-original-height="252" data-original-width="176" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsoqpBnmyv4nZsrxsA1e6FgYneFrZwV0AH1jTuRTgItg8S80YBmnvEfqAgR6-QbEh-_UXy7RowHRrunbCmLulAEa7pehwP_j7CqXVyjfDnUeM6BSdJi3-6uzxsSUAoHqTDtCrCl8hccvA/s1600/joao_de_jesus_paes_loureiro+Iluminacoes+iluminuras.jpg" /></span></a></div>
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<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
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<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· Altar em chamas e outros poemas. São Paulo: Cejup Cultural, 1989.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhObLRfBPdN9KIayZKGnnWVAaIb4SEfS4MJJD25lLoHsvZK1I-D8zlp2tZgVyUPAihXb6PXzea8ESQdR2pA0dQ_1plv3e_FbWYzMA_ZE_LZT1-yDcdCtqeqIv7YaKwvAdEBbapCASoct4c/s1600/joao_de_jesus_pais_loureiro+altar+em+chamas.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"><span style="color: white;"><img border="0" data-original-height="958" data-original-width="599" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhObLRfBPdN9KIayZKGnnWVAaIb4SEfS4MJJD25lLoHsvZK1I-D8zlp2tZgVyUPAihXb6PXzea8ESQdR2pA0dQ_1plv3e_FbWYzMA_ZE_LZT1-yDcdCtqeqIv7YaKwvAdEBbapCASoct4c/s320/joao_de_jesus_pais_loureiro+altar+em+chamas.jpg" width="200" /></span></a></div>
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<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
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<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· “Elementos de Estética”. Belém: Cejup, 1989.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht9_2PJGLCMYjEBI00DphxdMGL_bUOjIdqZDu_5dxJOnTNzX_bssUwMMYiaXZuak_ZOnv1r8gTdCM6z33b4KORssQ1MrsYW0FCKMIOT1rTBavrPpRWrxcIVpmvzma8p6qYbdcBU7_bVFo/s1600/joao+de+jesus+paes+loureiro++elementos+de+estetica+-+Copia.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"><span style="color: white;"><img border="0" data-original-height="499" data-original-width="349" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEht9_2PJGLCMYjEBI00DphxdMGL_bUOjIdqZDu_5dxJOnTNzX_bssUwMMYiaXZuak_ZOnv1r8gTdCM6z33b4KORssQ1MrsYW0FCKMIOT1rTBavrPpRWrxcIVpmvzma8p6qYbdcBU7_bVFo/s320/joao+de+jesus+paes+loureiro++elementos+de+estetica+-+Copia.jpg" width="223" /></span></a></div>
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<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
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<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· Cinco palavras amorosas à Virgem de Nazaré: poesia. Belém: Cejup Cultural, Belém-PA, 1989.</span></div>
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<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
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<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· Tarefa: poesia. feed. Fac-similar. Pará: Falângola, 1989.</span><br />
<span style="background-color: black;"><span style="color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
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</span> <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></span></span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· Erleuchtungen/Malereien (Iluminações/Iluminuras). Tradução para o alemão Michael V. Killischh. Munique: Horn, 1990.</span><br />
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-color: black;"><span style="color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span> <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· Cantares Amazônicos: coletânea de poemas. Ed.Bilíngüe. Português e Italiano, lançado em L’Aquila, Itália. Pará: Falângola, 1990.</span></span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgN3KpNz_02gtoLqQ8L6ErzMDwVnyxJ5dDgemyfpXJ6F7xxWa88pELEzFRSTzVTQrd3YRtrCKBOR9XXrWCITWHQbeBoCdqd__Eh-raDIqm7sw8-nLineAL2AlHijLp6mrPuW7A-dF_IKE/s1600/joao+de+jesus+paes+loureiro+cantares+amazonicos.gif" imageanchor="1" style="background-color: black; font-family: "times new roman"; font-size: medium; margin-left: auto; margin-right: auto; text-align: center;"><span style="color: white;"><img border="0" data-original-height="250" data-original-width="163" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgN3KpNz_02gtoLqQ8L6ErzMDwVnyxJ5dDgemyfpXJ6F7xxWa88pELEzFRSTzVTQrd3YRtrCKBOR9XXrWCITWHQbeBoCdqd__Eh-raDIqm7sw8-nLineAL2AlHijLp6mrPuW7A-dF_IKE/s400/joao+de+jesus+paes+loureiro+cantares+amazonicos.gif" width="260" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><span style="color: white;">Adicionar legenda</span></span></td></tr>
</tbody></table>
<span style="background-color: black;"><span style="color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"></span><br /></span></span>
<span style="background-color: black;"><span style="color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span> <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· Cantares Amazônicos. Berlin, Alemanha (em português e alemão), 1991.</span></span></span><br />
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-color: black;"><span style="color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span> <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">“Cultura Amazônica – uma poética do imaginário”. Belém: Cejup, 1991.</span></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfcWgoXBgfpi9s2VCs5J8Ihlmznw0nW-LtFkiBJOFSSKBbwJTVHxsgGPlxIAcgP6yA4doi1SUHpXgFGqBtODW8zQ1Xn5AO6WoCvXzm5NKg3tZpeTwxx5d9vr-pp8E5XX-95Yws1sBTg9k/s1600/joao+de+jesus+paes+loureiro++cultura+do+imaginario+-+Copia.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"><span style="color: white;"><img border="0" data-original-height="259" data-original-width="194" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfcWgoXBgfpi9s2VCs5J8Ihlmznw0nW-LtFkiBJOFSSKBbwJTVHxsgGPlxIAcgP6yA4doi1SUHpXgFGqBtODW8zQ1Xn5AO6WoCvXzm5NKg3tZpeTwxx5d9vr-pp8E5XX-95Yws1sBTg9k/s1600/joao+de+jesus+paes+loureiro++cultura+do+imaginario+-+Copia.jpg" /></span></a></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· Un Complainte pour Chico Mendes. Tradução Lyne Strouc. Foire International Terres de L’Avenier-CCFD. Paris, França, 1992.</span><br />
<span style="background-color: black;"><span style="color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span> <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></span></span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· “A arte como encantaria da linguagem – Hino Dionisíaco ao Boto”. Belém: Cejup, 1992.</span><br />
<span style="background-color: black;"><span style="color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span> </span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<span style="background-color: black;"><span style="color: white;"><br /></span></span></div>
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· Altar em Chamas: poesia, Rio de Janeiro: Civilização Brasileira, 1992.</span></div>
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<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhObLRfBPdN9KIayZKGnnWVAaIb4SEfS4MJJD25lLoHsvZK1I-D8zlp2tZgVyUPAihXb6PXzea8ESQdR2pA0dQ_1plv3e_FbWYzMA_ZE_LZT1-yDcdCtqeqIv7YaKwvAdEBbapCASoct4c/s1600/joao_de_jesus_pais_loureiro+altar+em+chamas.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"><span style="color: white;"><img border="0" data-original-height="958" data-original-width="599" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhObLRfBPdN9KIayZKGnnWVAaIb4SEfS4MJJD25lLoHsvZK1I-D8zlp2tZgVyUPAihXb6PXzea8ESQdR2pA0dQ_1plv3e_FbWYzMA_ZE_LZT1-yDcdCtqeqIv7YaKwvAdEBbapCASoct4c/s320/joao_de_jesus_pais_loureiro+altar+em+chamas.jpg" width="200" /></span></a></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· “Belém. O Azul e o Raro”. Belém: Edição de Violões da Amazônia, 1998.</span></div>
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<span style="background-color: black;"><span style="color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span> <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span> </span></span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="background-color: black;"><span style="color: white;"><img alt="Resultado de imagem para belem o azul e o raro Paes Loureiro" height="223" src="https://i.ytimg.com/vi/2EdiEvsZFXo/maxresdefault.jpg" style="margin-left: auto; margin-right: auto;" width="400" /></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><span style="color: white;">Adicionar legenda</span></span></td></tr>
</tbody></table>
<span style="background-color: black;"><span style="color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"></span><br /></span></span>
<span style="background-color: black;"><span style="color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span> <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></span></span></div>
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<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />
</span></div>
<div align="justify" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: arial, helvetica, sans-serif; font-size: 13.2px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
<span style="background-attachment: initial; background-clip: initial; background-color: black; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: white; font-size: xx-small; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">· “Pássaro da Terra”: teatro. São Paulo: Escrituras, 1999.</span></div>
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</span></div>
<div class="separator" style="clear: both; text-align: center;">
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</span> <span style="font-family: "arial" , sans-serif; font-size: 13px; text-align: left;"> Fragmento (2003),</span></span></span><br />
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</span> <span style="font-family: "arial" , sans-serif; font-size: 13px; text-align: left;">A arte como encantaria da Linguagem. Escrituras. 2008</span></span></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><span style="color: white;">Adicionar legenda</span></span></td></tr>
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</span> <span style="font-family: "arial" , sans-serif; font-size: 13px; text-align: left;">Água da Fonte (2008)</span></span></span><br />
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</span> <span style="font-family: "arial" , sans-serif; font-size: 13px; text-align: left;">Café Central – O tempo submerso nos espelhos (2011)</span></span></span><br />
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<span style="background-color: black; color: white; font-family: "arial" , sans-serif; font-size: 13px; text-align: left;">Para ler como quem anda nas ruas (2012)</span><br />
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</span> <span style="font-family: "arial" , sans-serif; font-size: 13px; text-align: left;">Da Cor do Norte - Brinquedos de Miriti (2012) </span></span></span><br />
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<span style="background-color: black; color: white; font-family: "arial" , sans-serif; font-size: 13px; text-align: left;">Do coração e suas amarras. São Paulo: Escrituras Editora, 2001. 80 p. </span></div>
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com1tag:blogger.com,1999:blog-6800349290165781826.post-10804714027769496472018-07-20T16:57:00.001-07:002020-01-26T14:32:31.722-08:00J. G. de Araújo Jorge - Poeta das moças - Poeta acreano<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-weight: normal;"><span style="font-size: large;">José Guilherme de Araújo Jorge, nascido em Taraúaca em 20 de maio de 1914 e falecido aos 72 anos em 27 de Janeiro de 1987 no Rio de Janeiro. Conhecido como J. G de Araújo Jorge, foi um poeta, trovador, escritor e político acreano. </span>Filho de Salvador Augusto de Araújo Jorge, juiz de direito em Tarauacá, e Zilda Tinoco de Araújo Jorge. Descendente, pelo lado paterno, de tradicional família alagoana: os Araújo Jorge. Sobrinho do embaixador Artur Guimarães de Araújo Jorge (autor de inúmeras obras sobre Filosofia, História e Diplomacia), sobrinho neto de Adriano de Araujo Jorge, médico, escritor, grande orador, foi presidente perpétuo da Academia Amazonense de Letras, e do professor Afrânio de Araujo Jorge, fundador do Ginásio Alagoano, de Maceió. Pelo lado materno, dos Tinocos, dos Caldas e dos Gonçalves, de Campos, Macaé, e São Fidélis, Estado do Rio. Passou sua infância no Acre, em Rio Branco, onde fez o curso primário no Grupo Escolar 7 de Setembro. No Rio de Janeiro, realizou curso secundário nos colégios Anglo-Americano e Pedro II. Colaborou desde menino na imprensa estudantil. Foi fundador e presidente da Academia de Letras do Internato Pedro II. Data dessa época, sua primeira colaboração na imprensa adulta: em 1931, viu publicado seu poema "Ri Palhaço, Ri" no "Correio da Manhã", depois transcrito no "Almanaque Bertand" de 1932. Entretanto, esse como outros trabalhos desse tempo, não foram incluídos em seus livros. Colaborou também no jornal "A Nação"; nas revistas "Carioca", "Vamos Ler" etc. Formou-se pela Faculdade Nacional de Direito da Universidade do Brasil. Em 1932, no Externato Colégio Pedro II, em memorável certame, foi escolhido o "Príncipe dos Poetas", sendo saudado na festa por Coelho Neto, "príncipe dos prosadores brasileiros" recebendo das mãos da poetisa Ana Amélia, presidente da Casa do Estudante, como prêmio e homenagem, um livro ofertado por Adalberto Oliveira, então "Príncipe da Poesia Brasileira". Orador oficial de entidades universitárias, (do CACO, da União Democrática Estudantil, precursora da UNE, da Associação Universitária etc). Ainda estudante, venceu concursos de oratória. Em Coimbra recebeu no título de "estudante honorário" e fez Curso de Extensão Cultural na Universidade de Berlim. Foi professor do Colégio Pedro II. Publicou vários livros de poesia, como "Meu Céu Interior", "Amo" e diversos outros. Escreveu também poesia politico-social e romances, entre esses, "Um besouro ma vidraça". Morou na Rua Dias da Rocha, 44, Copacabana - RJ. </span></h2>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUm2V1X-syt5CJFGgh36-69xrG5ZofeLwboUBNHcnWssVk8RhPfU0cmUFw5ABwhRA981ioMyLd-2KobB-ZyrIT5wX0LWajEy_J7RHU1aUZ2PMzS55aNalfze6XCnVMYCJkwFwgEh5wuXs/s1600/dias+da+rocha+44.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="570" data-original-width="474" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUm2V1X-syt5CJFGgh36-69xrG5ZofeLwboUBNHcnWssVk8RhPfU0cmUFw5ABwhRA981ioMyLd-2KobB-ZyrIT5wX0LWajEy_J7RHU1aUZ2PMzS55aNalfze6XCnVMYCJkwFwgEh5wuXs/s400/dias+da+rocha+44.jpg" width="332" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Prédio da residencia do J. G. de Araújo Jorge em Copacabana - RJ</td></tr>
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Com irrefreável vocação política, foi candidato a vários cargos públicos. Elegeu-se deputado federal em 1970 pelo antigo Estado da Guanabara, reelegendo-se já para o seu terceiro mandato em 1978. Ocupou a vice-liderança do MDB e a presidência da Comissão de Comunicação na Câmara dos Deputados. Em 1982, aderiu ao PDT de Leonel Brizola, e se reelegeu pela última vez por esta legenda, com 31.352 votos. Após romper com Brizola, em 1985, voltou para o PMDB, e foi derrotado nas eleições para a Constituinte, em 1986. Foi conhecido como o Poeta do Povo e da Mocidade, pela sua mensagem social e política e por sua obra lírica, de linguagem simples, impregnada de romantismo moderno, mas às vezes, dramático.</span> </h2>
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J. G. de Araújo Jorge</div>
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<span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;">Apesar de ter publicado mais de três dezenas de obras e do êxito editorial de quase todos os seus livros, Araújo Jorge nunca foi reconhecido pela crítica literária. Raramente os grandes jornais publicavam alguma apreciação sobre seu trabalho, o que ele chamava de "conspiração do silêncio". O fato é que J.G. foi um dos poetas mais populares que o Brasil já teve e o único que vendeu mais de um milhão de livros. Entre as décadas de 60 a 80, os versos de J.G. estavam nos cadernos de poesia dos jovens, eram declamados em festas e recitais e difundidos em programas radiofônicos, jornais e revistas de todo o País.</span></div>
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<span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;">Sua poesia está viva até hoje, emocionando os corações enamorados e traduzindo seus desejos, angústias e esperanças.</span></div>
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<span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;">Ele se orgulhava de ser um homem que vivia intensamente. Foi professor, jornalista e publicitário de sucesso. Na época ficou muito conhecido por seus jingles, que garantiam sucesso a qualquer produto que anunciavam. Um deles é lembrado até hoje: "Isso faz um bem", da Coca-Cola.</span></div>
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<span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;">J.G. dizia que é possível aprender a fazer versos, mas nunca a ser poeta. "Poesia não é só construção. Senão, poderíamos abrir uma escola para poetas, como há uma escola de Engenharia ou de Direito. Quanto a mim, já respondi: Eu faço versos assim/ como quem respira e canta/ a poesia nasce em mim/ como do chão nasce a planta"</span></div>
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<span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;">Ele também dizia: "O poeta é um tradutor de realidades subjetivas. Um transfigurador. Um mergulhador dos mares do espírito. O poeta é um prestidigitador ─ faz mágica com a vida. Transforma água em vinho, para a embriaguez da beleza. A poesia é criada pelo pensamento, mas seu material é o sentimento. Cobaia de si mesmos, os poetas, em experiências e pesquisas constantes, revelam a vida, são apenas homens que nasceram poetas. O poeta é como um alpinista, que já nasceu trazendo em si mesmo os instrumentos e apetrechos para poder realizar escaladas."</span></div>
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<span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;">Fonte: http://www.avozdapoesia.com.br/autores.php?poeta_id=270</span></div>
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<span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="box-sizing: border-box; font-family: "calibri" , sans-serif; font-size: 10.5pt; line-height: 22.5px;">Estudou nos colégios Anglo-Brasileiro, Anglo-Americano e Pedro II, todos no Rio de Janeiro, então Distrito Federal, diplomado em 1932, em ciências e letras. Ainda ginasiano iniciou sua carreira literária com <i style="box-sizing: border-box; font-size: 15px !important;">Meu céu interior </i>(poesia), que recebeu menção honrosa da Academia Brasileira de Letras. Em 1934 viajou à Alemanha, onde fez um curso de extensão cultural no Deutsche Institut Für Auslaender na Universidade de Berlim. Nesse mesmo ano esteve em Portugal, a convite do governo deste país, como integrante da Embaixada Universitária Osvaldo Aranha e, em 1936, na Argentina, por ocasião da inauguração do monumento ao presidente Saens Peña, como membro da Embaixada Presidente Justo. No ano seguinte bacharelou-se em ciências jurídicas e sociais pela Faculdade Nacional de Direito da Universidade do Brasil.</span></span></div>
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<span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="box-sizing: border-box; font-family: "calibri" , sans-serif; font-size: 10.5pt; line-height: 22.5px;">Após a extinção do Estado Novo (1937-1945), concorreu em dezembro de 1945 a um mandato de deputado pelo Distrito Federal à Assembléia Nacional Constituinte na legenda do Partido Republicano (PR), obtendo, porém, apenas uma suplência. No ano seguinte teve seu livro <i style="box-sizing: border-box; font-size: 15px !important;">Eterno motivo </i>contemplado com o Prêmio Raul de Leoni, da Academia Carioca de Letras.</span></span></div>
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<span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="box-sizing: border-box; font-family: "calibri" , sans-serif; font-size: 10.5pt; line-height: 22.5px;">Técnico educacional do Ministério da Educação e Cultura, foi também orientador do Serviço Nacional de Aprendizagem Industrial (Senai) em Nova Friburgo (RJ), funcionário do Instituto de Pensões e Aposentadoria dos Servidores do Estado (IPASE) e professor do Colégio Pedro II, onde, em 1950, concorreu à cátedra de literatura com a tese <i style="box-sizing: border-box; font-size: 15px !important;">A poética moderna.</i> Como jornalista, foi redator dos jornais <i style="box-sizing: border-box; font-size: 15px !important;">A</i> <i style="box-sizing: border-box; font-size: 15px !important;">Manhã </i>e<i style="box-sizing: border-box; font-size: 15px !important;">Resistência </i>e<i style="box-sizing: border-box; font-size: 15px !important;"> </i>da revista <i style="box-sizing: border-box; font-size: 15px !important;">PN, </i>além de colaborador, durante muitos anos, do <i style="box-sizing: border-box; font-size: 15px !important;">Correio da Manhã, </i>todos do Rio de Janeiro, onde foi ainda redator e locutor das rádios Nacional e Cruzeiro do Sul. Como publicitário, foi chefe de redação da McCann Erickson Publicidade, tendo atuado também como chefe de vendas da empresa Listas Telefônicas Brasileiras (LTB).</span></span></div>
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<span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="box-sizing: border-box; font-family: "calibri" , sans-serif; font-size: 10.5pt; line-height: 22.5px;">No pleito de outubro de 1954 candidatou-se a uma cadeira na Câmara Municipal do Distrito Federal na legenda da União Democrática Nacional (UDN), obtendo a segunda suplência. Em outubro de 1958 disputou um mandato de deputado federal pelo Distrito Federal na legenda do Partido Socialista Brasileiro (PSB) e, mais uma vez, conquistou apenas uma suplência.</span></span></div>
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<span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="box-sizing: border-box; font-family: "calibri" , sans-serif; font-size: 10.5pt; line-height: 22.5px;">Após o movimento político-militar de 31 de março de 1964 que depôs o presidente João Goulart (1961-1964) e com a extinção dos partidos políticos pelo Ato Institucional nº 2 (27/10/1965) e a conseqüente implantação do bipartidarismo, filiou-se ao Movimento Democrático Brasileiro (MDB), partido de oposição ao regime militar, legenda na qual se elegeu em novembro de 1970 deputado federal pelo estado da Guanabara. Empossado em fevereiro do ano seguinte, foi eleito vice-líder do partido na Câmara dos Deputados, condição à qual seria reconduzido em 1972 e em 1973. Logo no início da legislatura, apresentou, em abril de 1971, um projeto estabelecendo que os cidadãos atingidos pelos atos institucionais — decretados após a deposição do presidente João Goulart — fossem autorizados a solicitar dos poderes públicos a instauração de processos regulares ou a revisão dos processos a que estavam submetidos. Considerado inconstitucional, o projeto foi arquivado. Designado em 1971 vice-presidente da Comissão Especial do Menor Abandonado, no ano seguinte apresentou novo projeto, dessa vez propondo a criação de uma comissão que procedesse à revisão da cassação de mandatos parlamentares e direitos políticos até ali executados. A proposição foi, contudo, arquivada antes mesmo de apreciada.</span></span></div>
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<span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="box-sizing: border-box; font-family: "calibri" , sans-serif; font-size: 10.5pt; line-height: 22.5px;">Identificado com o “grupo autêntico” do MDB, entrou em conflito com o governador carioca e líder regional emedebista Antônio Chagas Freitas durante a campanha eleitoral de 1974. Virtualmente impedido com Lisânias Maciel e Edson Khair de usar o horário do partido na televisão, precisou recorrer ao Tribunal Superior Eleitoral (TSE), que garantiu seu acesso ao programa. Realizado o pleito em novembro de 1974, obteve a reeleição. Durante essa legislatura exerceu as funções de vice-presidente da Comissão de Comunicações, de suplente das comissões de Segurança Nacional e de Educação e Cultura, e de relator parcial da comissão especial sobre redivisão territorial e política demográfica da Câmara dos Deputados. Reeleito em novembro de 1978, com a extinção do bipartidarismo em novembro de 1979, e a conseqüente reformulação partidária, filiou-se ao Partido Democrático Trabalhista (PDT). Nessa legislatura voltou a integrar a Comissão de Comunicações, passando também a suplente da Comissão de Relações Exteriores da Câmara.</span></span></div>
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<span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="box-sizing: border-box; font-family: "calibri" , sans-serif; font-size: 10.5pt; line-height: 22.5px;">Reelegeu-se em novembro de 1982 na legenda do PDT, assumindo sua cadeira em fevereiro seguinte. Na sessão da Câmara de 25 de abril de 1984, votou a favor da emenda Dante de Oliveira que, se confirmada pelo plenário, restabeleceria as eleições diretas para presidente da República em novembro do mesmo ano. Como a emenda não obteve a votação necessária para ser enviada ao Senado, decidiu apoiar, no Colégio Eleitoral de 15 de janeiro de 1985, a candidatura presidencial do ex-governador de Minas Gerais Tancredo Neves, eleito pela coligação oposicionista Aliança Democrática, formada pelo Partido do Movimento Democrático Brasileiro (PMDB) e pela dissidência do Partido Democrático Social (PDS) reunida na Frente Liberal. </span></span><span style="color: black; font-family: "calibri" , sans-serif; font-size: 10.5pt; text-indent: 35.45pt;">Em 1986, J. G. de Araújo Jorge rompeu com o PDT e retornou ao PMDB, não conseguindo sua reeleição no pleito de novembro deste mesmo ano. Deixou a Câmara Federal em janeiro do ano seguinte, ao fim de seu mandato.</span></div>
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<span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="box-sizing: border-box; font-family: "calibri" , sans-serif; font-size: 10.5pt; line-height: 22.5px;">Faleceu na cidade do Rio de Janeiro, no dia 27 de janeiro de 1987.</span></span></div>
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<span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="box-sizing: border-box; font-family: "calibri" , sans-serif; font-size: 10.5pt; line-height: 22.5px;">Era casado com Maria Sousa de Araújo Jorge, com quem teve dois filhos.</span></span></div>
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<span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="box-sizing: border-box; font-family: "calibri" , sans-serif; font-size: 10.5pt; line-height: 22.5px;">Além das obras citadas e de artigos na revista <i style="box-sizing: border-box; font-size: 15px !important;">Letras Brasileiras, </i>do Rio de Janeiro, publicou <i style="box-sizing: border-box; font-size: 15px !important;">Poesia</i>(1934), <i style="box-sizing: border-box; font-size: 15px !important;">Bazar de</i> <i style="box-sizing: border-box; font-size: 15px !important;">ritmos</i> (1935), <i style="box-sizing: border-box; font-size: 15px !important;">Cântico dos cânticos </i>(1937),<i style="box-sizing: border-box; font-size: 15px !important;"> Amo!</i> (1938), <i style="box-sizing: border-box; font-size: 15px !important;">Cântico do homem prisioneiro</i>(cânticos, 1941), <i style="box-sizing: border-box; font-size: 15px !important;">Um besouro contra a vidraça </i>(romance, 1942),<i style="box-sizing: border-box; font-size: 15px !important;"> Canto da terra</i> (1945),<i style="box-sizing: border-box; font-size: 15px !important;"> Estudo da terra</i>(1946),<i style="box-sizing: border-box; font-size: 15px !important;"> Antologia da nova poesia brasileira</i> (1948),<i style="box-sizing: border-box; font-size: 15px !important;"> Festa de imagens</i> (1948),<i style="box-sizing: border-box; font-size: 15px !important;"> A outra face </i>(1949),<i style="box-sizing: border-box; font-size: 15px !important;"> Brasil com letra maiúscula</i> (1960), <i style="box-sizing: border-box; font-size: 15px !important;">Os mais belos sonetos que o amor inspirou </i>(v. 1, 1961),<i style="box-sizing: border-box; font-size: 15px !important;"> Cantiga do só </i>(1963),<i style="box-sizing: border-box; font-size: 15px !important;">Trovadores brasileiros </i>(1964),<i style="box-sizing: border-box; font-size: 15px !important;"> Trevos de quatro versos </i>(trovas, 1964), <i style="box-sizing: border-box; font-size: 15px !important;">Cantigas de menino</i> <i style="box-sizing: border-box; font-size: 15px !important;">grande </i>(1965),<i style="box-sizing: border-box; font-size: 15px !important;">Quatro damas </i>(1965),<i style="box-sizing: border-box; font-size: 15px !important;"> Concerto a quatro mãos </i>(em colaboração com Maria Helena, 1966), <i style="box-sizing: border-box; font-size: 15px !important;">Mensagem</i>(1966),<i style="box-sizing: border-box; font-size: 15px !important;"> Os mais belos sonetos que o amor inspirou </i>(v. 2 e 3, 1966), <i style="box-sizing: border-box; font-size: 15px !important;">De mãos dadas</i> (1967),<i style="box-sizing: border-box; font-size: 15px !important;"> Canto a Friburgo</i>(1967),<i style="box-sizing: border-box; font-size: 15px !important;"> Harpa submersa </i>(1968),<i style="box-sizing: border-box; font-size: 15px !important;"> A sós</i> (1969),<i style="box-sizing: border-box; font-size: 15px !important;"> Poemas do amor ardente</i> (1969), <i style="box-sizing: border-box; font-size: 15px !important;">Meus sonetos de amor </i>(1969),<i style="box-sizing: border-box; font-size: 15px !important;">O poder da</i> <i style="box-sizing: border-box; font-size: 15px !important;">flor</i> (1969),<i style="box-sizing: border-box; font-size: 15px !important;"> No mundo da poesia </i>(1970) e <i style="box-sizing: border-box; font-size: 15px !important;">Espera </i>(1971).</span></span></div>
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<span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="box-sizing: border-box; font-family: "calibri" , sans-serif; font-size: 10.5pt; line-height: 22.5px;">FONTES: CÂM. DEP. <i style="box-sizing: border-box; font-size: 15px !important;">Deputados</i>;<i style="box-sizing: border-box; font-size: 15px !important;"> </i>CÂM. DEP. <i style="box-sizing: border-box; font-size: 15px !important;">Deputados brasileiros</i>.<i style="box-sizing: border-box; font-size: 15px !important;"> Repertório </i>(1971-1975, 1975-1979 e 1979-1983); CÂM. DEP. <i style="box-sizing: border-box; font-size: 15px !important;">Relação nominal</i>;<i style="box-sizing: border-box; font-size: 15px !important;"> Estado de S. Paulo </i>(6/3/76 e 28/1/87);<i style="box-sizing: border-box; font-size: 15px !important;"> Folha de S. Paulo</i> (28/1/87); <i style="box-sizing: border-box; font-size: 15px !important;">Globo</i>(26/4/84, 16/1/85, 29/4/86, 28/1 e 2/2/87); <i style="box-sizing: border-box; font-size: 15px !important;">Grande encic. Delta; Grande encic. portuguesa</i>;<i style="box-sizing: border-box; font-size: 15px !important;"> Jornal do Brasil</i>(28/1/87); MENESES, R<i style="box-sizing: border-box; font-size: 15px !important;">. Dic</i>.; NÉRI, S. <i style="box-sizing: border-box; font-size: 15px !important;">16</i>;<i style="box-sizing: border-box; font-size: 15px !important;"> Perfil </i>(1972 e 1980); ROQUE, C. <i style="box-sizing: border-box; font-size: 15px !important;">Grande</i>;<i style="box-sizing: border-box; font-size: 15px !important;"> </i>SOC. BRAS. EXPANSÃO COMERCIAL. <i style="box-sizing: border-box; font-size: 15px !important;">Quem</i>;<i style="box-sizing: border-box; font-size: 15px !important;"> </i>TRIB. SUP. ELEIT.<i style="box-sizing: border-box; font-size: 15px !important;"> Dados </i>(3); <i style="box-sizing: border-box; font-size: 15px !important;">Veja </i>(4/2/87).<i style="box-sizing: border-box; font-size: 15px !important;"></i></span></span></div>
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<span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="box-sizing: border-box; font-family: "calibri" , sans-serif; font-size: 10.5pt; line-height: 22.5px;">FONTE: http://www.fgv.br/cpdoc/acervo/dicionarios/verbete-biografico/jorge-jg-de-araujo</span></span></div>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><strong style="border: 0px; font-size: 16px; margin: 0px; padding: 0px; vertical-align: baseline;">BIBLIOGRAFIA<em style="border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; font-size: small; margin: 0px; padding: 0px; vertical-align: baseline;"><a href="http://www.avozdapoesia.com.br/autores.php?poeta_id=270#Autor" style="border: 0px; color: #003300; font-family: "Trebuchet MS"; font-size: 13px; margin: 0px; padding: 0px; text-decoration-line: none; transition: color 0.3s; vertical-align: baseline;"></a></span></em></strong></span><br />
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Meu Céu Interior, </span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">1 ed. 1934, 2 ed. 1949, 3 ed. 1954, 4 ed. 1956, 5 ed, 1959, 6 ed. 1961, 7 ed. 1964, 8 ed. 1968</span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyfEPVgK9I56pZwA_ct_qcpRzeZ4LpQBfjMU6rSdc9CzrBD7ZEN92pX3JYXDSxeP2fcxr77YiWl-4jbaIftnIZHC_VcX4wXpf47zx9mjgPXsRFCDaSppdH5TJ0tofgaEYbDtWpXvVku5Q/s1600/meu+ceu+interior+araujo.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="263" data-original-width="191" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyfEPVgK9I56pZwA_ct_qcpRzeZ4LpQBfjMU6rSdc9CzrBD7ZEN92pX3JYXDSxeP2fcxr77YiWl-4jbaIftnIZHC_VcX4wXpf47zx9mjgPXsRFCDaSppdH5TJ0tofgaEYbDtWpXvVku5Q/s400/meu+ceu+interior+araujo.jpg" width="290" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1 ed. 1934. Editora Vecchi. </td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidc4ky8E6bIFPFWMGKiXLYnse8VLq-T0FMt6210PEoEuPa7Sy_dR_sq66aP70dS_uLSK5VAB3FU9gUfVJTa4JGw4cUomeDeelFPu0MLylUvpSWwENg6QlQdha7TDbY6l4nzSTZu1Ow3XI/s1600/meu+ceu+interior+2+ed.webp" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="707" data-original-width="630" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidc4ky8E6bIFPFWMGKiXLYnse8VLq-T0FMt6210PEoEuPa7Sy_dR_sq66aP70dS_uLSK5VAB3FU9gUfVJTa4JGw4cUomeDeelFPu0MLylUvpSWwENg6QlQdha7TDbY6l4nzSTZu1Ow3XI/s320/meu+ceu+interior+2+ed.webp" width="284" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 12.8px;">2 ed. 1949. Editora Vecchi.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsulUp1revCFeUZjc3Z6vr4OxryYQCV3vOc78dkcikC5J1e1KMBGrTYniTd225Qw_G4nu5CX1_YJcGHZs0mySNd7wTkD5S3La8n5k5e8KLJxugn6M2JsI40g8qeMhlYmQTFdY6Lznr-vQ/s1600/meu+ceu+interior+x+ed.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="500" data-original-width="360" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsulUp1revCFeUZjc3Z6vr4OxryYQCV3vOc78dkcikC5J1e1KMBGrTYniTd225Qw_G4nu5CX1_YJcGHZs0mySNd7wTkD5S3La8n5k5e8KLJxugn6M2JsI40g8qeMhlYmQTFdY6Lznr-vQ/s400/meu+ceu+interior+x+ed.jpg" width="287" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">7 ed. Editora Vecchi. 1964. 250 p</td></tr>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Bazar de ritmos</span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">1 ed. 1935, 2 ed. 1944, 3 ed. 1951, 4 ed. 1956, 5 ed., xxx, 6.d. 1961, 7 ed. 1965</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe1-TixdP1gRSOtf7JsRo0TpK2r5XbXTMQIDaD5GRbtUyUjBZsgHI2vtRps1zSdjg8QAKfyoBCZkEHqkOGjFTBZyDYxS0mJ6bT-ckhMMmmeMn_TiviNEcBc-ZR7OcLk8VVWtfjLcvbreI/s1600/bazar+de+ritmos+1935.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="403" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe1-TixdP1gRSOtf7JsRo0TpK2r5XbXTMQIDaD5GRbtUyUjBZsgHI2vtRps1zSdjg8QAKfyoBCZkEHqkOGjFTBZyDYxS0mJ6bT-ckhMMmmeMn_TiviNEcBc-ZR7OcLk8VVWtfjLcvbreI/s640/bazar+de+ritmos+1935.jpg" width="425" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">Jorge, J. G. D. A. Bazar de ritmos. Rio de Janeiro: Ariel. 1 ed 1935. 225 p.</span></td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim3lAOaVF270qppgPczvAmGpaLsgCIZESIVhJ2fPP_HopM_vDmBoEnKVKo8hPIdvNEZwfd64wMb5b2hEvSjqE1lKyKe99UoE30ZIx6MnjdgMgX51X_XDVS13Gnl-i3-tOYrGUGnl1_jLk/s1600/BAZAR++DE+rumos+1951+vecchi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="265" data-original-width="201" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim3lAOaVF270qppgPczvAmGpaLsgCIZESIVhJ2fPP_HopM_vDmBoEnKVKo8hPIdvNEZwfd64wMb5b2hEvSjqE1lKyKe99UoE30ZIx6MnjdgMgX51X_XDVS13Gnl-i3-tOYrGUGnl1_jLk/s640/BAZAR++DE+rumos+1951+vecchi.jpg" width="481" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEKIJEUfBaNul9jHzB-Ad07En9xDwm9PuUSsJxioN15xtYESvvpd4pwwP_n3dLpPLiYUbjhclHa-YjaISdW-oUyS0RUYSBdzESyrGazpWVLuBXo973d1eBFs88nNX9oIbZ__wdRP7xwBk/s1600/BAZAR+DE_RITMOS+1960+Vecchi+_1318495727B.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="311" data-original-width="200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEKIJEUfBaNul9jHzB-Ad07En9xDwm9PuUSsJxioN15xtYESvvpd4pwwP_n3dLpPLiYUbjhclHa-YjaISdW-oUyS0RUYSBdzESyrGazpWVLuBXo973d1eBFs88nNX9oIbZ__wdRP7xwBk/s640/BAZAR+DE_RITMOS+1960+Vecchi+_1318495727B.jpg" width="411" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jorge, J. G. D. A. Bazar de ritmos. Rio de Janeiro: Ariel. 7 ed. 1965. 225 p.</td></tr>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">_____________</span><span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"></span></div>
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<h2 style="line-height: inherit; margin-bottom: 0.5em; margin-top: 0.5em;">
<span style="font-size: x-small;"><div style="background-color: white; color: #222222; font-family: "courier new", courier, monospace; font-size: medium; text-align: justify;">
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Cântico dos Cânticos, 1937</span></div>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span><span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Cântico Do Homem Prisioneiro!, 1941, a 2 ed. e publicada em 1949 somente com o título Cânticos e a 3 ed. 1955, 4 ed. 1962, 5 ed. 1963</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZDHxaGoR3W3GIySL8uLJkJsauRUHcuTGPBZP9XMTfrMCPJaB_6eGDX7ZpOJVOnSW9PGIcknwJEvgdz5nYNE38iuJ2ddCIDHuJvAFIc0Dc71A3cs3fjT1H5j3bUSSGrzagduVoSjF90a8/s1600/CANTICO+DO+HOMEM+PRISIONEIRO+1941_1306360852B.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="288" data-original-width="200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZDHxaGoR3W3GIySL8uLJkJsauRUHcuTGPBZP9XMTfrMCPJaB_6eGDX7ZpOJVOnSW9PGIcknwJEvgdz5nYNE38iuJ2ddCIDHuJvAFIc0Dc71A3cs3fjT1H5j3bUSSGrzagduVoSjF90a8/s400/CANTICO+DO+HOMEM+PRISIONEIRO+1941_1306360852B.jpg" width="277" /></a></div>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipRzUcenKRwO3HvDp5XLzJMJOGMZpDl12VFG1dCb9wYERlZOPNYNY7bFOepSyuFuJhrV6zNcVzxwCY2-0CcEapsnN3e6T-zKH5sTOveCTgBA2wj3I0cgHAa9z5Tmd0BP-FIuiwaEGrR4w/s1600/_545b02feb1b56f588da8c8421f3d5c8c3132aa5c.jpg" imageanchor="1" style="font-family: "courier new", courier, monospace; font-weight: 700; margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="137" data-original-width="105" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipRzUcenKRwO3HvDp5XLzJMJOGMZpDl12VFG1dCb9wYERlZOPNYNY7bFOepSyuFuJhrV6zNcVzxwCY2-0CcEapsnN3e6T-zKH5sTOveCTgBA2wj3I0cgHAa9z5Tmd0BP-FIuiwaEGrR4w/s400/_545b02feb1b56f588da8c8421f3d5c8c3132aa5c.jpg" width="306" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">2 ed. 1949</td></tr>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"></span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"></span></div>
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<h2 style="line-height: inherit; margin-bottom: 0.5em; margin-top: 0.5em;">
<span style="font-size: x-small;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="background-color: white; color: #222222; font-family: "courier new", courier, monospace; margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTO3-Yl1cZ_JsuxKxNdsyiFDph5_46k5ImgaOiUZftdZzv3MCBazQUcLWmdXH2x8mkrKnfQzbHeY7npyo34NamW0otmSlmHLKg2Gh6H4FRy45Xr2XIEV6lV9dIUADXqjqI3xmfXoINhO0/s1600/cantico+2ed.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="303" data-original-width="406" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTO3-Yl1cZ_JsuxKxNdsyiFDph5_46k5ImgaOiUZftdZzv3MCBazQUcLWmdXH2x8mkrKnfQzbHeY7npyo34NamW0otmSlmHLKg2Gh6H4FRy45Xr2XIEV6lV9dIUADXqjqI3xmfXoINhO0/s400/cantico+2ed.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 12.8px;">Canticos. 4 ed. Vecchi. 1962. 232 p.</td></tr>
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</h2>
<h2 style="line-height: inherit; margin-bottom: 0.5em; margin-top: 0.5em;">
<span style="font-size: x-small;"><div style="background-color: white; color: #222222; font-family: "courier new", courier, monospace; font-size: medium; text-align: justify;">
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">_________________________________________</span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span></div>
<div style="background-color: white; color: #222222; font-family: "courier new", courier, monospace; font-size: medium; text-align: justify;">
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Amo!, 1938</span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">1 ed. 1938, 2 ed. 1944, 3 ed. 1945, 4 ed. 1949, 5 ed, 1952, 6 ed. 1954, 7 ed. 1956, 8 ed. 1959, 9 ed. 1961; 10 ed. x, 11 ed. 1965</span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWljtNwGpVZFqX30ClcovPs6Akp3FJXnv4PVTXS_2Gix2EvOECptEqASm7to6nkJjAlbYrt80jHOU6_gpB1is3yCakGCRN5roHI0mw1kw0I59DEaeLwwGfRaiv5eRHs-SnsjD5ph55A8Y/s1600/amo+3+ed.jpg" imageanchor="1" style="font-family: "courier new", courier, monospace; font-weight: 700; margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="500" data-original-width="360" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWljtNwGpVZFqX30ClcovPs6Akp3FJXnv4PVTXS_2Gix2EvOECptEqASm7to6nkJjAlbYrt80jHOU6_gpB1is3yCakGCRN5roHI0mw1kw0I59DEaeLwwGfRaiv5eRHs-SnsjD5ph55A8Y/s400/amo+3+ed.jpg" width="287" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">3 ed. 1945. Editora Vecchi</td></tr>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgb0pjQDHnREeZV8JoV66WIKQHCgqcMcE29ViULEmZZq1glpGioIdcVe8UsNdIaCJI-o_VPA4ngjliIBuTRxofbUJ32NypScXmNe02tfItwOxEqGFejqpReNw8-LsOVA599N-K3Hdlfcx0/s1600/amo-poesia-j-g-de-araujo-jorge-1956.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="322" data-original-width="235" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgb0pjQDHnREeZV8JoV66WIKQHCgqcMcE29ViULEmZZq1glpGioIdcVe8UsNdIaCJI-o_VPA4ngjliIBuTRxofbUJ32NypScXmNe02tfItwOxEqGFejqpReNw8-LsOVA599N-K3Hdlfcx0/s400/amo-poesia-j-g-de-araujo-jorge-1956.jpg" width="291" /></a></div>
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____________________________<br />
<br /></div>
<div style="background-color: white; color: #222222; font-family: "courier new", courier, monospace; font-size: medium; text-align: justify;">
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">Poesias - Coletâneas, 1939 (Edição especial)</span></span></div>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span></span></div>
<span style="color: #002400;"><span style="font-weight: 400;">_____________________________________</span></span></div>
<div style="background-color: white; color: #222222; font-family: "courier new", courier, monospace; font-size: medium; text-align: justify;">
<span style="color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400;">Eterno Motivo, 1943 (Prêmio Raul de Leôncio), 2 ed. 1945, 3 ed. 1951, 4 ed. 1954, 5 ed. 1957, 6 ed. 1961, 7 ed. 1964</span><br />
<span style="color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400;"><br /></span>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv46XJWQOD5TqqMbBNK3PSvubnZ6diI_FyOUcq60RR-qYsYOHImSk-OjhkWikM7tYYqGbxHFK6LnwizONYiT6A6YcAX92pAN9c_rGIt-pTdURiX31dAc8LDXYk_Qae4dGSzIjeQ7GMPTY/s1600/eterno+motivo+3+ed.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1011" data-original-width="694" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv46XJWQOD5TqqMbBNK3PSvubnZ6diI_FyOUcq60RR-qYsYOHImSk-OjhkWikM7tYYqGbxHFK6LnwizONYiT6A6YcAX92pAN9c_rGIt-pTdURiX31dAc8LDXYk_Qae4dGSzIjeQ7GMPTY/s640/eterno+motivo+3+ed.jpg" width="273" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">3 ed. 1951. Editôra Vecchi</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8OdEU01H47SgL3IcIB519ulKGLUak7RjzxuGu4m70gzR7KufbEACAkWLupz4ffuDSd4vptzK61xC-bMJ1vBM1Kmw9iaSrRRfIetBRDUHCMgp3w2Rh9-NCMBXW6SIoICXyU5xW3nUgpYI/s1600/eterno+motivo+4+ed.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="500" data-original-width="360" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8OdEU01H47SgL3IcIB519ulKGLUak7RjzxuGu4m70gzR7KufbEACAkWLupz4ffuDSd4vptzK61xC-bMJ1vBM1Kmw9iaSrRRfIetBRDUHCMgp3w2Rh9-NCMBXW6SIoICXyU5xW3nUgpYI/s640/eterno+motivo+4+ed.jpg" width="287" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">x ed. 19xx. Editora Vecchi.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyV4YC5I0hsFaF60slvBLqe3I_JbZfgB0-xHOZ_HkU-SapoP2gTWUQ1bzKSP3yUmQlLrfUQ98Tpm4HnmF2Okj6YPCuLCH8xyc-e9J8pC8u4WVvOCWQZwJwAHMMLqkiqCUJiPNFuOzIUhE/s1600/ETERNO+MOTIVO+j.g.+de+ara%25C3%25BAjo+jorge.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="409" data-original-width="308" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyV4YC5I0hsFaF60slvBLqe3I_JbZfgB0-xHOZ_HkU-SapoP2gTWUQ1bzKSP3yUmQlLrfUQ98Tpm4HnmF2Okj6YPCuLCH8xyc-e9J8pC8u4WVvOCWQZwJwAHMMLqkiqCUJiPNFuOzIUhE/s640/ETERNO+MOTIVO+j.g.+de+ara%25C3%25BAjo+jorge.jpg" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">5 ed. 1957. Editora Vecchi.</td></tr>
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG0BSj8ovQz_dfmAKrlr5Gn9HQh5JRrlvvfm-NVQ5EkM4Wo82ILW_nV_9Q0xoRA9lPDqgP1A1bTcHyBYFksTpNI3gc3Uun52DTb_Vvhky7elPvup3VZxpBxxNuX9piu5Gojip1jiUC1OY/s1600/eterno+motivo+araujo.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="500" data-original-width="360" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG0BSj8ovQz_dfmAKrlr5Gn9HQh5JRrlvvfm-NVQ5EkM4Wo82ILW_nV_9Q0xoRA9lPDqgP1A1bTcHyBYFksTpNI3gc3Uun52DTb_Vvhky7elPvup3VZxpBxxNuX9piu5Gojip1jiUC1OY/s640/eterno+motivo+araujo.jpg" width="287" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 12.8px;"><span style="font-size: 12.8px;">x ed. 19xx. Editora Vecchi.</span></td></tr>
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<img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUsHzrhcCrOyAURX1UaAkxrLDo1x2DQfZBH38T-siCFbuQV-sQyMjHXuL8YkHRJ2ks98iCIaXEJ4IFaeudTUYaVJMKmaX6xazkYDJTR32_wxen10pRHPOXOP4Atp52w7Af-Leg9fvFgio/s400/canto+da+terra+vecchi.jpg" /></div>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">O Canto da Terra, 1 ed. 1943, 2 ed. 1957, 3 ed. 1961/1965</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1aeyTCF0yjLiR9XIm97MIwRWnlnG8oxnYPvPLhgclJanWTL-S_D8hQSkKUCopLJK9BPEsomzeUCD96Ylbu3qhxCQv9OihQPR5Xvpo1EZgG-siDcF-KivDq2zT_NG-Yl2d76VfbiFQ938/s1600/o+cantoo+da+terra.jpg" imageanchor="1" style="font-family: "courier new", courier, monospace; font-weight: 700; margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="810" data-original-width="619" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1aeyTCF0yjLiR9XIm97MIwRWnlnG8oxnYPvPLhgclJanWTL-S_D8hQSkKUCopLJK9BPEsomzeUCD96Ylbu3qhxCQv9OihQPR5Xvpo1EZgG-siDcF-KivDq2zT_NG-Yl2d76VfbiFQ938/s400/o+cantoo+da+terra.jpg" width="305" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jorge, J. G. D. A. O canto da terra. Rio de Janeiro: Vecchi. 1 ed. 1943. 298 p.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNi3Km8MVQmT3gOpD0jgNoGwPqSPqr-q3HoF9XEP8rd32F7HRjbYBfZaL31q9nNA5AuWOR0-iqyfTd-FiYgbcrLNvbiMb2MgqjTSokXRQWHH3xvHaJJnADqTl6vRC7yv-rkOKCpap7p8Y/s1600/O+canto+da+terra+vecchi.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="925" data-original-width="588" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNi3Km8MVQmT3gOpD0jgNoGwPqSPqr-q3HoF9XEP8rd32F7HRjbYBfZaL31q9nNA5AuWOR0-iqyfTd-FiYgbcrLNvbiMb2MgqjTSokXRQWHH3xvHaJJnADqTl6vRC7yv-rkOKCpap7p8Y/s640/O+canto+da+terra+vecchi.jpeg" width="404" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jorge, J. G. D. A. O canto da terra. Rio de Janeiro: Vecchi. 2 ed. 1957. 298 p. </td></tr>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">_____________________________</span></div>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Estrela da Terra, 1 ed. 1947</span><br />
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUsB3maoG5dm6sbwN9YBHd7BXJJRCjbgizXjKCPxbZN5HNXoVsScrWR8x28bLtuHtY7N-VRw_wJ5ohyTbb0RTqYB9KYL5ZC3jhK-WfIesDnhGUoO4O6bB01evtSFlsJlSyxkdYaLIdfAI/s1600/Estrela+da+Terra+final.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="672" data-original-width="442" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUsB3maoG5dm6sbwN9YBHd7BXJJRCjbgizXjKCPxbZN5HNXoVsScrWR8x28bLtuHtY7N-VRw_wJ5ohyTbb0RTqYB9KYL5ZC3jhK-WfIesDnhGUoO4O6bB01evtSFlsJlSyxkdYaLIdfAI/s320/Estrela+da+Terra+final.jpg" width="210" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">J. G. de Araújo Jorge. Estrela da Terra. Capa e ilustrações Jan Zach. Edição do autor. Rio de Janeiro. 1947. 251 p.</td></tr>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">A outra face. 1 ed. 1950, 2 ed. 1952, 3 ed. 1954, 4 ed. 1956, 5 ed. 1961, 6 ed. 19xx, 7 ed. 1965</span><br />
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Festa de Imagens, 1 ed. 1952, 2 ed. 1954, 3 ed. 1956, 4 ed. 1958, 5 ed. 1961 6 ed. 1963</span><br />
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Harpa Submersa, 1 ed. 1952, 2 ed. 1957, 3 ed. 1961, 4 ed. 1962, 5 ed. 1963, (6) ed. 1968, 6 ed. 1974 (Bloch editores)</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwF3WwN9hpeBkoJoCDESTlcrJoxl4Px6N6nrTU6LClu0bAM-3zaqv1BLuaz9Qs-2SCZqCGlHmiNFkNcRQfNlZP5rjkQzlwNIc8g9EvZw0m39fUGk1U9am9eAaVONWRbklB6l2TW9cKl5M/s1600/harpasubmersa.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1045" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwF3WwN9hpeBkoJoCDESTlcrJoxl4Px6N6nrTU6LClu0bAM-3zaqv1BLuaz9Qs-2SCZqCGlHmiNFkNcRQfNlZP5rjkQzlwNIc8g9EvZw0m39fUGk1U9am9eAaVONWRbklB6l2TW9cKl5M/s640/harpasubmersa.jpg" width="417" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jorge, J. G. D. A. Harpa Submersa. Rio de Janeiro: Vecchi. 3 ed. 1961. 212 p.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe0bKLYZaryWS4yXTGbg9663hiTU4WDHoY1HaI2_uq5qa_wfpcVh68Ppsv1mRozziTheLW-OvK-MoSgSW8x8-NBwZSajL7vpRmOcw0CPkwBc4GRM2euA9IsC1XuW7LzU_O6517gQhXL2I/s1600/harpa.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="778" data-original-width="557" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe0bKLYZaryWS4yXTGbg9663hiTU4WDHoY1HaI2_uq5qa_wfpcVh68Ppsv1mRozziTheLW-OvK-MoSgSW8x8-NBwZSajL7vpRmOcw0CPkwBc4GRM2euA9IsC1XuW7LzU_O6517gQhXL2I/s640/harpa.jpeg" width="457" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Araújo Jorge, J. G. Harpa Submersa. Rio de Janeiro: Vecchi. 1957. 2 ed. 212 p</td></tr>
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Araújo Jorge, J. G. Harpa Submersa. Rio de Janeiro: Vecchi. 19xx. 2 ed. 212 p<br />
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br />_________________________</span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">A Sós, 1 ed. 1957, 2 ed. 19xx, 3 ed. 1961, 4 ed. 19xx, 5 ed. 1965</span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"></span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">_____________________________</span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span></div>
<div style="background-color: white; color: #222222; font-family: "courier new", courier, monospace; font-size: medium; text-align: justify;">
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Concêrto a 4 Mãos, 1 ed. 1959, em parceria com Maria Helena (poeta portuguesa). As edições posteriores o nome ficou </span><span style="color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400;">Concêrto a quatro mãos (com o numero por extenso). </span><span style="color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400;"> 2 ed. 1962, 3 ed. 1966 </span><br />
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjC2GIHzgjidmOGg1R5_tTeBv0wqLTkQbGWhzO9cEuqzqYOREUKpZkiexj4FeZ2wtEiV13XULk2hys5FQhSf8bBcwWQIDo2GfLCih3CW4gMDKRZELizDqWJCIFOYK-ENxB9F62wY48QrIc/s1600/concerto+a+quatro+m%25C3%25A3os.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="612" data-original-width="478" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjC2GIHzgjidmOGg1R5_tTeBv0wqLTkQbGWhzO9cEuqzqYOREUKpZkiexj4FeZ2wtEiV13XULk2hys5FQhSf8bBcwWQIDo2GfLCih3CW4gMDKRZELizDqWJCIFOYK-ENxB9F62wY48QrIc/s640/concerto+a+quatro+m%25C3%25A3os.JPG" width="497" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Araújo Jorge, J. G. de e Helna, M. Concêrto a 4 mãos. Rio de Janeiro: Vecchi. 1 ed. 1959. 163 p.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhda5NCEls2Pezqhvq708eDD-tBs5_4rhVU667umWPH3LgZNBYwKYk4qvzQ88dhlaDGF1r6S-z7ztKT3e5OE1qDVmxPYX-xebgzQ85JLS51UkHB3LLm26rclBUIoaCEKNCUerBCiG-3j-w/s1600/conc%25C3%25AArto+a+quatro+m%25C3%25A3os+araujo+jorge.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="665" data-original-width="453" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhda5NCEls2Pezqhvq708eDD-tBs5_4rhVU667umWPH3LgZNBYwKYk4qvzQ88dhlaDGF1r6S-z7ztKT3e5OE1qDVmxPYX-xebgzQ85JLS51UkHB3LLm26rclBUIoaCEKNCUerBCiG-3j-w/s640/conc%25C3%25AArto+a+quatro+m%25C3%25A3os+araujo+jorge.JPG" width="433" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Araújo Jorge, J. G. de e Helena, M. Concêrto a quatro mãos. Rio de Janeiro: Editora Vecchi. 2 ed. 1962. 171 p.</td></tr>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"></span><span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">____________________________________</span> <span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span></div>
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<span style="color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400;"><br /></span>
<span style="color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400;">Espera..., 1 ed. 1960, 2 ed. 1961, 3 ed. 196x, 4 ed. 1965</span><br />
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span></div>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">__________</span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">De mãos dadas, 1961/1962 em parceira com Maria Helena, poeta portuguesa</span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEdC5mV-FTVqlhZVSzUxhkfngAIXkV77CuJ41lQj6pr_GMSf0DHo8NeXIpJXz1c7U4Rf_uQxUT3J0PEbWAN51UH_gdTN93WDCMz7HxbU_jWuSiEbiC6n4gXKc_o-ri_xlqCppFi2rEBB0/s1600/de+maos+dadas.jpg" imageanchor="1" style="font-family: "courier new", courier, monospace; font-weight: 700; margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="857" data-original-width="570" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEdC5mV-FTVqlhZVSzUxhkfngAIXkV77CuJ41lQj6pr_GMSf0DHo8NeXIpJXz1c7U4Rf_uQxUT3J0PEbWAN51UH_gdTN93WDCMz7HxbU_jWuSiEbiC6n4gXKc_o-ri_xlqCppFi2rEBB0/s400/de+maos+dadas.jpg" width="265" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Adicionar legenda</td></tr>
</tbody></table>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"></span><br />
_________________________</div>
<div style="background-color: white; color: #222222; font-family: "courier new", courier, monospace; font-size: medium; text-align: justify;">
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Canto A Friburgo, 1961/1962 (Edição da Livraria Simões - Friburgo)</span><br />
__________________________<br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span></div>
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<div style="color: #222222; font-family: "courier new", courier, monospace;">
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Cantiga do Só, 1963/1964</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiISsz38q2cv0kDKCBT3-7jG5lUurqsW4cdrlfdeE9Bo742tP7cXHIKUWHQ3rYvSCpKCwBm9yybeNNOpBOXXSdSqFwQ01Jz1TolHD7kC6X3MDynSAy1eXuS4lVTXQaL9qlemHnaK0X2QLk/s1600/cantiga+do+so.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="270" data-original-width="187" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiISsz38q2cv0kDKCBT3-7jG5lUurqsW4cdrlfdeE9Bo742tP7cXHIKUWHQ3rYvSCpKCwBm9yybeNNOpBOXXSdSqFwQ01Jz1TolHD7kC6X3MDynSAy1eXuS4lVTXQaL9qlemHnaK0X2QLk/s400/cantiga+do+so.jpg" width="277" /></a></div>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span></div>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span></div>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span></div>
<span style="color: #002400;"><span style="font-weight: 400;">_______________________________________</span></span></div>
<div style="background-color: white; color: #222222; font-family: "courier new", courier, monospace; font-size: medium; text-align: justify;">
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Quatro Damas, 1ed. 1964, 2 ed. </span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD7OOIuk8gQ2Osy4tVZRbDao5oWVhAyRWwkHegkRI1G6ccShRFB1n_mvGfpBdoSvdHbxjE4dzmACFB3hEc1ZxV6zicqyfYpIs_ZdGFmcz21lFF3xIj8n4QWWHWMRrGIi0ZNAxNeg9xzuk/s1600/QUATRO+DAMAS+X+ED.jpg" imageanchor="1" style="font-family: "courier new", courier, monospace; font-weight: 700; margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="278" data-original-width="173" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD7OOIuk8gQ2Osy4tVZRbDao5oWVhAyRWwkHegkRI1G6ccShRFB1n_mvGfpBdoSvdHbxjE4dzmACFB3hEc1ZxV6zicqyfYpIs_ZdGFmcz21lFF3xIj8n4QWWHWMRrGIi0ZNAxNeg9xzuk/s400/QUATRO+DAMAS+X+ED.jpg" width="248" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Quatro Damas. 1 ed. 1964</td></tr>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"></span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3KIVTB2_sAYAzd2UyQdd07PpdvWmOlUJfF4md5I7aSyQLyH92m0CR0Axl6WsWr0Gf6fNUPWUY8WnlOj5BaX_rTBhXNKK-oRF41Fpqi4v1NjrYlknEZygCwHnJHd-gnGrXa7f4rxuDUS4/s1600/Quatro+damas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1040" data-original-width="673" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3KIVTB2_sAYAzd2UyQdd07PpdvWmOlUJfF4md5I7aSyQLyH92m0CR0Axl6WsWr0Gf6fNUPWUY8WnlOj5BaX_rTBhXNKK-oRF41Fpqi4v1NjrYlknEZygCwHnJHd-gnGrXa7f4rxuDUS4/s400/Quatro+damas.jpg" width="258" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Quatro damas. 2 ed. 1968</td></tr>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span><span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">__________________________________--</span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span></div>
<div style="background-color: white; color: #222222; font-family: "courier new", courier, monospace; font-size: medium; text-align: justify;">
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Mensagem, 1966 </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYCUa60Ffqrt8Yuw4Tlyi_B6IB0q9co0Ap2SeEQx0uOqRU327gbKP1aTYmdMNxAeWuFkP0T5IiWMIk95tBW7PDgD9tIeJxf78N7vFNRZ4y86ueS6J1XrpABhh2Bguqm0urIAaXHA0-uxk/s1600/Mensagem+araujo+jorge.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="371" data-original-width="244" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYCUa60Ffqrt8Yuw4Tlyi_B6IB0q9co0Ap2SeEQx0uOqRU327gbKP1aTYmdMNxAeWuFkP0T5IiWMIk95tBW7PDgD9tIeJxf78N7vFNRZ4y86ueS6J1XrpABhh2Bguqm0urIAaXHA0-uxk/s320/Mensagem+araujo+jorge.jpg" width="210" /></a></div>
<span style="color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400;">_______________________</span></div>
<div style="background-color: white; color: #222222; font-family: "courier new", courier, monospace; font-size: medium; text-align: justify;">
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Cantigas de Menino Grande. Volume 4 da Coleção Trovas e Trovadores. 100 Trovas, 1 ed. 1964, 2 ed. 1964</span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBBaEYRC89q3rwERNYIjtJ3xswUb0QSJTvoz1GRpAeL9pLfVz40jlDe8jNghS072RGbpsQ4hjGWZHbgPO4Bt89XwVFI_q-rWRs_63F4987mI7X_Eta7SgbeUdzt2a82RC_Ro0Y9PNPNt8/s1600/cantigas+de+menino+grande.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="202" data-original-width="140" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBBaEYRC89q3rwERNYIjtJ3xswUb0QSJTvoz1GRpAeL9pLfVz40jlDe8jNghS072RGbpsQ4hjGWZHbgPO4Bt89XwVFI_q-rWRs_63F4987mI7X_Eta7SgbeUdzt2a82RC_Ro0Y9PNPNt8/s400/cantigas+de+menino+grande.jpg" width="277" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cantigas de Menino Grande. J. G. de Araújo Jorge. 1964. Freitas Bastos.</td></tr>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">___________________</span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span></div>
<div style="background-color: white; color: #222222; font-family: "courier new", courier, monospace; font-size: medium; text-align: justify;">
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Trevos De Quatro Versos. Trovas, 1 ed. 1964</span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJXA0-WjYJMFGIfp-FEnq4iqfqQvYw5neWo8w2PAlnYZ-ftbPiGvsdby9_waZHmqRKc70-unaQBPHPzkTorIVPLVPCo3qcPs7k1UilbG-w0mEcV5LDpeTudDGKasLSUWNkYsT455En3Xw/s1600/trevo+de+quatro+versos.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="252" data-original-width="160" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJXA0-WjYJMFGIfp-FEnq4iqfqQvYw5neWo8w2PAlnYZ-ftbPiGvsdby9_waZHmqRKc70-unaQBPHPzkTorIVPLVPCo3qcPs7k1UilbG-w0mEcV5LDpeTudDGKasLSUWNkYsT455En3Xw/s400/trevo+de+quatro+versos.jpeg" width="253" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1 ed. 1964. Livraria São José. 165 p.</td></tr>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span></div>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Um besouro contra a vidraça. Livraria José Olimpio. Rio de Janeiro. 1 ed. 1941, 2 ed. 19xx, 3 ed. 19xx, 4 ed. 1946, 5 ed. xx, 6 ed. 1959,</span><span style="color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400;"> 7 ed. 1963, 12 ed. 1983</span><br />
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Teve um edição de bolso com 50 mil exemplares. </span></div>
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<tr><td style="text-align: center;"><img alt="Resultado de imagem para J. G. de Araújo Jorge" height="451" src="https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcQULmjyzPVz-Zeu8sKzZi86hJLlu2kpLJ8ehddLFXu205lYRtfR" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 12.8px;">Araújo Jorge, J. G. de Um besouro contra a vidraça. Rio de Janeiro: José Olympio. 1 ed. 1942. 316 p.</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;">4 ed. 19xx. Editora Vecchi</td></tr>
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_________________________________<br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span></div>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Brasil, Com Letra Minúscula- Romance , 1 ed. 1962</span><br />
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">__________________________</span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"></span><br />
<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span><span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Antologia Poética. 1978.</span><br />
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<span style="color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400;">___________________________</span></div>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span></div>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Meus Sonetos De Amor Coletâneas, 1 ed. 1961</span><br />
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Poemas Do Amor Ardente Coletâneas, 1961</span><br />
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></span></div>
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Os Mais Belos Sonetos Que O Amor Inspirou, 1963 </span><br />
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">______________________________-</span></div>
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<span style="color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400;">No Mundo da Poesia, Crônicas, 1969</span><br />
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">____________________________________</span></div>
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<span style="color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400;">O Poeta Na Praça - Coletâneas, 1981</span><br />
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<span style="border: 0px; color: #002400; font-family: "verdana" , "arial" , "???c???i" , "meiryo" , "?q???m?m?p?spro w3" , "hiragino kaku gothic pro" , "?l?r ?o?s?v?b?n" , sans-serif; font-weight: 400; margin: 0px; padding: 0px; vertical-align: baseline;">Tempo Será - Coletâneas, 1986</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGAJpesumExf7CFWzCvTxfnVmqUU4OukT2RX483Eq_DjcdOn6LeIBY7hZ4Txbj2jv9yraslDC8-8qbwPAu1lx_9vTrimqYXcVOOhD4wvsOjpMo9-h93m4iqDoldBGakskCKZhcjeDmdg4/s1600/TEMPO+SERA+Record+1986+150+p1254251937B.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="309" data-original-width="200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGAJpesumExf7CFWzCvTxfnVmqUU4OukT2RX483Eq_DjcdOn6LeIBY7hZ4Txbj2jv9yraslDC8-8qbwPAu1lx_9vTrimqYXcVOOhD4wvsOjpMo9-h93m4iqDoldBGakskCKZhcjeDmdg4/s400/TEMPO+SERA+Record+1986+150+p1254251937B.jpg" width="258" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1 ed. 1986. Record. </td></tr>
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com2tag:blogger.com,1999:blog-6800349290165781826.post-69811988514928989902018-01-21T01:30:00.004-08:002021-07-08T15:38:31.726-07:00Henri Anatole Coudreau - Franceses na Amazônia<div dir="ltr" style="text-align: left;" trbidi="on">
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Henri Coudreau</h1>
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<span style="background-color: white;"><b>Henri Anatole Coudreaux</b> (nascido em 06 de Maio de 1859 em <a class="mw-disambig" href="https://pt.wikipedia.org/wiki/Sonnac" style="background-image: none; color: #0b0080;" title="Sonnac">Sonnac</a> (França), faleceu em 09 de Novembro de 1899 em Cachoeira Porteira (Para - Brasil) </span></div>
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<span style="background-color: white;"><span style="font-size: 0.875em;">Foi </span><span style="font-size: 0.875em;">professor de história e geografia no Colégio de</span><span style="font-size: 0.875em;"> </span><a href="https://pt.wikipedia.org/wiki/Caiena" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0b0080; font-size: 0.875em; text-decoration-line: none;" title="Caiena">Caiena</a><span style="font-size: 0.875em;">, na</span><span style="font-size: 0.875em;"> </span><a href="https://pt.wikipedia.org/wiki/Guiana_Francesa" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0b0080; font-size: 0.875em; text-decoration-line: none;" title="Guiana Francesa">Guiana Francesa</a><span style="font-size: 0.875em;">. Em</span><span style="font-size: 0.875em;"> </span><a href="https://pt.wikipedia.org/wiki/1895" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0b0080; font-size: 0.875em; text-decoration-line: none;" title="1895">1895</a><span style="font-size: 0.875em;">, contratado pelo governo do</span><span style="font-size: 0.875em;"> </span><a href="https://pt.wikipedia.org/wiki/Par%C3%A1" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0b0080; font-size: 0.875em; text-decoration-line: none;" title="Pará">Pará</a><span style="font-size: 0.875em;">, passou a fazer uma série de explorações pelos rios da Amazônia, tendo falecido as margens do</span><span style="font-size: 0.875em;"> </span><a href="https://pt.wikipedia.org/wiki/Rio_Trombetas" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0b0080; font-size: 0.875em; text-decoration-line: none;" title="Rio Trombetas">Rio Trombetas</a><span style="font-size: 0.875em;">. Escreveu</span><span style="font-size: 0.875em;"> </span><i style="font-size: 0.875em;">Viagem ao Tapajós: 28 de julho de 1895 – 7 de janeiro de 1896</i><span style="font-size: 0.875em;"> </span><span style="font-size: 0.875em;">e</span><span style="font-size: 0.875em;"> </span><i style="font-size: 0.875em;">Viagem ao Xingu: 30 de maio de 1896 – 26 de outubro de 1896</i><span style="font-size: 0.875em;">. </span><span style="font-size: 0.875em;">Na Guiana Francesa iniciou, nos períodos de férias, explorações nos arredores de Caiena, dilatando pouco a pouco suas viagens de estudos e observações até regiões mais afastadas, colhendo o material para o trabalho, publicado em 1883, denominado “Richesses da la Guyenne Française”, trabalho que obteve medalha na Exposição de Amsterdam.</span><span style="font-size: 0.875em;"> A serviço do Ministério da Marinha e das Colônias estudou, numa primeira missão, e nos anos de 1883, 84 e 85, os imensos territórios, então contestados, entre a Guiana Francesa e o Brasil. Partindo da Aldeia de Counani, passou depois ao Rio Branco indo até o Rio Negro permanecendo, nessa viagem de estudos, dois anos cheios de aventuras, sozinho entre os naturais da região. </span><span style="font-size: 0.875em;">Sua segunda missão durou ainda dois anos (Maio de 1887 a Abril de 1889) e, do ponto vista geográfico, foi particularmente rica, pois, além de percorrer um itinerário de mais de 4000 km levantados na escala de 1:100.000, realizou levantamentos considerados completos do Rio Oiapoque, do Maroni e do Moronini, da embocadura à nascente. </span><span style="font-size: 0.875em;">Viajando 2.600 quilômetros em rios e 1.400 em montanhas, Coudreau precisou para cobrir os 1.400 quilômetros no Tumucumaque, marchar efetivamente 210 dias a pé, dos quais 160 pelos caminhos indígenas da floresta e 50 na floresta, valendo-se da bússola e, principalmente, da caça para a alimentação. </span><span style="font-size: 0.875em;">Descobriu 150 cumes que foram medidos e levantados Quase todas as nascentes dos cursos d’água das duas vertentes foram fixadas, bem como, descrito o relevo geral da região dos picos rochosos. </span><span style="font-size: 0.875em;">O estudo do clima, a descrição da floresta de cacaueiros nativos e de árvores da borracha na região de Tumucumaque, ao pé das montanhas, tudo foi considerado pelo explorador francês que acreditou, com sinceridade, na possibilidade da sua exploração econômica e consequente colonização. </span><span style="font-size: 0.875em;">Do ponto de vista etnográfico descobriu, na região, cerca de 20 tribos indígenas todas sedentárias e agrícolas, pacíficas e inteligentes, das quais estudou os costumes, os hábitos e os dialetos. </span><span style="font-size: 0.875em;">Para se avaliar da infatigável atividade do explorador após as 3 primeiras missões, basta que se atente para os trabalhos enumerados por sua diligente e inseparável companheira Madame O. Coudreau, ao escrever a biografia do ilustre espôso, exarada em “Voyage au Rio Trombetas ‒ 7 Aout 1889 ‒ 25 Novembre 1889 ‒ Paris ‒ A Lahuré, Imprimeur ‒ Éditeur ‒ 1900”; “La France équinoxiale, 2 volumes e um Atlas”; “Voyage Rio Branco”; “Les Français en Amazonie”; “Dialectes indiens de la Guyane”; “Les Indiens de la Guyane”; “Les Caraibes”; “Les Tumuc‒Humac”; “Les Lèjendes des Tumuc‒Humac”; “Le Brésil Nouveau”; “L’Émigration au Nouveau Monde”; “Dix ans de Guyane”. </span><span style="font-size: 0.875em;">Quanto aos itinerários e levantamentos foram assinalados por Madame Coudreau, ao todo, 38 folhas de levantamentos. </span><span style="font-size: 0.875em;">Em 1895, Henri‒Anatole Coudreau inaugurou um serviço de exploração no Estado do Pará, tendo sucessivamente explorado o Tapajós, o Xingu, o Tocantins, o Araguaia, o Itaboca, o ltacaiuna, bem assim a zona compreendida entre o Tocantins e o Xingu, o Jamundá e o Trombetas, em cujas margens faleceu. </span><span style="font-size: 0.875em;">À cerca da sua atividade e do valor de seus trabalhos escreveu Madame Coudreau: “Ao cabo de cada viagem publicou um livro relatando-a. Era muito produzir para um diletante como Coudreau”. Em 1895, foi incumbido pelo governador do Pará ‒ Lauro Sodré ‒ de uma missão científica no Rio Tapajós. A respeito publicou, em Paris, 1897, A Lahure ‒ Éditeur ‒ Voyage au Tapajoz, volume traduzido para o português por A. de Miranda Bastos, com anotação de Raimundo Pereira Brasil, Companhia Editora Nacional, volume 208 ‒ Série 5, Brasiliana, Biblioteca Pedagógica Brasileira, S. Paulo.</span></span></div>
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<span style="background-color: white;">Fonte: Wikipedia - https://pt.wikipedia.org/wiki/Henri_Coudreau</span></div>
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<span style="background-color: white;">Bibliografia</span></div>
<ul style="color: #222222; font-family: sans-serif; font-size: 0.875em; margin: 0.3em 0px 0px 1.6em; padding: 0px;">
<li style="margin-bottom: 0.1em;"><span style="background-color: white;"><i>Le Pays de Ouargla</i>, (1881)</span></li>
<li style="margin-bottom: 0.1em;"><span style="background-color: white;"><i>Les richesses de la Guyane française</i>, (1883), awarded a bronze medal at the <a class="mw-redirect" href="https://en.wikipedia.org/wiki/Internationale_Koloniale_en_Uitvoerhandel_Tentoonstelling" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0b0080;" title="Internationale Koloniale en Uitvoerhandel Tentoonstelling">Internationale Koloniale en Uitvoerhandel Tentoonstelling</a></span></li>
<li style="margin-bottom: 0.1em;"><span style="background-color: white;"><i>La France Equinoxiale</i>, (1887)</span></li>
<li style="margin-bottom: 0.1em;"><span style="background-color: white;"><i>La Haute Guyane</i>, (1888)</span></li>
<li style="margin-bottom: 0.1em;"><span style="background-color: white;"><i>Dix ans de Guyane</i>, (1891)</span></li>
<li style="margin-bottom: 0.1em;"><span style="background-color: white;"><i>Les dialectes Indiens de Guyane</i>, (1892)</span></li>
<li style="margin-bottom: 0.1em;"><span style="background-color: white;"><i>Chez nos indiens. Quatre années dans la Guyane française</i>, Paris, (1893)</span></li>
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<ul style="margin: 0.3em 0px 0px 1.6em; padding: 0px;">
<li style="margin-bottom: 0.1em;"><span style="background-color: white;"><i>Voyage Au Trombetas: 7 Août 1899-25 Novembre 1899</i>, <a href="https://en.wikipedia.org/wiki/International_Standard_Book_Number" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0b0080;" title="International Standard Book Number">ISBN</a> <a href="https://en.wikipedia.org/wiki/Special:BookSources/978-1148473758" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0b0080;" title="Special:BookSources/978-1148473758">978-1148473758</a></span></li>
<li style="margin-bottom: 0.1em;"><i style="background-color: white;">Voyage Au Cuminá: 20 Avril 1900-7 Septembre 1900</i></li>
<li style="margin-bottom: 0.1em;"><i style="background-color: white;">Voyage Au Maycur, 5 Juin 1902-12 Janvier, 1903</i></li>
<li style="margin-bottom: 0.1em;"><i style="background-color: white;">Voyage Au Rio Curua (1903)</i></li>
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<i style="background-color: white;">Fontes na Internet</i></div>
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<span face="sans-serif" style="color: #222222;"><span style="font-size: 21px;"><i style="background-color: white;">http://www.henricoudreau.fr/biographies/coudreau.html</i></span></span></div>
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LIVROS DE HENRI COUDREAU - PUBLICADOS NO BRASIL</div>
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VIAGEM AO TAPAJÓS </div>
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<span face=""roboto" , sans-serif" style="background-color: white; color: #666666; font-size: 15px; text-align: justify;">Publicado pela primeira vez em Paris em 1897, o livro é o resultado de uma das expedições realizadas pelo grande geógrafo francês (1858-1899) por incumbência do governo do Pará. O texto se dedica à descrição física da bacia do rio Tapajós, no oeste e no sudoeste paraense, e à etnologia das populações indígenas locais, notadamente os Mundurucus, os Maués e os Apiacás, seu vocabulário, seus costumes e sua organização familiar e tribal.</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDOV2kpjmr6luQqgTDTgaTeZ2hVVy0IoYvFIPAUYdmB3KrCTztrfTL7rJZyAvxgO0g5o9CR7lncFw1d1LsNeUzaG8LqVV4Ojk9rdDRO8caaoik1olVt9k-dAsxo7zrxvqRfhrarqZLIfQ/s1600/tapajos+1+ed.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="768" data-original-width="517" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDOV2kpjmr6luQqgTDTgaTeZ2hVVy0IoYvFIPAUYdmB3KrCTztrfTL7rJZyAvxgO0g5o9CR7lncFw1d1LsNeUzaG8LqVV4Ojk9rdDRO8caaoik1olVt9k-dAsxo7zrxvqRfhrarqZLIfQ/s640/tapajos+1+ed.jpg" width="430" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">CONDREAU, H. Viagem ao Tapajós: 28 de Julho de 1895 - 7 de Janeiro de 1896. 1 ed. Companhia Editora Nacional: São Paulo. 1940. 288 p. p. <span style="font-size: 19.2px;">Coleção Brasiliana, v. 208</span><span style="font-size: 19.2px;">. Tradução A. Miranda Bastos. Anotações Raimundo Pereira. Original Voyage au Tapajoz. A Lahure, Paris. 1897.</span></td></tr>
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Disponível em</div>
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http://www.brasiliana.com.br/obras/viagem-ao-tapajos</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo-vl3xHXMxlN936O1WHw8C4nfPsj6DyiIzRNRRJz_aqCaYjKYfADa0BQQQwXbdx_1tLH-GxtDut-VVuRpVGI91aqeeymnlulsyD1HdumGoIOQFanj4j4KTIEdH8jBpCPIkLrl96pyAk0/s1600/coundreau+tapajos.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo-vl3xHXMxlN936O1WHw8C4nfPsj6DyiIzRNRRJz_aqCaYjKYfADa0BQQQwXbdx_1tLH-GxtDut-VVuRpVGI91aqeeymnlulsyD1HdumGoIOQFanj4j4KTIEdH8jBpCPIkLrl96pyAk0/s640/coundreau+tapajos.jpg" width="460" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">CONDREAU, H. Viagem ao Tapajós. 2 ed. Itatiaia-Edusp: Belo Horizonte: São Paulo, 1977. 162 p. <span style="font-size: 19.2px;">Coleção Reconquista do Brasil, v. 44</span>. Tradução Eugenio Amado. Original Voyage au Tapajoz. A Lahure, Paris. 1897.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLpw0A1O4dSjjarXINVJ1RzIW4ZNAYiioVIqwRxWCLirdcAN7bAqMzVXtOIncTu5wgf_4e8O_qb5kidy4V6UQPX86x2vdfyaL4zC3rr3C4keFrD_k9fPG8KymH1S5yVlb83K_-4GJIi1g/s1600/viagem+ao+xingu.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="500" data-original-width="360" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLpw0A1O4dSjjarXINVJ1RzIW4ZNAYiioVIqwRxWCLirdcAN7bAqMzVXtOIncTu5wgf_4e8O_qb5kidy4V6UQPX86x2vdfyaL4zC3rr3C4keFrD_k9fPG8KymH1S5yVlb83K_-4GJIi1g/s640/viagem+ao+xingu.jpg" width="460" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">CONDREAU, H. Viagem ao Xingú. Belo Horizonte: Itatiaia - USP, 1977. 162 p. Coleção Reconquista do Brasil, v. 49. Tradução Eugenio Amado. </td></tr>
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com0tag:blogger.com,1999:blog-6800349290165781826.post-14360595899772101862018-01-11T16:39:00.006-08:002020-06-04T19:24:03.782-07:00Os livros de Willy Aureli <div dir="ltr" style="text-align: left;" trbidi="on"></div><div dir="ltr" style="text-align: left;" trbidi="on"><h2 style="text-align: left;"><span style="font-family: "courier new", courier, monospace; font-size: small;"><div style="text-align: center;"><span style="background-color: white; color: #666666; font-family: "courier new", courier, monospace; text-align: justify;"><div style="text-align: center;"><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">Willy Aureli (1898 - 1968)</font></span></div><div style="text-align: center;"><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">Willy Aureli, nasceu em Santos - SP, filho de italianos Augusto Aureli (Roma) e Luiza Scamperli (Trieste) teve um irmão (Fernando) e duas irmãs (Parisina e Fernanda). Foi casado com Nair Pereira de Abreu (1904-1992), com quem teve um filho (Ivan de Abreu Aureli) e uma filha (Brunilde Aureli). Na época do seu falecimento estava desquitado e morava em São Paulo, tendo falecido de ataque cardiaco. Willy Aureli, vicentino, iniciou sua carreia na sucursal de São Vicente do Jornal A Tribuna e A Tribuna em Santos antes de mudar-se para São Paulo onde fez trabalhos para os jornais Folhas de São Paulo, da Manhã, da Tarde e da Noite. Foi presidente da API Associação Paulista de Imprensa. Willy Aureli começou a trabalhar como jornalista em 1924 no "Jornal da Noite" e "Gazeta do Povo", em Santos. A partir de 1927 passou a trabalhar como chefe de reportagem policial na "Folha de S. Paulo". Trabalhou também nos jornais "A Época", "O Tempo", "Diário Popular", "Diários Associados" e "Shopping News". Foi presidente de 1954 a 1957 da Associação Paulista de Imprensa, sendo um dos fundadores do Sindicato dos Jornalistas Profissionais. Fundou a Bandeira Piratininga, em 1937, para o desbravamento dos sertões brasileiros. Publicou livros de méritos, não apenas de aventuras, mas abordando aspectos geográficos, etnográficos, geologicos, da flora e da fauna e das populações indígenas. </font></span></div><div style="text-align: center;"><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2"><br /></font></span></div><div style="text-align: center;"><br /></div></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfEGBbCGNasMT-HimZfsb5t1_BPmW2Q4lc7hzKhvTwp8EcYHZ23ZWbTh2nQkdfGsilmWSgaM7cAi7SbUPkW9EZmbp-MWYXmlD_UhbBFt6sJhoWyH8JkGUx47KZwbjBZG1unXrrZmER8YY/s1600/willy+aureli+jacares.jpeg" style="margin-left: 1em; margin-right: 1em;"><font color="#000000" face="verdana" size="2" style="background-color: black;"><img border="0" data-original-height="728" data-original-width="1017" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfEGBbCGNasMT-HimZfsb5t1_BPmW2Q4lc7hzKhvTwp8EcYHZ23ZWbTh2nQkdfGsilmWSgaM7cAi7SbUPkW9EZmbp-MWYXmlD_UhbBFt6sJhoWyH8JkGUx47KZwbjBZG1unXrrZmER8YY/s400/willy+aureli+jacares.jpeg" width="400" /></font></a></div>
<div style="text-align: center;"><br /></div><div style="text-align: center;"><div style="text-align: center;"><span style="background-color: black; font-weight: normal;"><font color="#ffffff" face="verdana" size="2">O Jornal A Tribuna em três domingos seguidos, 21 e 28 de abril e 5 de maio (domingos), publicou matérias sobre seus feitos. Posteriormente noticiou sua morte em 30 de agosto desse mesmo ano, 1968 e daí então nada mais se mencionou sobre Willy Aureli.</font></span></div><div style="text-align: center;"><span style="background-color: black; font-weight: normal;"><font color="#ffffff" face="verdana" size="2"><br /></font></span></div><div style="text-align: center;"><span style="background-color: black; font-weight: normal;"><font color="#ffffff" face="verdana" size="2">Infelizmente seu acervo foi perdido num incêndio quando estava sob a guarda de sua irmã Parisina.</font></span></div><div style="text-align: center;"><span style="background-color: black; font-weight: normal;"><font color="#ffffff" face="verdana" size="2">A outra, Parisina Aureli, foi casada mais de trinta anos com um cidadão chamado Francisco que, antes disso separou-se de sua antiga mulher. Parisina veio a falecer e o cidadão Francisco voltou à relação com sua antiga esposa. Aqui o alerta para que os acervos sejam divulgados o máximo possível para que não se perca a história por umidade, fogo, cupins ou mesmo o lixo. Francisco ao retornar a relação com sua antiga mulher, esta, ao chegar à casa da falecida Parisina, colocou fogo em todo o acervo de Willy Aureli que estava sob a guarda dela , (Parisina), ou seja, a história de Willy Aurélio virou cinzas. Seu irmão Aurélio Aureli faleceu em uma das incursões da Bandeira Piratininga em decorrência de picada de mosquito e foi sepultado no sertão, próximo ao Rio Araguaia.</font></span></div><div style="text-align: center;"><span style="background-color: black; font-weight: normal;"><font color="#ffffff" face="verdana" size="2"><br /></font></span></div><div style="text-align: center;"><span style="background-color: black; font-weight: normal;"><font color="#ffffff" face="verdana" size="2">Parte de relato de Severino Reste na Internet:</font></span></div><div style="text-align: center;"><span style="background-color: black; font-weight: normal;"><font color="#ffffff" face="verdana" size="2">http://www.saopaulominhacidade.com.br/list.asp?ID=6619</font></span></div><div style="text-align: center;"><span style="background-color: black; font-weight: normal;"><font color="#ffffff" face="verdana" size="2">Aos 14 anos fui trabalhar na API - Associação Paulista de Imprensa, como arquivista e office boy, que tinha como presidente o escritor e sertanista Willi Aurelli (desbravador dos sertões de Goiás e Mato Grosso, que frequentemente recebia a visita dos também sertanistas irmãos Vilas Boas, de quem tive o prazer de apertar as mãos). Willi Aurelli foi o precursor do turismo de Ubatuba, pois foi quem divulgou a cidade após várias visitas, para registrar e noticiar nos jornais da capital sobre o que ocorria no Presídio da Ilha Anchieta. Foi ele também quem fez conhecer a ilhabelense radicada em Ubatuba Idalina do Amaral Graça.</font></span></div><div style="text-align: center;"><span style="background-color: black; font-weight: normal;"><font color="#ffffff" face="verdana" size="2">Idalina do Amaral Graça, pseudônimo "A Solitária de Iperóig" (Iperóig é Ubatuba) foi descoberta por Willy Aureli que levava seus escritos a serem publicados em jornais de São Paulo.</font></span></div><div style="text-align: center;"><span style="background-color: black; font-weight: normal;"><font color="#ffffff" face="verdana" size="2">http://www.ubaweb.com/ubatuba/personagens/index_per_masc.php?pers=idalinag</font></span></div><div style="text-align: center;"><span style="background-color: black; font-weight: normal;"><font color="#ffffff" face="verdana" size="2"><br /></font></span></div><div style="text-align: center;"><span style="background-color: black; font-weight: normal;"><font color="#ffffff" face="verdana" size="2"><br /></font></span></div><div style="text-align: center;"><span style="background-color: black; font-weight: normal;"><font color="#ffffff" face="verdana" size="2">Fonte: http://www.saovicentealternativa.com.br/publico/noticia.php?codigo=221</font></span></div><div style="text-align: center;"><span style="background-color: black; font-weight: normal;"><font color="#ffffff" face="verdana" size="2"><br /></font></span></div><div style="text-align: center;"><span style="background-color: black; font-weight: normal;"><font color="#ffffff" face="verdana" size="2">Willy Aureli, também trabalhou como tradutor e roteirista. Nos documentários Sertões Bravios e Roncador (da produtora do Primo Carbonari) ele foi o roteirista.</font></span></div><div><span style="background-color: black; color: white; font-family: verdana; font-size: small; text-align: left;"><span style="background-color: white; color: #666666; text-align: justify;"><span style="color: #402000; font-family: verdana, geneva, sans-serif; font-size: 12px;"><br /></span></span></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2"><span style="font-family: "courier new", courier, monospace; font-size: small; text-align: left;"><span style="background-color: white; color: #666666; text-align: justify;"><span style="color: #402000; font-family: verdana, geneva, sans-serif; font-size: 12px;">Fonte: </span></span></span><span style="color: #402000; font-family: verdana, geneva, sans-serif; text-align: left;"><span style="font-size: 12px;">http://www.saovicentealternativa.com.br/publico/noticia.php?codigo=221</span></span></font></span></div></div></span></h2><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2"><br /></font></span></div><div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">Willy Aureli, também trabalhou como tradutor e roteirista. Nos documentários Sertões Bravios e Roncador (da produtora do Primo Carbonari) ele foi o roteirista.</font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2"><br /></font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">BIBLIOGRAFIA (12 títulos):</font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">1 edições </font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">1931 – A tragédia de Ekaterimburgo</font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">193? - O evadido de Cayenna</font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">1939 – Roncador: Jornada da “Bandeira Piratininga” (publicado em 1943 como Expedição à Serra do Roncador)</font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">1940 – Bandeirantes d’Oeste</font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">1942 – Sertões bravios</font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">1949 – Léguas sem fim</font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">1952 – Terra sem sombra</font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">1957 – O rio da solidão</font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">1960 – Esplendor selvagem</font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">1963 – Biu Marrandu: Os donos da chuva</font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">1966 – Samaúma</font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">1973 – Bugres no Rio das Mortes</font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2"><br /></font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2"><br /></font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">________________________________________________</font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">A TRAGÉDIA DE EKATERIMBURGO</font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">A Tragédia de Ekaterimburgo. 1931</font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2"><br /></font></span></div><div><span style="background-color: black;"><font color="#ffffff" face="verdana" size="2">O livro é um relato impressionante do assassínio da família imperial russa.Ecaterimburgo ou Yekaterimburgo (em russo: Eкатеринбург, transl. Yekaterinburg) é uma cidade da Rússia.</font></span></div><div><br /></div><div><span style="background-color: black; color: white; font-family: verdana; font-size: small;">________________________________________________</span></div></div>
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EVADIDO DE CAYENNE<br />
Evadido de Cayenne. 1 ed. 193x. Edições Cultura Brasileira: São Paulo.</font><br /></font></span>
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RONCADOR</font><br />
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<span style="font-family: verdana, arial, helvetica, sans-serif; font-size: 19.68px;">Descreve a expedição chefiada pelo autor que, em 1938, saiu de São Paulo a procura do divisor de águas entre o Araguaia e o Xingu, a chamada Serra do Roncador. Refere-se a índios da região. Mas o dr. Tihamér Szaffka, que acompanhou aquela expedição como etnógrafo, observa a respeito: "Impressões, dados, etc., que achamos neste livro, não são exatos, e o título duma fotografia incorreta, o que torna o livro inaproveitável." (Revista do Arquivo Municipal LXXXVII, São Paulo 1942, p. 172, nota 1).</span><br />
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Fonte: Biblioteca Digital Curt Nimuendajú</font><br />
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Roncador: Jornada da "Bandeira Piratininga". 1939. 1 ed. Edições Cultura Brasileira: São Paulo, 294 p. ill., 21 cm.</font></font><br />
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Roncador: Expedição da Bandeira Piratininga. 1939. 1 ed. Rio de Janeiro: Edições Cultura Brasileira, 294 p. </font></span></div>
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Roncador (Jornada da "Bandeira Piratininga". 1940. 2 ed. Edições Cultura Brasileira: Rio de Janeiro, 299 p. </font></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKPSFZV9kPH3Qer19dB1xQvFhyKHGPvo6aLM8df59i8UCEphXeeR8Os3fpM9wxbXoogHI5C3pQnb0u_Xh1ihbbpSC-Cx_m-WsIhtB25J1cqEDHJZsBG6Kj2V98ro5o426gihr55wDJZYw/s1600/roncador+2+ed+letras+verdes+II.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="308" data-original-width="217" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKPSFZV9kPH3Qer19dB1xQvFhyKHGPvo6aLM8df59i8UCEphXeeR8Os3fpM9wxbXoogHI5C3pQnb0u_Xh1ihbbpSC-Cx_m-WsIhtB25J1cqEDHJZsBG6Kj2V98ro5o426gihr55wDJZYw/s640/roncador+2+ed+letras+verdes+II.jpg" width="449" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><font color="#ffffff">Roncador: Expedição da Bandeira Piratininga. 1940. 2 ed. Edições Cultura Brasileira: Rio de Janeiro, 294 p. </font></span></td></tr>
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Expedição à Serra do Roncador.Editora: Universitária. 1943. 3 ed. 299 p.<br /></font></span>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidHK39Vdz8ObyrAK_O2te1JyW13-Ptg4FPGMejyVKuv9FMm4jap-2D3_YI_Y7yIOPe0UV08n51evuMzYZ-7AsQBQw2p9fKHXYVX_M58gCW5LIgnWnoaTxK4FumKJXtyw1eZO6qVV_MM7w/s1600/Roncador+3+ed.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="420" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidHK39Vdz8ObyrAK_O2te1JyW13-Ptg4FPGMejyVKuv9FMm4jap-2D3_YI_Y7yIOPe0UV08n51evuMzYZ-7AsQBQw2p9fKHXYVX_M58gCW5LIgnWnoaTxK4FumKJXtyw1eZO6qVV_MM7w/s640/Roncador+3+ed.jpg" width="448" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><font color="#ffffff">Expedição à Serra do Roncador.Editora: Universitária. 1943. 3 ed. 299 p.</font></span></td></tr>
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Roncador. 1962. 4ª ed rev ill. Leia - SP. 329 p. 20 cm<br /></font></span>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEit1CQtXVD6aCq2zRh57KC_IyB7mFMT5AlnIPLlCp9wbvetBVA5TI7nzWNEMoTWx8wmynoJEiP0MCfp3iNCSpe-1juKxztwypfEJPVtafOPkN-Vd436FQmtHGsMt429q_7EZdRyz4Ai9iw/s1600/296.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="750" data-original-width="503" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEit1CQtXVD6aCq2zRh57KC_IyB7mFMT5AlnIPLlCp9wbvetBVA5TI7nzWNEMoTWx8wmynoJEiP0MCfp3iNCSpe-1juKxztwypfEJPVtafOPkN-Vd436FQmtHGsMt429q_7EZdRyz4Ai9iw/s640/296.jpg" width="427" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 19.2px;"><span style="background-color: black;"><font color="#ffffff">Roncador. 1962. 4ª ed. Leia: São Paulo. 329 p.<br />
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RIO DA SOLIDÃO<br />
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Rio da Solidão. 1957. 1 ed. Nota explicativa de Afonso Schmidt; capa de Vicente di Grado. ClubE do Livro - SP. 178 p. map; 14 x 19 cm.</font><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn5T95uBwxx2Kt5e31ip_Nv-PpeDYdaV3uyBEGNyTR4dhCLMUsV9ufehYtA4cj32j4uC9Dndol06YNGry_sShhwytdvMxjWZd4WyRRdlPeumlTzSN2wmDHfToKOtlCAJuXylyzn81ofSY/s1600/rio+da+solid%25C3%25A3o+1957.jpg" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="480" data-original-width="393" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn5T95uBwxx2Kt5e31ip_Nv-PpeDYdaV3uyBEGNyTR4dhCLMUsV9ufehYtA4cj32j4uC9Dndol06YNGry_sShhwytdvMxjWZd4WyRRdlPeumlTzSN2wmDHfToKOtlCAJuXylyzn81ofSY/s640/rio+da+solid%25C3%25A3o+1957.jpg" width="523" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><font color="#ffffff">Rio da Solidão. 1957. 1 ed. . Clube do Livro: São Paulo. 178 p. </font></span></td></tr>
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Rio da Solidão. 1964. 2 ed. Leia - SP. 218 p.<br /></font></span>
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<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><font color="#ffffff">Rio da Solidão. 1964. 2 ed. Leia: São Paulo. 218 p. </font></span></td></tr>
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TERRA SEM SOMBRA<br />
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Terra sem Sombra. 1952. 1ª ed. Capa de Nico Rosso. Coleção Saraiva, v. 53. Saraiva - SP. 242 p.</font></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKcEz-R5jlTMjcCEvZjsOa9X7RGTuqNY7PyZIfjC7Cj20Etqphw4XlvYjaw04zUi3kre8M1QQsrhjDwIKs0oPq5nlDDBZreKKydeL2p3T1euulbpBgDuSClpPi8yPrC-9QI9PvjxVVTwY/s1600/Terra+Sem+Sombra+%2528Willy+Aureli%252C+Editora+Saraiva%252C+Cole%25C3%25A7%25C3%25A3o+Saraiva%2529.jpg" style="background-color: black; margin-left: auto; margin-right: auto; text-align: center;"><font color="#ffffff"><img border="0" data-original-height="736" data-original-width="461" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKcEz-R5jlTMjcCEvZjsOa9X7RGTuqNY7PyZIfjC7Cj20Etqphw4XlvYjaw04zUi3kre8M1QQsrhjDwIKs0oPq5nlDDBZreKKydeL2p3T1euulbpBgDuSClpPi8yPrC-9QI9PvjxVVTwY/s640/Terra+Sem+Sombra+%2528Willy+Aureli%252C+Editora+Saraiva%252C+Cole%25C3%25A7%25C3%25A3o+Saraiva%2529.jpg" width="400" /></font></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><font color="#ffffff">Terra sem Sombra. 1952. 1ª ed. Coleção Saraiva, v. 53. Saraiva: São Paulo. 242 p.</font></span></td></tr>
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<br />
Terra sem Sombra. 1964. 2ª ed, Leia: São Paulo. 241 p. 15 x 21 cm</font></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhItDQoGe6SsZ5Bj4ZJi2gQAoM3jnSP1V91Ax_4y9E3Vl7akM8w4ZAVcD7_nnq0jsYAEvTjiIVMUhMFkW1_dA9hOIigZp-9Pg6gW_umg2Xb904B5IffNdolFtlcdLMmqhXfnJ5Datf78VM/s1600/terra+sem+sombra+willy+aureli+2+ed+-+C%25C3%25B3pia.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="256" data-original-width="179" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhItDQoGe6SsZ5Bj4ZJi2gQAoM3jnSP1V91Ax_4y9E3Vl7akM8w4ZAVcD7_nnq0jsYAEvTjiIVMUhMFkW1_dA9hOIigZp-9Pg6gW_umg2Xb904B5IffNdolFtlcdLMmqhXfnJ5Datf78VM/s640/terra+sem+sombra+willy+aureli+2+ed+-+C%25C3%25B3pia.jpg" width="447" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><font color="#ffffff">Terra sem Sombra. 1964. 2ª ed, Leia: São Paulo. 241 p</font></span></td></tr>
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BIU MARANDU<br />
Biu Marandu: os donos da chuva. 1963. 1 ed. Edições Leia: São Paulo, 23</font></span>8 p.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDhJNeOLhbTJ-ATvYQE6w7fu1fwagK48-_ttKI9tRkVA6Q8aON02UVOWRH2mlGdQroS2CTw8Mb0XScRf_2Q0cvqCN7V4duLMXdhsK9fmevEopvihJsSNsKMIDf8Iz_04aFcydbFhK1YiE/s1600/9192a809089b9138415c3116776af329f998c018.jpg" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="410" data-original-width="300" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDhJNeOLhbTJ-ATvYQE6w7fu1fwagK48-_ttKI9tRkVA6Q8aON02UVOWRH2mlGdQroS2CTw8Mb0XScRf_2Q0cvqCN7V4duLMXdhsK9fmevEopvihJsSNsKMIDf8Iz_04aFcydbFhK1YiE/s640/9192a809089b9138415c3116776af329f998c018.jpg" width="467" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><font color="#ffffff">Biu Marandu: os donos da chuva. 1963. 1 ed. Edições Leia: São Paulo, 238 p.</font></span></td></tr>
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ESPLENDOR SELVAGEM<br />
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Esplendor Selvagem. 1960. 1 ed. Nota de Judas Isgorogota. Capa de Vicente di Grado. Clube do Livro: São Paulo. 1960. 160 p. 19cm</font></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhSXuZG2DXmcB2Tn1jZ9FrNGCeJnEEn0Q_QUfrbfx3yj9CivFcjQER4JrL3KtGtWxCsJK-O0Z7ppL2JTS82NtiL1lgyKg1NySYdouTVRGwx2tiYb0wZfHDyPRKpFpRS8YAO6KLBIqK_Gg/s1600/292.jpg" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="750" data-original-width="563" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhSXuZG2DXmcB2Tn1jZ9FrNGCeJnEEn0Q_QUfrbfx3yj9CivFcjQER4JrL3KtGtWxCsJK-O0Z7ppL2JTS82NtiL1lgyKg1NySYdouTVRGwx2tiYb0wZfHDyPRKpFpRS8YAO6KLBIqK_Gg/s640/292.jpg" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><font color="#ffffff">Esplendor Selvagem. 1960. 1 ed. Clube do Livro: São Paulo. 160 p</font></span></td></tr>
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<span style="background-color: black;"><font color="#ffffff"><br />
Esplendor Selvagem. 1964. 2 ed. rev. ill. Prefácio: Judas Isgorogota, incluindo Biografia do Autor. Leia - SP. 261 p. 13 x 19</font></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC11x544KfygQL9dHtO0zMH1ik3hQEL7WJuOQHsgC8lnNsMVk-3gE1vsu5sgFt9KfqxoThXkjcfhqtM8bYUiWGKKolFVUhb8NTAshNEz9Yr_rj0cD3jwyW8lCF_GcJdf6ryDBrwGXMIcM/s1600/esplendor+selvagem+III+-+C%25C3%25B3pia.jpeg" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="1200" data-original-width="900" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC11x544KfygQL9dHtO0zMH1ik3hQEL7WJuOQHsgC8lnNsMVk-3gE1vsu5sgFt9KfqxoThXkjcfhqtM8bYUiWGKKolFVUhb8NTAshNEz9Yr_rj0cD3jwyW8lCF_GcJdf6ryDBrwGXMIcM/s640/esplendor+selvagem+III+-+C%25C3%25B3pia.jpeg" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div style="font-size: medium; text-align: left;"><span style="background-color: black;"><font color="#ffffff">
Esplendor Selvagem. 1964. 2 ed. Leia: São Paulo. 261 p. </font></span></div>
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SERTÕES BRAVIOS<br />
Sertões Bravios. 1943. 1 ed. Editora Universitária - SP.</font></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4XnZNnYVlADJlhvEgZLBrZzDV_AUbBKAFyIKEXfUT1STvdCduzD4kFAYerm5RVYqTNkoJbV634ppW68DAV_da_bNxAnk3AfR6dAmyygdlBz708aUZBf4ppYoRanG-oWHiaVUUlsS1PZg/s1600/299.jpg" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="750" data-original-width="605" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4XnZNnYVlADJlhvEgZLBrZzDV_AUbBKAFyIKEXfUT1STvdCduzD4kFAYerm5RVYqTNkoJbV634ppW68DAV_da_bNxAnk3AfR6dAmyygdlBz708aUZBf4ppYoRanG-oWHiaVUUlsS1PZg/s640/299.jpg" width="516" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div style="font-size: medium; text-align: left;"><span style="background-color: black;"><font color="#ffffff">
Sertões Bravios. 1943. 1 ed. Editora Universitária: São Paulo. </font></span></div>
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<span style="background-color: black;"><font color="#ffffff"><br />
Sertões Bravios. 1962. 2 ed. rev. ill. Leia, SP. 189 p. 19 x 31 cm</font></span><br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5EmsUc9JBkIhKNfvcImJOMFsTy2LnOwEYJD0LyVfCLT9AyDS_gkOeyFvVhxVwc35_gLRpGxfzBHsCAD2_8f884ZmlKzFYEo6e2UlKyU6hKccf6zCvgET2p1JKrnGmQt7x74EZ-nQPpOw/s1600/SERT%25C3%2595ES+BRAVIOS+2+ED+coorigida.jpg" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="589" data-original-width="408" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5EmsUc9JBkIhKNfvcImJOMFsTy2LnOwEYJD0LyVfCLT9AyDS_gkOeyFvVhxVwc35_gLRpGxfzBHsCAD2_8f884ZmlKzFYEo6e2UlKyU6hKccf6zCvgET2p1JKrnGmQt7x74EZ-nQPpOw/s640/SERT%25C3%2595ES+BRAVIOS+2+ED+coorigida.jpg" width="442" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><font color="#ffffff">Sertões Bravios. 1962. 2 ed. Leia: São Paulo. 189 p</font></span></td></tr>
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BANDEIRANTES D'OESTE<br />
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<span style="font-family: verdana, arial, helvetica, sans-serif;"><span style="font-size: 19.68px;">Bombástica narrativa de viagens aos Karajá, Tapirapé e Javahé, realizadas pelo autor em 1945 e 1946, onde certas e boas observações se misturam tão inseparavelmente a produtos de fantasia, que o livro se torna, cientìficamente, inaproveitável.</span></span><br />
<span style="font-family: verdana, arial, helvetica, sans-serif; font-size: 19.68px;">Fonte: Biblioteca Curt Niemundajú</span><br />
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Bandeirantes d'Oeste. 1940. 1 ed. São Paulo, Editora Universitária. 293 p. ill. 23 cm</font><br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWX82S8FmR3AWaQvPBkI4MKGPDiBw0q06O2oX3iYZ96Cnul3OKq2y9RB1J-IQFM6FP2nXnaLPfU23ju6zMc-9A6BV7x5UdRLbQBr2jTp2enzbnVf6niYAJH56Goo5VpR-bmt3kWzn1TnY/s1600/bandeirantes+do+oeste+1+ed+Editora+Universitaria.webp" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="794" data-original-width="476" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWX82S8FmR3AWaQvPBkI4MKGPDiBw0q06O2oX3iYZ96Cnul3OKq2y9RB1J-IQFM6FP2nXnaLPfU23ju6zMc-9A6BV7x5UdRLbQBr2jTp2enzbnVf6niYAJH56Goo5VpR-bmt3kWzn1TnY/s640/bandeirantes+do+oeste+1+ed+Editora+Universitaria.webp" width="380" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><font color="#ffffff">Bandeirantes d'Oeste. 1940. 1 ed. Editora Universitária: São Paulo. 293 p</font></span></td></tr>
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Bandeirantes d'Oeste. 1962. 2 ed. Leia: São Paulo. 327 p. ill. 23 cm<br /></font></span>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLVKZNJADfmdK_Uvv1SyWLMhtvBcthn217dhpDkMkPMKc6ZltLkF2OMKG5zL2rJuERLKsHfIq8SsCZrw81lc0P4boVU13bJM-jebOtQVF7xGoLvXW84m_7vICOmjoPyeFEhQJWCdHx6rI/s1600/bandeirantes+do+oeste+III.jpeg" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="1200" data-original-width="900" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLVKZNJADfmdK_Uvv1SyWLMhtvBcthn217dhpDkMkPMKc6ZltLkF2OMKG5zL2rJuERLKsHfIq8SsCZrw81lc0P4boVU13bJM-jebOtQVF7xGoLvXW84m_7vICOmjoPyeFEhQJWCdHx6rI/s640/bandeirantes+do+oeste+III.jpeg" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black;"><font color="#ffffff">Bandeirantes d'Oeste. 1962. 2 ed. Leia: São Paulo. 327 p</font></span></td></tr>
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LÉGUAS SEM FIM<br />
Leguas sem fim. 1949. 1 ed. Editora Universitaria: São Paulo, 20 cm<br />
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Léguas sem fim. 1963. 2 ed. rev. ill. Ilustrações de Hamilton. Leia: São Paulo. 258 p. 20 cm</font></span><br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUdpaDYq0mG6orC5kmFmOfvIanmULH8KaBl3hGHMN8ASjT1mJhI0TINVR6pfPq7e8829Ls-D3HcfSV34-NAKWQ6nLmX9G3H-JQGoi5IA_dHBJ5f5g4a-ki5QZGr8scqaPhhbbgldD-J5A/s1600/leguas.jpg" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="265" data-original-width="190" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUdpaDYq0mG6orC5kmFmOfvIanmULH8KaBl3hGHMN8ASjT1mJhI0TINVR6pfPq7e8829Ls-D3HcfSV34-NAKWQ6nLmX9G3H-JQGoi5IA_dHBJ5f5g4a-ki5QZGr8scqaPhhbbgldD-J5A/s640/leguas.jpg" width="457" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div style="font-size: medium; text-align: left;"><span style="background-color: black;"><font color="#ffffff">
Léguas sem fim. 1963. 2 ed. Leia: São Paulo. 258 p</font></span></div>
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SUMAÚMA<br />
Sumaúma:roteiro indianista. 1966. Nota explicativa de Fernandes Soares.São Paulo : Clube do Livro. 140 p. 19 cm.</font></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSPCAY6HKnkQKjX8ug4H4KyGmBPUOsw_V1z57Qk3ZkVRin4pK4AO8RckIINlraSQDAGfcf0eSrbWZip7ENbQyc7x1KZ3YymbBDCxS4ATPXFrosSZumb4KByvrev0SGTVQ0Nk8H2wWJM94/s1600/willy+aureli+sumauma.jpg" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="600" data-original-width="466" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSPCAY6HKnkQKjX8ug4H4KyGmBPUOsw_V1z57Qk3ZkVRin4pK4AO8RckIINlraSQDAGfcf0eSrbWZip7ENbQyc7x1KZ3YymbBDCxS4ATPXFrosSZumb4KByvrev0SGTVQ0Nk8H2wWJM94/s640/willy+aureli+sumauma.jpg" width="496" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><font color="#ffffff" style="background-color: black;">Sumaúma:roteiro indianista. 1966. Clube do Livro: São Paulo. 140 p<br />
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BUGRES NO RIO DAS MORTES</font></div>
<div style="font-size: medium; text-align: left;"><font color="#ffffff" style="background-color: black;">
Bugres no Rio das Mortes. 1973. 1 ed. Clube do Livro: São Paulo. 156 p. 19 cm. </font></div>
<div style="font-size: medium; text-align: left;">
<font color="#ffffff" style="background-color: black;"><br />
Este livro (póstumo) apresenta um prefácio da filha do autor Brunilde Aureli Brito. Onde descreve as aventuras do pai no Brasil e exterior. Também uma breve biografia dos editores do Clube do Livro</font></div>
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje4qI9WQZCUGp0zz4X3VHICqWmeQFjb6mpA2VeLFoBZfKKjhm0eo4KH2tPIuCbA8MFgUPBlYTwGzm_5WZV-aKovbHl-FCP9z37TkTTmZAnAVoA1h0_-Jk0IiSRFT_t_BZfYLKk-Ir1KQM/s1600/271.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="750" data-original-width="548" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje4qI9WQZCUGp0zz4X3VHICqWmeQFjb6mpA2VeLFoBZfKKjhm0eo4KH2tPIuCbA8MFgUPBlYTwGzm_5WZV-aKovbHl-FCP9z37TkTTmZAnAVoA1h0_-Jk0IiSRFT_t_BZfYLKk-Ir1KQM/s640/271.jpg" width="466" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 19.2px;"><span style="background-color: black;"><font color="#ffffff">Bugres no Rio das Mortes. 1973 1 ed. Clube do Livro: São Paulo. 156 p.</font></span></td></tr>
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Atualizado em 05 de Junho de 2020. Tempos de peste. <div class="separator" style="clear: both; text-align: center;">
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com0tag:blogger.com,1999:blog-6800349290165781826.post-45361980197553323132017-08-25T13:40:00.001-07:002017-08-25T13:40:06.898-07:00Amazônia - Rondon - Livros sobre Rondon <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Gotham;"><span style="color: blue; font-size: x-large;">Rondon</span></span><br />
<span style="font-family: Gotham;"><span style="color: blue; font-size: large;"><br /></span></span>
<span style="font-family: Gotham;"><span style="color: blue; font-size: large;">Clóvis de Gusmão - Livraria José Olympio Editora, 1942. Brochura, 226 pg</span></span><br />
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com0tag:blogger.com,1999:blog-6800349290165781826.post-85976680503034227382017-04-01T03:42:00.003-07:002017-04-01T03:42:45.924-07:00Exploration of the Valley of the Amazon - William Lewis Herndon <div dir="ltr" style="text-align: left;" trbidi="on">
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<span class="a-size-large" id="productTitle" style="box-sizing: border-box; line-height: 1.3 !important; text-rendering: optimizeLegibility;">Exploration of the Valley of the Amazon</span> </h1>
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by William Lewis Herndon e Gary Kinder. 3 ed. 2000</h1>
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<tr><td class="tr-caption" style="text-align: center;">HERNDON, W. L.; KINDER, G. Exploration of the Valley of the Amazon: 1851 - 1852. New York: Grove Press, 2000. 343 ISBN 978-0802137043</td></tr>
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<span style="color: #111111; font-family: Arial, sans-serif;"><span style="font-size: 13px;">In 1857, Captain William Lewis Herndon sacrificed his life trying to save 600 passengers and crew when his ship foundered in a hurricane off the Carolina coast. Memorialized in Gary Kinder's best-selling book Ship of Gold in the Deep Blue Sea, Herndon, with this final courageous act, epitomized a lifetime of heroism. Seven years earlier, the secretary of the Navy had appointed Herndon to lead the first American expedition into the Amazon Valley. Herndon departed Lima, Peru, on May 20, 1851, and arrived at Para, Brazil, nearly a year later, traveling 4,000 miles by foot, mule, canoe, and small boat. He cataloged the scientific and commercial observations requested by Congress, but he filed his report as a narrative, creating an intimate portrait of an exotic land before the outside world rushed in. Herndon's report so far surpassed his superiors' expectations that instead of printing the obligatory few hundred copies for Congress, the secretary of the Navy ordered 10,000 copies in the first print run; three months later, he ordered 20,000 more. Herndon described his adventures with such insight, such compassion and wit, and such literary grace that he came to symbolize the new spirit of exploration and discovery sweeping mid-nineteenth-century America. For the next hundred years, Herndon's report languished out of print before being revived briefly in 1951. Now, for the first time in nearly fifty years, Gary Kinder and Grove Press bring to readers one of the greatest chronicles of travel and exploration ever written.</span></span></div>
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<span style="color: #111111; font-family: Arial, sans-serif;"><span style="font-size: 13px;">Editorial Reviews </span></span><span style="color: #111111; font-family: Arial, sans-serif; font-size: 13px;">From Library Journal</span></div>
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<span style="color: #111111; font-family: Arial, sans-serif;"><span style="font-size: 13px;">Herndon, a U.S Navy captain, was ordered by the government to explore the Amazon in 1851 and write down his observations. Within a year he and his group had traveled more than 4000 miles by canoe, by mule, and often on foot at the peril of disease, hostiles, and being chomped by snakes (and today's trekkers carp because they can't plug in their hair dryers). His notes proved so marvelously written that the Secretary of the Navy ordered 10,000 copies printed. They went fast, and 20,000 more followed. </span></span></div>
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<span style="color: #111111; font-family: Arial, sans-serif;"><span style="font-size: 13px;">Herndon sacrificed his life in 1857, trying to save six hundred passengers and crew when his ship, the Central America, foundered in a hurricane off the Carolina coast. Naval officers erected a monument to his memory, which still stands at the U.S. Naval Academy in Annapolis. --This text refers to an out of print or unavailable edition of this title.</span></span></div>
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<span class="a-size-large" id="productTitle" style="box-sizing: border-box; line-height: 1.3 !important; text-rendering: optimizeLegibility;">Exploration of the Valley of the Amazon</span> </h1>
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by William Lewis Herndon e Lardner Gibbon. 1 ed. 1853</h1>
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<b>1853. First Edition. HERNDON, William Lewis and GIBBON, Lardner. Exploration of the Valley of the Amazon, Made under Direction of the Navy Department. Washington: Robert Armstrong; A.O.P. Nicholson, 1853-54. Three volumes. Octavo, original blind-stamped plum cloth. First edition, mixed Senate and House issues, of this fascinating and richly illustrated narrative of South American exploration, with 52 tinted lithographs and 38 in-text wood engravings, accompanied by scarce portfolio volume of three folding maps tracing Herndon’s passage through the Andes and descent along the Amazon.After serving in the United States Naval Observatory, Lt. William Lewis Herndon was sent to the South Pacific and in 1850 was chosen to lead a "Pacific squadron to return through South America via the Amazon Valley," an expedition planned in hopes of colonizing the region with slaveowners, thus eradicating slavery from the southern states, and as a means of preventing English merchants from establishing a cotton-producing industry along the river. Herndon left for Lima in January 1851, where it was decided he would approach the Amazon through Peru and Gibbon through Bolivian tributaries. After difficult passage through Peru, Herndon’s expedition reached Tingo Maria, at the confluence of the Monzon and Huallaga Rivers, and on September 25, 1851, "boats were fitted with decks and coverings, the American flag was raised and the Amazon was entered." Herndon completed his descent of the Amazon in January 1851 and "after a month sailed for the United States. Herndon’s report, and that of Gibbon, who had successfully descended the Madeira and Amazon, provided a wealth of information" (Howgego, 283). Herndon submitted his complete survey to Congress on January 26, 1853. It contains "minute, accurate and very interesting accounts of the aborigines of the Andes, and the Amazon and its tributaries" (Sabin 31524) and was "instrumental in helping to open up the Amazon River to merchant ships of all nations" (DAB). Narrative of Volume I by Herndon, Volume II by Gibbon. With separate portfolio volume of three engraved folding maps to accompany Herndon’s account, containing: Valley of the Amazon, partially color-outlined and measuring 19 by 24-1/2 inches; Plan del curso de los Rios Huallaga y Ucayli y del la Pampa del Sacramento, measuring 11-1/2 by 17 inches, and Map of the Rivers Huallaga, Ucayli & Amazon, measuring 27 by 60 inches. H</b></div>
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<b>This American expedition was first proposed by the prominent oceanographer Matthew F. Maury. He urged North American plantation owners to emigrate to the Amazon valley with their slaves to seek their fortunes. He also advocated opening the Amazon to international commerce. Maury was the brother-in-law of Lt. Herndon, a naval officer. The expedition was organized by the U.S. Navy Department and sent out to South America in the Years 1851 and 1852. The Americans traveled to Chile and to Lima, Peru, where Lt. Herndon pushed into the upper Amazon. Lt. Gibbon traveled south through Bolivia and then into the selvas of Brazil. The two groups met in Serpa, Brazil, and then continued down the Amazon River to Para. Herndon was later lost with his ship, Central America, off Cape Hatteras, in 1857. </b></div>
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<b>The work itself is a minute, accurate, and very interesting study on the aborigines of the Andes and on the geography of the Amazon and its tributaries. (Hill pg. 284), Size : 8vo, 52 lithographed plates and 5 folding maps. The folding maps are usually found in two separate volumes but have been inserted into the this example., Volume : 2 volumes, References : Sabin 31524; Hill 803, Volume 1. P. 1-15, blank (2), frontis, title, blank, 3-414, blank (2), i-iii, plate listing; Volume 2. P. frontis, title, blank, iii-x, (1), 1-339</b></div>
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com2tag:blogger.com,1999:blog-6800349290165781826.post-31405071936411117752017-03-25T02:41:00.000-07:002017-03-25T02:41:26.986-07:00A LIBERDADE DE NAVEGAÇÃO NO AMAZONAS: RELAÇÕES ENTRE O IMPÉRIO E OS ESTADOS UNIDOS DA AMÉRICA<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://www.blogger.com/blogger.g?blogID=6800349290165781826" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><span style="font-size: small;"><span style="background-color: white; color: #67642e; font-family: "trebuchet ms", Arial, sans-serif;"><b>Como indica seu subtítulo Relações entre o Império e os Estados Unidos da América - a obra aborda o papel crucial desempenhado por aquela nação no longo processo de abertura do Rio Amazonas à navegação internacional, decretado em 1866. Considerando os aspectos diplomáticos, políticos e jurídicos, e com base em farta documentação, são historiados os conflitos que a questão suscitou entre o Brasil e outras nações, capitaneadas pelos EUA.</b></span></span></h2>
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MEDEIROS, FERNANDO SABOIA de MEDEIROS. A liberdade de navegação no Amazonas: relações entre o Império e os Estados Unidos da América. São Paulo: Companhia Editora Nacional, 1938. Brasiliana, v. 122. 1 ed. 303 p.</h2>
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<tr><td style="text-align: center;"><img alt="Resultado de imagem para A Liberdade De Navegacao Do Amazonas" height="400" 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" 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MEDEIROS, FERNANDO SABÓIA de MEDEIROS. A liberdade de navegação no Amazonas: relações entre o Império e os Estados Unidos da América. Biblioteca do Exército. São Paulo. Coleção General Benício, v. 505. 2014. 2 ed. 238 p.</h2>
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Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com3tag:blogger.com,1999:blog-6800349290165781826.post-86638999447432340622017-03-24T19:01:00.001-07:002017-03-24T19:01:06.699-07:00Trilhando a História - Aleks Palitot: 2012 Centenário da Estrada de Ferro Madeira Mamoré<a href="http://alekspalitot.blogspot.com.br/2011/12/2012-centenario-da-estrada-de-ferro.html">Trilhando a História - Aleks Palitot: 2012 Centenário da Estrada de Ferro Madeira Mamoré</a>Stanislawshttp://www.blogger.com/profile/03036968250672366218noreply@blogger.com0